Devilishly handsome? Sure. But lovely…?

One Lovely Blog

You never know who’s reading your stuff.

Such is the case with this blog. All I know about my readers is how many there are and where they’re reading me, geographically speaking.

So it was a very pleasant surprise to get a message from The Novice Screenwriter: “I really enjoy your blog (and might I add your great sense of humor:) and I just wanted to let you know that I have nominated you for the One Lovely Blog award.

In the words of the Cowardly Lion, “Shucks, folks. I’m speechless.”

One of my earlier bosses in radio stressed the importance of PIE. Not the world-changing, life-affirming dessert  (which, granted, is very important), but how your performance should always be Professional, Informative and Entertaining. That’s an acronym I’ve tried to adhere to in all forms of my media output, including this blog, which is why I’m flattered to get this kind of recognition.

And apparently there are rules/guidelines for this as well:

1. Add the “One Lovely Blog” image to your post
2. Share seven things about you
3. Pass the award on to seven nominees
4. Thank the person who nominated you
5. Inform the nominees by posting on their blogs

Thanks to Aarthi at The Novice Screenwriter for the nomination. When somebody tells me they heard me doing traffic on the radio, I always say “It’s nice to know somebody’s listening.” So in this case, it’s nice to know somebody’s reading.

Seven Facts you may or may not know about me:
-I’m the youngest of 5 in a typical Jewish-American family. And by “typical”, I mean there’s a doctor, a lawyer, and the one in showbiz.

-I was born and raised in the great state of New Jersey. The southern half, where there are no accents.

-My wife and I saw HEATHERS on our first date. We’ve been together ever since.

-I really enjoy cooking and baking. One of my specialties is pecan pie from scratch – crust and everything. A friend with strong roots in Georgia was practically orgasmic over it, which must mean something.

-I like to run half-marathons, averaging about 4 a year. My pace is around 9 minutes a mile, with the goal to someday break the 1:55 time limit. The idea of doing a full marathon is intriguing, yet very intimidating.

-I collect comic books, but have never attended Comic-Con in San Diego. Someday I will. In fact, the dream is to be there while The Movie I Wrote is being promoted (with a panel in Hall H and everything!).

-I didn’t go to school for screenwriting. Everything I’ve learned comes from reading books and scripts, watching and studying movies, attending a handful of seminars, and most of all, writing and rewriting.

Here are the seven blogs I heartily recommend:
My Blank Page – good nuts and bolts advice from a working screenwriter
Just Effing Entertain Me – practical advice for writers and a high-profile script competition (hurry! final deadline is Aug 15)
Sex in a Sub – an extremely prolific writer plus fantastic analysis of Hitchcock films
Sprinting to Fade Out – great info for aspiring writers (regrettably on hold for now, but worth checking the archives)
News from ME – a wide variety of topics from a veteran writer-director who works in TV, cartoons and comics
Scott Tipton’s Comics 101 – got a question about comics? More info than you could possibly imagine, especially if you’re a fan of ROM: SPACE KNIGHT
Comedy Film Nerds – actually a podcast about movies, but extremely hilarious, entertaining, informative and very NSFW

I have no idea if there’s an actual award connected with this, but it doesn’t really matter. I’m just happy to be nominated, and will practice my “forced smile to mask my internal pain” look just in case it’s not my name if a winner is ever announced.

The value of face-to-face time

Coffee makes for a good 3rd part of this equation
Coffee makes for a good 3rd part of this equation

A few weeks ago, I’d read a post on Done Deal Pro from a writer who’d gone to Los Angeles to attend a Writers Guild function, but was now back home in the Bay Area.

Since I’m always looking to expand my network of fellow writers, especially ones that could be considered local, I contacted him and asked if he’d be interested in meeting.

Fortunately, he was. Coffee at the Ferry Building.

Since most of this summer has involved V being at work with me, she and I worked our way from my office to our designated meeting place.

I handed her my phone so she could play video games while Justin Sloan and I sat down to talk.

We exchanged backgrounds and career developments. He was especially intrigued about my results using the Black List.

Unfortunately, Justin had to get back to work so we had to cut things short, but he asked if he could read my script, and I offered to give feedback on his.  He also asked if he could send me some questions for his blog Bay Area Screenwriters. You can read those here, and I’ve added a link to it over on the blogroll.

It was great not only talking about writing, but also discussing the assorted experiences we’ve each had in relation to writing. Contests, writing groups, etc.

This is one of those experiences that can’t be duplicated via an online forum or instant messaging. Having an actual conversation with someone will hopefully be fulfilling for both parties.

So send those emails, set up those coffee chats, get out there and talk to people.

-Movie of the Moment: PACIFIC RIM (2013). What happened? This was supposed to be the big hit of the summer. No such luck. Instead, we got great special effects weighed down with forgettable characters and horrible dialogue. (Can’t people come up with something better than “Let’s do this!”?)

I will give del Toro and Beacham credit for coming up with an original story, but feel bad it was so poorly executed. There was no way this could lived up to all the hype. Scott Pilgrim, anyone?

