Start. Write. Repeat.

Apropos of nothing. I just like Paris.
Apropos of nothing. I just wouldn’t mind being there.

With all the activity surrounding the one script these past few months, and even though I was working on some new stuff, I’d practically forgotten that I really needed to build up my arsenal of material. When somebody asks “What else have you got?”, I want to be able to say “This, this and this.”

Thus the pattern of always working on something continues. As it should for every writer.

Progress on the western spec has been pleasantly steady. And with school starting up the week after next, there’s no reason I can’t bulldoze my way to FADE OUT soon after that. When that’s done, it’s right into reworking an older script with the hope of a quick turnaround.

Changing your focus every once in a while helps keeps things fresh, both on the page and in your head. It gives your creativity a necessary recharge. If you’re working in different genres, it allows you to put yourself in a totally different mindset.

Think of it as crosstraining for the mind. You work on this for a week, then something else the next week, then another the following. Skills are sharpened while attention is spread out equally. In the end, you’ve got progress on multiple fronts.

It’s easy to fall into the trap of constantly rewriting the same thing over and over, which can quickly lead to frustration and burnout. New work can help avoid that.

Take advantage of the opportunity to switch it up, and even when you start something new, keep one eye looking just ahead to the project after that.

-Stan Lee update. Didn’t get to meet him, but took some nice pix from deep within the crowd. I also won a signed copy of Avengers #31. Both V and I had a good time despite the Giants losing 6-1.

An extraordinarily jam-packed couple of days

The mind reels at what could possibly happen next
Who knows what could possibly happen next? (but it’s fun to guess)

It’s been quite an exciting time ’round these parts, my friends.

-Wednesday. As has been previously chronicled, my script was in the top 15 percent for the Nicholl. Not enough to be a quarterfinalist, but that’s okay. There are so many other avenues to explore, and I’m already mentally rewriting the script I’d enter next year.

-Friday. I won a pair of tickets to a Giants game, which includes a pre-game VIP party where Stan Lee will be in attendance. With any luck, I’ll be able to get my ESSENTIAL SPIDER-MAN VOL 1 signed, and maybe a picture with him.

-Sunday. Ran the Giant Race half-marathon. Perfect conditions – cold, foggy, windy and a mostly flat course. Steady pace, positive attitude. Finally achieved the until-now impossible and broke the 1:55 barrier – 1:53:07 (a pace of 8:38, which I’ve never done before either). Next race is another half-marathon in October. Highly doubtful I can duplicate this kind of time, but still looking forward to it.

-Sunday, part 2. While I was recovering from the race, DREAMSHIP got its second Black List review. 8/10 overall (yay!), including 9/10 for character and setting (double yay!). That was enough to place the script on some of the top lists, including uploaded for action/adventure, family and sci-fi/fantasy.

-Monday. Because of my scores on the Black List, DREAMSHIP will be included in this week’s ‘industry member highlight email,’ which goes out on Friday to around 1900 industry pros.

You couldn’t wipe the smile off my face if you tried.

It’s probably safe to say there may not be a week like this ever again, so I’m definitely enjoying the positive vibes while I can.

A leaky faucet can be just as good as opened floodgates

faucet
All those drips can really add up

We’ve all got busy schedules, so finding time to write can be quite the challenge.

One writer I know says he waits until his kids go to sleep. Another one gets up early and writes until he has to start getting ready for his day job.

Since I work unusual hours, my prime writing time is mid-afternoon before I head out to take care of Dad stuff.

For the past couple of weeks, circumstances have limited me to about an hour, which has been very productive. My goal on days like this is to write at least one page; two if I’m on a roll, and this is what usually happens.

But working within a set time limit has also been surprisingly liberating. Knowing you’re only producing one or two scenes really takes the pressure off, and removing that part of the equation can definitely yield positive results.

Just as an example, I had to come up with a new way to have a scene play out because it was way too similar to one earlier in the story. Since it was the last of a handful of small scenes I was doing that day, I knew I’d be done when the scene was done.

A few minutes later, that’s what happened.

Not worrying about the time allowed me to really focus on what I had to do, and since I already knew what the point of the scene was, it wasn’t too hard to come up with a solution.

The more you work at it, the easier it’ll get to be productive, even if it’s only a page or two at a time.

Mountain today, speedbump tomorrow

Yeah, it kind of felt like that
Yeah, it kind of felt like that

Well, the first round of Nicholl emails went out yesterday to inform everybody as to whether or not they were among the 372 (out of 7,251) who made it to the quarterfinals.

Regrettably, I wasn’t one of them. But there was a bit of a silver lining, too.

“A little bit of good news: your script scored well, placing among the top 15% of all entries. Possibly read three times, your script was appreciated by two readers. Its numerical placement was within script 728 to 1106 out of 7,251 entries.”

Not too shabby. Best of luck to those continuing on!

So things didn’t work out for me this time. It stings a little right now, but it ain’t the end of the world. I’m not about to stop trying and dive into a pint of Ben & Jerry’s to drown my sorrows.

There was a great tweet from 2003 finalist Ronson Page later in the day: “Hollywood has many, many, many doors. Only one has to open.”  There are other contests, next year’s Nicholl, etc.

This script got me a manager, so I’ve got nothing to complain about.

If anything, it makes me want to work harder and write even more. Finish the first draft of the western spec. Jump into the rewrite of my mystery.

We’re writers. It’s what we do.

Don’t get me wrong. I’d love to see my work advance in the Nicholl, but it’s not the only way in.

And I definitely plan on getting in.

Still undecided about the ice cream, though.

And how did YOU do with your Nicholl script(s)?

Diverting your attention in a forward manner

Look closely and you'll see a lot of potential out there
Can you see all the potential out there?

I’ve been in contact with a few writers over the past couple of days, and several have mentioned their anticipation/nervousness over the pending announcement of the quarterfinalists in this year’s Nicholl competition.

I’m not going to lie. I’ve been occasionally thinking about it as well.

And it doesn’t help that the folks at the contest have been posting positive anonymous reader comments on Facebook over the past few months. If you’re anything like me, you’ve probably read them and thought, “Whoa, that HAS to be my script!” or at least “This could be interpreted in such a way that it vaguely applies to my script.”

I think the number of entries this year was somewhere in the 7200 range, or probably higher. So maybe it is about your script, or maybe not.

The point is: There’s nothing you can do about it now. It’s out of your hands, and obsessing about it won’t do you any good.

Apart from just stepping away (or even actually going outside, where the fresh air will do you good), the best way you can counteract all this hand-wringing is to redirect your focus. Channel all that nervous energy into something more constructive, writing-wise.

How about getting your script ready for upcoming competitions? (Just Effing‘s absolutely final deadline is August 15th, TrackingB‘s late entry deadline is September 28th, and PAGE International will start accepting entries for 2014 in December.)

Or maybe take a closer look at those notes on your recent draft and see what you can do with them, or dig up that killer story concept you came up with a few months ago and fleshing it out a little.

It really doesn’t matter what you do, but it’s important you do something. Your work will be further along than it is now, which always works in your favor.

No matter what your plan is, set yourself up in your ideal writing conditions and have at it.