What comes after the light bulb?

light bulb
This is how it starts

Being a writer means your creativeness is always running, or at least should be. It never shuts off, and sometimes kicks in when you least expect it.

Inspiration can hit anytime, but are you prepared for when it does?

You could be doing something you do practically every day or see something seemingly normal, and all of a sudden think, “Hey! There’s a story here!” It could be whatever you can imagine: the basis for a short, an episode of a webseries, or part of a feature.

Then there’s the thrill as your mind races through all the potential possibilities. What if THIS happened? Or THIS? Ooh! I love THIS! It’s like a shot of adrenaline into the right side of your brain.

When the idea hits, do you immediately write it down, or is it suddenly burned into your brain so deeply that there’s no way you could possibly forget any part of it?

Of course, it’s one thing to come up with the idea. How far do you go with it? Does it lose its luster after a few days, and then you just give up completely? Do you hold onto it because there’s just SO MUCH POTENTIAL here? Do you tinker around with it, file it away, then come back to it weeks or months later?

How original an idea is it? Can you think of something that’s similar? Who’s your target audience? Is it something you yourself would actually pay to see?

Let’s also not forget that this is all based on your thinking. You love the idea, but what if somebody says “I don’t get it” or all you get is a shrug? Do you think the idea is worth developing? Is it one you’re prepared to slave away on for an extended period of time?

It’s easy to come up with the ideas, but definitely not easy to turn them into quality, fleshed-out screenplays. It takes a long time to get the hang of doing this, let alone doing it well. But don’t let the difficulty or length of the journey dissuade you from at least trying.

Start with the idea, and take it from there.

Here’s to the thrill of running ourselves ragged

 

cheers
Clink!

It’s the home stretch of the last week of November, and hopefully you’ve made some excellent progress on your designated writing project. Let’s go with the theory that you made the sincere effort to write every single day.

Pretty nice, isn’t it?

Are you further along than you expected? About the same? Not as much as you’d hoped? Doesn’t matter. You found the time to write and maintained that pattern of producing something on a regular basis.

Even if real life got in the way and maybe you had to skip a day here and there (it happens), isn’t it great to know that you made this commitment to yourself and kept it?

Maybe you had a really lousy day, and think “I really don’t feel like writing today” (which also happens), but then reconsider and realize “No. I said I’m going to do this, and I’m going to do it.” So you sit your ass down and pound away on the keyboard. For how long is irrelevant.

Your total output might just be a couple of lines or a couple of pages, but your progress is right there for you to read. Maybe you tell yourself you’ll do more tomorrow.

Admit it. You like this. Otherwise you wouldn’t be knocking yourself out doing it.

This can be addictive. While some may follow the Dorothy Parker school of thought (hate writing, love having written), others actually enjoy the whole process and want to continue doing so, constantly striving to improve both in quality and output.

I tend to go back and forth, but mostly it’s the latter.

So even though the month is wrapping up, that doesn’t mean you have to slow down on your writing. You’ve gotten into the habit of being a productive writer. Make the effort to continue doing so in the coming months, and that will quickly extend into years.

A pleasantly pocket-sized status update

Just the right size for enjoyment at your convenience
Just the right size for enjoyment at your convenience

Busy times continuing, so just a few items worth mentioning.

-Good progress as the November writing project continues. Closing in on the end of Act 2, and with a few days off next week, hoping to steamroll my way through Act 3 and wrap up the first draft. Still averaging about 2 pages a day, which isn’t necessarily because I’m not very productive, but partially due to…

-Been very busy the past couple of weeks giving notes on scripts written by writer pals kind enough to do it for me. Everybody’s patience is much appreciated.

-In the early discussion stages of helping out on 2 potential projects. Both feel like they’ll really push my creativeness to the limit. Always nice.

-Ran the Golden Gate Half this past Sunday. 1:56:36, including a lot of uphill on both sides of the bridge and a light drizzle during miles 8 through 11. Also nice.

-My daughter, the illustrious Ms V, turned 13 this week. The next few years are going to be interesting, to say the least. Wish me luck.

Have an excellent weekend, and make sure to get some kickass writing done.

Getting the sucky part out of the way

Okay, script. I'm getting a little tired waiting for you to write yourself.
Getting a little tired waiting for you to write yourself.

So how’s your November writing project coming along?

Making the progress you were hoping for? Maybe you’re producing a number of pages above and beyond what you were expecting? Or are you feeling trapped in a morass of agony and frustration because the words just won’t cooperate?

