Patience and meticulousness required

Obviously, a lot of effort went into creating this. See how it paid off?

You think writing a screenplay is hard? Well, it is. But that’s just the first step of the process.  Getting it out there is an even harder hill to climb.

I’ve got a what I consider to be pretty good query letter put together, but will utilize a little more professional feedback to give it that extra ‘oomph’. While consulting various forums, websites and the like, the general consensus is as follows: show the strength of your writing ability with a finely-crafted logline, a minimal amount of words about you and a maximum amount of professionalism.  This thing has to make somebody stop in their tracks and immediately think, “I HAVE to read this script!”

That’s the first part of what I’ve been working on.  The second part is proving to be quite the challenge: who to send this letter to.

I’m taking the scientific approach to this and doing my homework to find out who would be the most receptive to reading my script. Since it falls into the fantasy-adventure genre, I don’t want to look like an amateur and approach a place that does something completely different, such as horror or indie drama. It makes me look bad and wastes their time. Again – maximum amount of professionalism.

Digging through thousands of listings of agents, managers and production companies is proving to be the biggest hurdle. The last time I did this, I had the benefit of using the Hollywood Creative and Representation Directories, but I’m not sure if the publisher is still around. It may be time for another trip to the always-helpful public library and see if the latest editions are available.

Part of my brain is saying “Quit stalling and get moving! There’s no time to lose!” Then the rational part kicks in and says, “Would you rather get it done fast or professionally?”

I’ll take option number two.

Movie of the Moment – THE DARK KNIGHT RISES. I’ll write about this next time, but for now – not as good as THE DARK KNIGHT, but still pretty enjoyable.

Ambition, expectations and that sort of thing

Great satisfaction comes from checking off each item

I want to write the next STAR WARS.

By which I mean I want to write an entertaining epic that appeals to all ages and results in an appreciation that lasts much longer than anyone anticipated. 35 years later and still going strong? Incredible!

I want to write the next RAIDERS OF THE LOST ARK.

By which I mean I want to write a thrilling adventure that grabs you from the start, never lets go and takes you on the cinematic equivalent of the most intense roller coaster ride ever.

I want to write the next BACK TO THE FUTURE.

By which I mean I want to write a smart comedy that deftly handles one of the most complicated subjects out there, has a perfectly bulletproof script and is a textbook example of setup and payoff.

What else do these films have in common?  Sure, each was a box office smash. That would be nice too. High-quality sequels? Also a plus. But it all comes down to an original story that really entertains. Something the movie-going public hasn’t seen before and will remember long after they leave the theatre.

Difficult? Sure.

Impossible? Not necessarily.

Worth pursuing? Absolutely.

Two roads, one objective

I have to go this way AND that way

What an odd sensation.

Part of me is focusing on beginning the post-script-is-done phase. Composing a kickass query letter. Researching which agents and/or managers would be most receptive to reading my script.  Looking forward to seeing what I can accomplish.

The other part is all about starting work on the next script. Even though most of the initial outline is finished, it still feels like the proverbial blank slate, bursting with potential. Weird as it may sound, I’m really excited about this. I mentally visualize how the story plays out via scenes and sequences, and if I can make it read as cool as it looks in my head, then this thing is going to be all kinds of awesome.

You always hear “write what you know”, but how often do you hear “write what you love”? I’m crazy for a good western and am equally gaga over a solid adventure, so why not take my favorite parts of both and put ’em together in an original, sprawling epic that clocks in at around 2 hours?

That’s the plan for this script. I haven’t been very good about meeting self-imposed deadlines, so I won’t set anything definite. But I’m a lot further along in terms of development now than I have been with previous scripts, and my writing skills feel stronger, so I’m pretty confident I’ll be able to have a solid draft relatively soon.

As is usually the case, there will be days where my mood/outlook is decidedly negative, so I’m just going to sit back for a moment, take a deep breath and enjoy this feeling of sheer euphoria while it lasts.

What, no majestic fanfare?

The journey is just getting started

Countless rewrites and editing sessions later, I’m fairly certain my script is done.  You’d think the big celebration would begin, but far from it. One hard part is over, and the next, even harder part is underway.

I’ll do one more round of feedback from a handful of trusted colleagues, and maybe even one or two professional critiques.  I have a few in mind I’d like to try – any recommendations? While that’s going on, the great assembling of a query letter will commence.

As eager as I am to get the script into interested hands, it’s vital I really take my time with this. Simply put, this query letter must absolutely knock the socks off anybody who reads it.  My hope is that the query makes the script practically irresistible; that not reading it would really make you feel like you’re missing out on something of significance.

I’m not saying my script is the be-all, end-all, but I feel pretty positive about it. The task at hand now is to convey that  confidence in the body of the query.

Wish me luck.

Darn my stubbornness

My eyes have been opened. No pill necessary.

I’m getting over a nasty bout of some kind of respiratory virus, which at one point included a fever of 104.1, thereby completely nullifying my ability to do just about anything. I was hoping to utilize the time being laid up to work on the rewrite, but it’s kind of difficult when your head feels hotter than the surface of the sun.

Over the weekend, I got some helpful feedback from a trusted colleague. This was a repeat evaluation for him, and he again raised some points about the antagonist and the way she acted. At first, I basically glossed over his comments, most likely because I didn’t necessarily agree with them.

But his words gnawed at me. If he had issues with that, who’s to say a potential future interested industry-connected person wouldn’t say the exact same thing?  It’s up to me to make this thing as tight, connected and bulletproof as possible, so any criticism needs to be taken into consideration.

Since my health wasn’t exactly around 100 percent, and it was easier to read then to actually write, I went through the sequence he was talking about. I read through it not as the person who wrote it, but as a reader/audience member going in blind.

And of course, he was right.  Why would the antagonist do these things? It made no sense.  That and a two-scene sequence that the more I thought about, didn’t seem to serve much of a purpose. So out that went as well.

Suffice to say, a mini-rewrite is in progress.  It’ll take a little bit of effort to work my way through this, but as usually happens, the new end result will (in theory) be stronger, more effective and just improve things overall.  At first I was annoyed that I had to go through this, but upon reflection, anything that has to be done to improve the script is necessary and should always been seen as a positive rather than a negative.

Hopefully, it won’t take too long.

-Movie of the Moment – MARY AND MAX (2009). Don’t let the animation fool you – this ain’t no kids film. This claymation feature from Australia deals with adult subjects such as depression and mental illness.  The title refers to 8-year-old Mary, growing up lonely and ignored in the suburbs of Melbourne, who becomes pen pals with 44-year-old Max, living alone and afraid in New York City.  Their relationship spans 20 years as we get to see the impact each has on the other’s life during that time.

This description really can’t do the story justice; it’s one of those films you have to see for yourself. Highly recommended for adults, NOT recommended for kids.  This has also got to be one of the most heart-wrenchingly sad movies you may ever see (if you don’t cry at the end, then you just have no soul), but at times can also be extremely hilarious.  It leans more towards black humor, so if that’s not your thing, you might not enjoy it as much.