networking

A moment of evaluation and introspective

Maximum Z adventure, comedy, concept, contest, creativity, fantasy, ideas, manager, mystery, networking, Nicholl Fellowship, plot, quality, query letter, representation, research, rewrite, screenwriting, social media, westerns, writing
Certainly a lot of things to...ponder
Certainly a lot of things to…ponder

Whoo! What a week this has been. Lots of goings-on on several fronts. Big picture stuff first.

-The semifinalists were announced earlier this week for this year’s Nicholl. 149 in total, out of somewhere in the neighborhood of 7,500 initial entries. Turns out I know at least 7 of those writers on a somewhat personal level, whether it be through social media or from actual physical contact.

I am equal parts thrilled for and jealous of all of them, but also made sure to send each a note of congratulations. They definitely earned it. And several of them have made it to this point before, and probably will do so again in the future, so that means the rest of us have to really step up our game.

Watching this as a non-participant definitely puts things in perspective. I didn’t enter any contests this year, so I can’t even begin to speculate how my script might have fared. It’s been a major effort to work on improving it to the point that I like to think it’s good, possibly even really good (he said, trying not to sound totally biased), but how would it do in a contest, especially one of this magnitude? There are no delusions of grandeur, but who doesn’t daydream about grabbing the top prize? Jittery nerves and lofty ambitions all at the same time. Only way to find out is enter it next year and hope for the best.

-Operation ManagerQuest continues. Fingers firmly crossed that all the research, fact-checking and list-assembling will result in something positive. Thanks to everybody who’s offered their good wishes and support.

Although this time is all about the western, I put together and sent out a handful of queries for the fantasy-adventure. Since those were sent to places that might be more interested in that kind of thing, each letter was customized for its designated recipient. Queries about the western will go out next week.

-As things continue to wrap up for the western, focus is shifting to what’s quickly evolving into a total rewrite of the outline of the mystery-comedy. Not gonna lie. This is the one that grabs people’s interest and attention, so we’ll see what I can do with it.

While the overall plot and concept remain the same, several new ideas, angles and approaches are being developed that I sincerely hope will make it better.

Not a bad week. Hope it was equally, if not more productive for you.

Moving on to my next set of doors

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Well, that’s that.

The latest round of work on the western is done. Taking a little break while waiting for some feedback from friends and trusted colleagues, then off it goes to one more professional consultant. Hopefully not too much more to do with it after that.

(Also gearing up to enter it in a couple of contests next year.)

So what now? Easy.

Start researching potential managers to query about it, and get started on the next script – one in particular that may not need as much work as originally expected.

These are thrilling times we live in, chums, with bigger and better things yet to come.

And which of your many projects are you focusing on right now?

Bogie said it best

Maximum Z Casablanca, networking, screenwriting, social media, writing

I’ve talked about this before, but recent events have warranted a revisiting of the topic.

When I connect with somebody or somebody connects with me on social media, I thank them and ask how their latest project is coming along. I ask because I actually am interested, and just think it’s cool to hear about what other people are working on.

There are several types of responses:

1. They describe what they’re working on, and end by asking me the same question. This happens the most frequently, which is great. It actually feels like a conversation, and I’ve made some great connections this way.

2. The cut-and-paste boilerplate response that reads exactly like one. “Thanks! Check out my video/like my Facebook page/donate to my Kickstarter, etc.” While I can understand this approach, it comes across as “I’m only connecting with you to get promote myself/my stuff”. I’ve never clicked through, and suspect a lot of others don’t either.

-An exception to this has been the rare combination of the above two. Someone described their project, included a link, and asked about me. The fact that they apparently made the extra effort to do a little of everything, without overdoing it, actually made me interested in checking out their link (which I did).

3. No response whatsoever. Perhaps you’ve not exactly grasped the concept that ‘social media’ includes ‘social’, as in ‘interacting with others’? Will I ever ever hear from you? It makes no difference to me that you dropped the ball on this, but if you’re not going to follow through on your end, then why bother doing this at all?

On that note…

3a. After sending my standard initial response, and getting no response, once in a while I’ll receive something like this (as I did earlier this week) from someone who’d asked me to connect several months ago: “Hey how’s it going? I’m what you call fresh meat to the industry so maybe you can help me”

My wise friend Bob sums it up quite nicely here, but I’d like to add my two cents.

