excitement

Spark: re-ignited

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Despite how busy I’ve been the past few weeks, one of my ongoing projects has been the animated fantasy-comedy. It’s been rewritten and polished many times, but I knew it still needed at least one more draft.

A slow but steady influx of exceptionally helpful notes will make a significant contribution to this effort.

More than a few of the notes had the same thing to say, and after some intense analysis and evaluation, incorporating the intent of those notes into this new draft could have a major impact on really elevating the quality of this script.

I don’t say this from a place of ego or hyperbole; just about all the notes said the script was really good, but with a few tweaks and adjustments, it could be really, REALLY good.

How could I refuse?

Although extensive rewrites are sometimes necessary, going into this draft having a much more established idea of what I need to do – along with a few ideas of how to do it – fills me with a renewed sense of excitement and enthusiasm.

Suffice to say I am really looking forward to taking this one on.

This is the part of the writing process I’ve always enjoyed – having fun with putting it all together. It probably also helps that I love the story and the characters, and want to present it all in the best possible way.

I’m also glad I decided to skip this year’s contests because now I have more time until the next round of deadlines to get this thing into shape (along with saving a decent chunk of change).

The initial round of planning and outlining is already underway, with confidence levels running strong. Definitely looking forward to see how this all plays out.

Just some minor reshuffling

Maximum Z adventure, animation, comedy, determination, excitement, fantasy, ideas, notes, perseverance, persistence, rewriting, science fiction, screenplay, screenwriting, script, writing , , , , , , , , , , , , , , ,

Almost two weeks into the year and my priorities have already changed. Hopefully for the better.

The original intent was to finish the rewrite of the sci-fi adventure, then start on a new project.

But then I got some phenomenal notes back on the animated fantasy-comedy AND a revived connection from a former collaborator about a project that’s lain dormant for a few years.

So now I’m splitting my time between those two, while the first two have been temporarily relocated to the proverbial back burner. As is my usual fashion, I’ll most likely jot down the occasional thought for the latter two between writing sessions for the former two.

I was initially resistant to the idea of rewriting the fantasy-comedy. It’s done well in some contests and garnered some potential interest, but given the opportunity to make it better, how could I resist? The aforementioned notes really opened my eyes as to what needed work – thankfully not a lot – and it feels like implementing those changes could have quite a positive impact on the script as a whole. Work has already begun and even though I’m still in Act One, I’m thrilled with how it’s going.

Regarding the script that’s been resurrected from the graveyard of abandoned scripts, my former partner had some ideas about it and got in touch with me to discuss it. His suggested changes seem to be more in sync with the type of story we want to tell, and my suggestion was to streamline and simplify the story to make it more relatable.

Both projects seem to hold a lot of potential, and I’m enjoying splitting my time between them. Both are established in terms of their stories, so these new drafts aren’t as challenging as if we were starting with an entirely new blank slate.

How do I feel about all these sudden changes of plans? Honestly, thrilled. I’m enthusiastic about all of them, and while I’d like to work on what I originally set out to, I’ve got no problem taking care of these other two first. If things go smoothly, there might even be the possibility of returning to the initial two sooner than expected.

We’ll see, but fingers crossed.

Catch ya later. Got some writin’ to do.

A slightly different approach

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Consider this a bit of an experiment.

My usual M.O. is to work on the outline of a script multiple times until it’s where it needs to be, and then start on pages. Such was the case for when I started the rewrite of the sci-fi adventure.

Part of that rewriting includes expanding scenes from a one- to two-sentence description to something a little longer, sometimes including dialogue, etc.

With a few previous drafts at my disposal, I already had a good idea of how things were supposed to go.

But after completing the latest outline, I opted to do a quick polish, then just jump right in. Partly because I was eager to get started, and also to see how it would turn out.

So that’s what been going on.

I only have a handful of pages written, and keep wavering between “just crank ’em out and don’t look back” and “write, go back the next time and edit, then move on to the next scene”.

It’s been a good experience. One day I might get a few pages written, others might only see half a page, but it all adds up.

Not giving myself a deadline for this one; more like a vague timeframe.

Also making sure not to rush through it. If more time than expected is spent figuring out the right word or sentence, then so be it. This will also help reduce how much time is spent on the draft after this one.

Since this is totally new territory for me, I’ll be proceeding with equal parts caution, excitement, and wild abandon.