No matter what your output, good on you for keeping at it. Only 20 days to go!

For the sake of this discussion, let’s say at month’s end you have a finished draft. Most likely a first draft.

How would you rate it? Good? Bad? Somewhere in the middle? Or, if you’re like a lot of writers, you’ll label it “okay, but needs a lot of work.”

And you know what? That’s totally cool.

That’s the point of the first draft. Don’t worry about if it’s perfect or not. It’s not. But it is helping you lay down the foundation for your story so you can spend each consecutive rewrite fixing any and all things that need to be fixed.

And there will be a lot of them.

Again, still cool.

Some writers consider just writing the first draft as the biggest obstacle. You’re literally creating something out of nothing. Compared to that, every subsequent draft gets a little easier. You might even be surprised how many new ideas you come up with it as you go along.

The first draft is indeed a necessary evil. At times it probably feels like a neverending slog, but once you actually do finish it, the hard part’s out of the way. All your initial ideas are now assembled into what may or may not resemble what you’re trying to create. It may not be anywhere near the point you want it to be, but you’re definitely better off than when you started.

Don’t just embrace the opportunity of getting through the first draft. Grab it with both hands, hold it tight, and run like hell.

Relocating to a state of zen – OR – Ohmmmmmm

I'll wear the orange, but no way am I shaving my head
I don’t mind the orange robes or the incense, but no way am I shaving my head

As has been well-documented round these parts, I recently entered my western in two contests. One includes feedback as part of the entrance fee, the other gives it as an option.

I don’t usually go the feedback route when it comes to contests, but it had been recommended, so I bit the bullet and opted to do it.

You know that nervous feeling you get in the pit of your stomach while you’re waiting for some kind of potentially life-impacting news? That’s exactly what I was experiencing. Despite my confidence in the script, plus positive comments from friends and trusted colleagues, the butterflies were still taking up residence in my mid-section.

No matter how much I tried to redirect my concentration on working on the low-budget comedy, that nagging thought about the contest feedback would not go away.

What if after all was said and done, the general consensus was that the script sucked and I’d wasted all that time and effort for nothing? Sometimes there’s nothing as powerful as a writer’s self-doubt. It can be downright crippling.

Then the first email came in. If I’d been hooked up to a heart monitor, the thing would have blown a fuse in trying to keep up.

The notes were very positive. Some intriguing comments about what the reader thought needed work, but they seemed to really enjoy it. Possibly even a lot, which was extremely reassuring.

The way I see it, if the reader isn’t gushing over how perfect and wonderful the script is, then I figure there’s not much chance it’ll place, let alone win. Turns out I’m cool with that. While it would be great to win, this is still a pretty solid result.

Two days later, the next email came in. Oh jeez. All those positive feelings I’d reestablished vanished in a puff of smoke. Here we go again.

But much to my surprise, these notes were on par with their predecessor. Lots of positive things to say, plus some suggestions about potential fixes, plus a few things the reader didn’t catch that I thought were fairly obvious, or at least hadn’t been an issue before.

These notes also included scores in 16 categories. Out of a potential 10, I got 2 8s, 2 10s, and the rest were 9s, which was fantastic. Final score 135 out of 150. Not perfect, but still – they seemed to like it, and nobody’s saying, “You suck! Give up now!”  Again, do I think I’ll win? Not likely. Place? Maybe. But right now, that doesn’t seem important.

This whole experience definitely feels like a “face your fears” kind of thing. I know I can do this, and each draft really does help me improve. I was psyching myself out about how I’d do, and ended up actually doing better than expected. That’s pretty good. And since each set of notes had similar things to say about a particular part of the script, I have plenty of time to work on making those fixes before the deadlines for more high-profile contests like PAGE and the Nicholl. Also pretty good.

But most of all I really like the fact that now I can finally put aside thinking/worrying/obsessing about these contests with a little more confidence in my abilities and get back to focusing on developing my other scripts*.

*I’m taking part in the “write an entire script in November” project, but I admit to having had a bit of a head start by working on the low-budget comedy, which was already around the halfway point. But getting this draft done by the end of the month would still put me ahead of schedule.

-My writing chum Justin Sloan, who’s interviewed me as part of his Creative Writing Career book series, has launched the similarly-named Creative Writing Career podcast. A great listen for creative writers interested in several fields, including screenwriting, books and video games. Highly recommended.