screenwriting

Color me pleasantly surprised

Maximum Z action, adventure, characters, creativity, ideas, outlines, plot, screenwriting, story, subplot, westerns, writing
Totally wasn’t expecting that

Since figuring my way through the climactic portion of Act Three is still stressing out my creativeness, I did what any good writer would do in this situation: go back to the beginning and edit like a madman.  This will give my creative muscles a good workout while subconsciously working out the end.

Overall: the opening definitely needs some reworking, and there are a few places here and there that could stand a little adjustment, but for the most part – a lot more fun than I remember. Trying really hard not to sound egotistical, but I had to occasionally remind myself this was something I wrote.

Me.

Gosh.

Not working on this for so long enabled me to take a really good look at what I have so far. Interestingly, even though I knew what was coming, there was still a lot in there to make me want to keep going and see what happened next.

In all honesty, I’d also forgotten how much I wanted to utilize a lot of elements that make up the thrill-generating, pure adventurousness of the Western genre.  Those are definitely in there, with a lot of potential to be built up even more, but for now it’s all about the story. If that’s not rock-solid, then everything else is irrelevant.

The whole time I was looking this over, I found myself focusing less on ‘would it look cool on the big screen?’ factor, and more on making sure the characters were being proactive and realistically moving the story forward (especially the title character), and that each plotline was being established.  Maybe this is my brain quietly telling me my storytelling and writing skills are improving.

Something also very important to work on as this whole project moves forward – that the story grabs you from the start and doesn’t let go. But I suppose that should go without saying…

Keeping track of this, that and the other thing

Maximum Z creativity, editing, outlines, productivity, rewrite, screenwriting, story, writing
Forget something?

Working from the end of Act Two into Act Three is certainly proving to be an exercise in staying organized, story- and detail-wise.

It’s one thing to jot down the idea behind a scene in your notes, thinking “I’ll fill in the details later,” and totally another when it’s time to fill in those details.

Case in point: I write “daring escape!” to sum up a scene. Now I have to figure out not only HOW the escape is daring, but have to put it together in a way that’s exciting, original and entertaining, reinforces how it fits between the scenes before and after it, all while making sure it also works within the context of the story, characters and theme.

Quite a lot to keep in mind, isn’t it?  And this applies to EVERY scene in your story, no matter how big or small.

Not only that, but while you’re putting a scene together, it’s easy for some details to slip your mind. How can this character be involved here when I had him trapped over there? Hey, this character is just sitting there. How can I involve them?

This also re-emphasizes that most of the heavy lifting comes while putting the outline together. It’s a lot easier to fix a sentence or short paragraph rather than a few pages of script, especially when you come up with a scene or sequence you absolutely love, then discover it just doesn’t work.

It’s also a great opportunity to experiment. What if this happens? How about if the character does THIS instead of this? Let your imagination run wild. Pull out all the stops. Just make sure it all makes sense in terms of moving the story forward.

Work your way through the details during the outline phase, and you’ll find the page-writing phase will go much more smoothly.

It’s a routine, not a rut

Maximum Z confidence, productivity, screenwriting, writing
Time to get to work!

It’s all about moving forward.

After way too much procrastination, I sat myself down and worked on the end of Act Two. What I came up with is okay; more of a temporary placeholder than anything else. But it also reminded me why I need to get my ass in gear and set aside time each and every day to write.

And this is something you should seriously consider, especially if you’re not doing it already.

Getting into a daily habit of writing is beneficial on several levels: It develops your skills. It sharpens your thought process. You make headway in whatever you’re working on. It opens your eyes to story details you otherwise might have missed.

All this from however long you can spare. If you don’t want to measure it by time, think of it in terms of what’s on the page. A certain number of scenes or pages per day. Maybe to the end of this particular sequence. Whatever works for you.

Not only will you get that much closer to getting done, but you’ll feel pretty darned good about yourself for making that progress.

It all boils down to making that commitment, and sticking with it. You’ll be amazed the good it will do you.

Writing even when you aren’t

Maximum Z productivity, running, screenwriting, writing
This guy is actually working very hard

Things have been really busy around here lately, so I haven’t been able to set aside as much time as I’d like to sit down and work on Act Three. (Hopefully this doesn’t sound like I’m making excuses.)

Although I’m not actively writing per se, no matter what I’m doing, my mind is always working out some sort of detail about the story.

Case in point – I’m back in training mode for another half-marathon (Sept 17), so I have to run at least 2-3 times a week. I wear my iPod when I run, but if I’m stuck on a particular part of the story, chances are pretty good I’ll tune out what I’m listening to while my mind tackles the problem. Sometimes it works, sometimes it doesn’t.

That’s probably how most writers minds operate – constantly.

It’s not easy to establish and maintain a steady writing schedule, so kudos to those who do. But if you’re not writing as much as you’d like to, it’s pretty likely you actually are somewhere in the recesses of your mind. You just have to make sure you set aside time to dig it out and put it on the page.

You may even be pleasantly surprised with what you’ve come up with.

Counterattacking those 3 dreaded words

Maximum Z Godzilla, query letter, screenwriting, writing
Writing the script was easy compared to getting past this

“No unsolicited submissions.”

Just thinking about them fills me with dread. Yet another obstacle to conquer.

Granted, this phrase was practically everywhere in the HCD section on production companies (the library didn’t have the Representation book). Figure maybe 1 out of every 150-175 companies were open to receiving, so it’s a safe bet they’re constantly getting bombarded with submissions. It’s enough to make a lesser writer throw up their arms and say “This is never going to work!”  I’ll still follow through with that select few and see if anything happens, but this is no time to throw a pity party.

The underlying theme for this stage has become “There HAS to be a way,” and thanks to living in the digital age, the most powerful tool in my arsenal is literally at my fingertips. And yours too.

Chances are you can find what you seek online if you’re willing to work at it.  I’ve been scouring websites, forums, etc. for suggestions about where to post my script for potential interested parties. There’ve been a few that seem to have potential. Some charge a small fee, some are free. It’s up to you to decide which works best for your needs. You might be hesitant to spend a couple of bucks, but isn’t it worth it if it gets you that much closer to reaching that goal?

Sure, this whole process is a crapshoot, but I’ve got nothing to lose and would rather keep plugging away than give up.

But I’m also confident about the quality of my script and am equally confident there’s somebody out there who will like it enough to want to do something about it. In the meantime, I’ll keep on doing what I’ve been doing – writing, researching and hoping for the best.