Fingers crossed as I work my way forward.

Q & A with Brooks Elms

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Brooks W Stripes

Brooks Elms is a WGA screenwriter of 25+ scripts with a specialty of crafting grounded personal characters and gut-punch story tension. He’s currently rewriting an Oscar-winning writer. Brooks also loves coaching fellow writers who have a burning ambition to deeply serve their audiences: www.BrooksElms.com

What’s the last thing you read or watched that you thought was incredibly well-written?

JOKER. Because it’s difficult to build empathy for protagonists with flaws that lead to violence against innocent people, especially with all the mass shootings these days. I have ethical questions about whether this was a worthy screenplay to produce because the film can’t help but celebrate what it’s also trying to condemn. And I suspect it will inspire as much (if not more) negative consequences as positive ones – but that makes the screenwriting all the more impressive and skillful. Because this was a very popular film and the bar was VERY high for that level of success.

How’d you get your start in the industry?

Making movies with my friends in high school, which led to NYU film school, then writing, directing and producing indie features. In the last decade, I’ve mostly focused on screenwriting. In between my writing assignments, I taught a screenwriting class at UCLA Extention for a while and now I coach other ambitious writers working at the intermediate to professional levels, as my own schedule allows.

Is recognizing good writing something you think can be taught or learned?

What’s the alternative theory – that people come out of the womb knowing how to write well? It’s a matter of defining what you love about other stories and getting familiar with the craft choices that lead to those results. I teach this to everybody from beginners to veteran writers so…. yup.

What do you consider the components of a good script?

It’s about the harmony between components. The craft is taking elements (premise, hero, goal, conflict, structure, relationships, setting, theme, tone, etc..) and adjusting aspects of them (size, shape, style, amount, etc..) until we find the right collective balance which allows something bigger to speak through the parts.

What are some of the most common screenwriting mistakes you see?

Losing touch with the delight of the process. And stopping because of that.

What story tropes are you just tired of seeing?

Every trope has the potential to be powerful if created with authenticity. It only feels cliche when there’s too much emotional distance from the truth of the intention.

What are some key rules/guidelines every writer should know?

I stay away from language choices like what “every writer should know X”. Those types of words can be a distraction from listening to the subtle impulses of your voice. Instead, I invite people to follow their passion. What excites us about our current story? How can we play with elements to unleash more of that excitement? When we share material for feedback, what’s blocking other people from deeper levels of excitement? “Confusion” is the most common blockage followed by “tepid goals and conflicts.”

Have you ever read a spec script that was an absolute, without-a-doubt “recommend”? If so, what were the reasons why?

The Duffer Brothers’ HIDDEN, which they wrote before STRANGER THINGS. It was a masterful display of milking tension using minimal assets in a scene. I used that script to teach myself how to make a huge impact on the way I write tension.

How do you feel about screenwriting contests? Worth it or not?

ALL the paths toward advancing your career have you pitted against the odds. So just pick the paths that speak to you and your budget. Contests can certainly be helpful so have fun playing that game, and detach from the outcomes. It’s about enjoying the journey and welcoming those that come along that happen to love your work as much as you do.

How can people find out more about you and the services you provide?

Check out www.BrooksElms.com

I run a few programs for writers looking to cross milestones as fast as humanly possible, in ways that are effortless and fun. One program is a deep dive 1:1 mentorship that’s very exclusive and competitive to get into. And I have other ways of helping writers too. So if writers enjoy the content they’ve seen from me online, I suggest they reach out because my team will be happy to help, in one way or another.

Readers of this blog are more than familiar with my love/appreciation of pie. What’s your favorite kind?

Now we’re getting to the essential question. The answer is pecan. It’s rich, heavenly and it shines beneath a scoop of vanilla ice cream. Shout out to banana cream for a close second place. It can be spectacular when it’s baked well, but breaks my heart when it’s often messed up.

An unexpected change of plans

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chemical reaction

Bit of an extra-short shorty today, but for a good reason.

A very, very good reason.

A meeting took place earlier this week. Can’t say anything about it at the moment, but the general consensus from all parties involved is “very exciting and encouraging”.

As a result, all of the rewriting and revising work that had been taking place is now on hold until further notice.

Planning to reveal some details as they develop, or at least when the time is right.

Have an excellent weekend, and try to write something.