You came to me, remember? Apparently not.

I responded, because I like to be polite in this scenario.

Then it was your turn, but you didn’t do anything. Now you’re back after a prolonged period of time with a very straightforward “I know we’ve never interacted before, but this is what you could do for me”.

I could, but I sure as hell ain’t gonna. (I’d be astonished if this person got even one response saying “Sure!”)

I hate to break this to you, but your networking skills suck. I’m more than happy to help somebody out if/when I can, but you have to earn it first. Popping out of my distant past with a generic plea for help isn’t going to do it.

I’ve put a lot of time and effort into building and maintaining my network of friends and trusted colleagues, and many of them have done the exact same thing.

Why haven’t you?

An impression most memorable

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I had the good fortune to connect with another local writer a few weeks ago. We met for a casual chat over drinks and discussed the usual stuff: our writing backgrounds and experiences, what we like to write, and so on.

I love this kind of stuff (both the networking and the discussion) and genuinely enjoy hearing the stories of others writers.

As we started to wrap things up, she commented on how nice it was to meet me and how inspiring and motivational my attitude was, which totally caught me off-guard.

I was just being nice (as is my way), and, like a lot of people, tend to get excited and a little animated when I talk about screenwriting.

Apparently that’s a good thing.

But why be anything but nice? I always marvel at when another writer recounts how somebody they met with did not portray themselves in a positive light, bragging about themselves or their “accomplishments”.

One of those constantly-repeated pieces of advice for when you’re starting out is that when you meet someone working in the industry, you should present yourself as someone who would be pleasant to work with (followed up by actually acting that way, of course).

This also applies to when you meet somebody else in a face-to-face scenario. Amazingly, not a lot of people are going to be interested if your favorite subject is you.

A lot of this business is built on relationships. “It’s not what you know, it’s who you know,” right?

If you found about a project where someone’s looking for a certain kind of writer, and you know two who fit the bill exactly, but one’s kind of a jerk, wouldn’t you be more likely to recommend the other one?

You’re going to meet all kinds of people along the way of developing your career. You want to make a good first impression and have people think of you in the best possible light.

Think of it this way: Would you rather be remembered because people liked what they saw in you, or because they didn’t?

And….scene.

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truman gif

I first came up with the idea of doing interviews with professional script readers and consultants just about a year ago. I was curious about how they got into this, what they looked for when reading a client’s script, and what a writer could do to develop their craft.

And of course, their favorite kind of pie.

Based on my activity in social media and having heard them on a few writing/screenwriting podcasts, I could only think of a handful of consultants.

But the more research I did, the more consultants I found and contacted, asking if they’d be interested in taking part. The number of interviews was growing exponentially. Responses were overwhelmingly positive, with many excited to be involved (with a few opting to decline for their own reasons).

What I thought would be a fun 5-week lark of a project soon snowballed into a 10-month undertaking of monumental proportions. I started with five names, and ended up with 50. Fifty. 5-0. That’s a lot.

Some of you might be wondering what I got out of this. It’s just something I’m interested in. A fascinating subject that also happens to apply to something I want to do for a living. Nobody offered me free coverage, nor did I ask, because this is how most of these folks make a living, and it would be just plain rude and tacky to ask. I’ll also admit right here that a whopping three out of the fifty offered a discount on their rates in gratitude.

As someone who has used consultants in the past, I’ve been very fortunate in getting extremely helpful feedback that’s made a big difference in making my scripts better. Hopefully other writers can connect with any of the consultants in these interviews and have the same experience.

There are those who are against the idea of using consultants, with some claiming it’s just a scam designed for the sole purpose of separating you from your money. No doubt there are some out there that fall into this category, but most tend to be legitimate. Since there are so many to choose from, I’ve always recommended good old-fashioned comparison shopping; do your research and go with the one that works best for you.

Right now it feels kind of weird to not have to worry about editing and assembling an interview to be posted next week. I’ve got a few ideas for what to do next, but for now am going to enjoy the slower pace and return my focus to developing my own material.

Naturally, I’ll be using a consultant for feedback when the need arises.

Thanks for reading.