Some notable disappointments: the Russian and Chinese pilots/robots were treated as throwaway characters, and were dispatched with way too quickly.
-the Australian guy with a huge chip on his shoulder seemed straight out of a studio note. “This guy should be a real asshole, but give him a dog so he’s semi-likeable.”
-the trailers featured most of the robot-monster action, leaving little to surprise us during the actual movie.

-THE LAST STARFIGHTER (1984). Hadn’t seen this in years.  Also watched it with V because I thought she might like it – she did. There are elements similar to DREAMSHIP. Not exactly the same, but definitely there.

The story by itself still holds up, even though the rest feels a little clunky, and Robert Preston’s fast-talking Harold Hill-type character always brightens up whatever scene he’s in.

Watching this on an HD screen makes it that much more obvious you’re looking at a film set, and the special effects, cutting-edge at the time, seem quaintly dated.

Getting around the mental roadblock

Image
This might take some figuring out

Wouldn’t you know it? There I am, being all productive and cranking out pages, when I suddenly decide “There’s got to be a better/shorter way to do this sequence,” and out it goes.

All I need to do now is compress the purpose of that sequence into one, maybe two scenes, and my machine-like output can continue.

Ah, if it were only that easy.  Arm-in-arm with Elvis, my creativeness has apparently left the building.

Sucks, doesn’t it?

I don’t hate writer’s block. I loathe it. I despise it.  My dislike for it burns with the intensity of a thousand suns all on the verge going supernova. The frustration of wanting to write something, but not being able to.

If there was a valuable ceramic piece within my reach, it would definitely be flung at the opposite wall.

And to make things worse, I know how this part starts and ends; it’s all the stuff that happens in the middle that’s giving me so much trouble.

But there’s not much to be accomplished with all this bitching, moaning and overall kvetching.

This requires taking a step back, a few deep breaths, patience and clear-headedness.  I’ve worked my way through this type of situation before (sometimes even with better-than-expected results), and hopefully this time will not be an exception.

But I still don’t like when this happens.

-Movie of the Moment – ffolkes (aka NORTH SEA HIJACK) (1979). A tight, compact thriller reminiscent of DIE HARD, even though this one came almost a decade earlier, and the main character (portrayed by having-a-ball Roger Moore) is a misogynistic, sociopathic cat-loving jerk who of course is the best at what he does, which is training commandos.

I vaguely remember seeing this on TV way back when and obviously it stuck with me. When I saw that it was on Netflix streaming, I made a point of rewatching it to see if it held up.

Apart from some cheesy guitar riffs here and there, absolutely. Nothing too fancy and maybe a little predictable at times, but still smart, gripping and intense. With a running time of 1:48, this thing really moves.

A sure sign of the times – this was rated PG! I honestly thought it would have been an R (since PG-13 wasn’t around yet). A shocking revelation at first, but there’s not that much actual violence in it; it’s the subject matter that makes the difference. Can you imagine a movie about terrorists holding a multi-billion-dollar oil platform hostage being released now with a PG rating?

Exactly.

Definitely worth seeing.

Sticking to a bare-bones minimum

Start with this, add all the messy complicated stuff later
Start with this, add all the messy complicated stuff later

The semi-regular routine of working my way through the first draft has resumed, with some slight readjustments.

The original practice of fine-tuning the story in the outline stage still stands, and is one I heartily recommend.  But there’s only so much you can do here, and then it’s onto typing actual pages. This is where things start to get more complicated, and you have to be ready to handle it.

A lot of scenes in my outline are very basic in describing what happens, almost to the point of just saying what the purpose of the scene is. Then when it’s time to write the scene in the script, I have to figure out the best way to present it.

It’s a given the scene has to be fleshed out. There are always going to be necessary details to take care of, and it’s easy to lose your focus and concentration. Then you get frustrated, which is totally counter-productive.

So rather than worry about whether what you’re writing is perfect, remind yourself this is just a first (or early) draft. Nothing is written in stone. It doesn’t have to be perfect; just written.

It’s all about being patient and working your way through the stages. First there was the outline. Then the first draft. When that’s done, the next draft, then the next and so on and so on.

Besides, writing is rewriting, remember?

What I’ve tried to do is be very basic about what transpires in the scene based on how it’s described in the outline. As much as I’d like to spend time making it absolutely perfect, once I have something that works for now, I move on, knowing I’ll be back again soon for another try.

Put your best joke forward

Go ahead. Make me laugh.
Go ahead. Make me laugh.

Rather than my usual dispensing of invaluable screenwriting wisdom, I’d like to head into the weekend on a slightly more humorous note.

In the comments below, tell me your favorite go-to joke.  The one you automatically think of.

Doesn’t matter if it’s corny or just plain bad. As long as it’s funny.

Here are two of mine. You’ve probably heard them before, but I still like them.

-Three morons start out across the desert. The first one carries a canteen.

“What do you need that for?” the other two ask.

“In case I get thirsty, I can drink some water.”

The second one carries a bag of food.

“What do you need that for?” the other two ask.

“In case I get hungry, I can eat.”

The third one carries a car door.

“What do you need that for? the other two ask.

“In case I get too hot, I can roll down the window.”

-Two fish are in a tank.

One says to the other, “You know how to drive this thing?”

-Now it’s your turn. Come on. Don’t be shy.