perseverance

A few bangs for your bucks

Maximum Z comedy, community, crowdfunding, determination, filmmaking, perseverance, persistence, producer, screenplay, screenwriting, script, short films, thriller, writing , , , , , , , , , , , , ,

The crowdfunding for my short film SHECKY continues. We’re closing in on 30%, and doing what I can to keep those numbers climbing.

Every dollar raised goes into the costs involved with making this film, and there are different amounts you can donate. Each tier has its own reward as a thank you for donating.

(and if the names seem a bit odd, just think “showbiz”. It’s part of the story)

$10 – Stage Door Johnny

Social media shoutout of your total awesomeness & onscreen thanks expressing my eternal gratitude

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$25 – What, And Give Up Show Biz?

Social media shoutout, onscreen thanks, and your name as “Member of the Chorus” on a Paradise Theater poster

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$50 – Road Company

Social media shoutout, onscreen thanks, your name & your vaudeville act on a Paradise poster

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$75 – Rising Star

Social media shoutout, onscreen thanks, your name & your act as headliner on a Paradise poster

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$100 – Presenting…

Social media shoutout, onscreen thanks, your name on the Paradise marquee, a pdf of the film’s poster, a copy of the script

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$250 – In The Spotlight

Social media shoutout, onscreen thanks, a video of Shecky telling you a joke, poster, script

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$500 – Stage Manager

Social media shoutout, onscreen thanks, joke video, poster, script, digital copy of the film

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$1000 – Publicity Agent

everything above & onscreen credit as “Patron of the Arts – Silver Circle” + 1 ticket to screening (if possible), full-service script notes

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$2500 – Mr./Ms. First Nighter

everything above, onscreen credit as “Patron of the Arts – Gold Circle”, 2 tickets to screening, script notes, interviewed on The Creative Writing Life podcast

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$5000 – Box Office Smash

Everything & above, onscreen credit as “Patron of the Arts – Diamond Circle”, 1 ticket to a screening at a film festival, script notes, podcast interview, short film consultation

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This is a project that’s been a long time coming, so I sincerely hope you’ll be willing to chip in to help make it happen.

Can’t go wrong with a little originality

Maximum Z comedy, concept, creativity, crowdfunding, determination, independent films, perseverance, persistence, producer, screenplay, screenwriting, script, short films, thriller, writing , , , , , , , , , , , , , ,

The crowdfunding effort for my short film has passed the 25% mark. On one level that is FANTASTIC, but there’s still that remaining 75% with about six weeks to go. That means my extensive efforts and outreach will continue.

It’s the only way to make this happen.

It’s great to have so many supporters step up. More than a few have commented on how much they love the concept, along with a handful who’ve asked to read the script – and liked that as well.

One of the recurring comments has been how this would be a great example of independent film. In all honesty, I never thought of it that way. I just wanted to write and make a short film that other people could enjoy. Mostly for the experience of doing it, but also for the satisfaction of having something I can show the world and say “I wrote that”.

But what it really comes down to – a bunch of creative types making a film based on an original idea.

Hopefully that’s what’ll happen. Fingers remain, as always, firmly crossed.

And please donate if you can at the link above. Thanks!

No choice but to be determined

Maximum Z community, crowdfunding, determination, film, perseverance, persistence, producer, screenplay, screenwriting, script, short films , , , , , , , , , , ,

The crowdfunding for my short film project continues…

**Still plenty of opportunities & tier rewards for donating!**

And it is quite the mountain to climb. Almost comparable to writing a script.

Almost.

With a script, everything is under your control. You are the one determining what happens, what the characters say, and so on.

Raising the funds to make a film based on that script? The only thing under your control about that is how much effort you put into getting those funds.

In theory, the more you work and the more effort you put in, the more likely you are to succeed.

Again – in theory.

You can push what you’re selling all you want, but it only works if they’re willing to pay.

To paraphrase one supportive donor – “Crowdfunding is a full-time job. You EARN that money.”

You certainly do. When they say every little bit helps, they’re not kidding.

I’ve begun reaching out to members of my network of creatives – writers, filmmakers, and industry-adjacent – to ask about chipping in if they can.

Responses so far – not too bad.

I also realize that times are tough, especially in this business. Things haven’t fully recovered since the strikes, and lots of folks are out of work. The last thing I want is for somebody to feel bad for not being able to donate. I’m just happy to have the support.

Even if all you can do is repost the link, that’s great too. The more eyes I can get on this, the better.

We’ve made some good progress since the campaign started, and there’s no sign of letting up.

As the days count down, I’ll be doing everything I can to see this through.

Drips & drabs, but no drudgery

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Some kind of bug/virus took me out of commission earlier this week, which slammed the brakes on everything – including the slow-but-steady progress developing the new spec. Apart from a persistent runny nose, I’ve for the most part recovered, and am slowly getting back into it. Slow definitely being the operative word.

I may be working at a snail’s pace, which is a bit frustrating, but it’s a snail that’s seeing results, which is good. Even with this like-molasses-in-January output, things continue to move forward. Getting a few scenes done today means a few more than I had yesterday. It might not seem it at the time, but all the little steps forward will gradually result in the completion of a long journey.

The most important thing is to GET IT WRITTEN. Outlines and first drafts ain’t pretty, but at least they’re a starting point.

It’s not just about putting all the puzzle pieces together, but figuring out what the puzzle is and all the potential components. Pages and pages of the project’s notebook are jam-packed with ideas and possibilities. There is absolutely no doubt this will continue to be one big mess, but oh what a beautiful mess it is (and will continue to be as it takes shape).

But despite all the frustration about timing and slow progress, I’m still having an absolute blast doing it. Having a solid polished script is great, but it’s the figuring things out and organizing all the ideas that has always given me an extra thrill. I do what I can to spin an entertaining yarn, and this time is no exception.

I’ve said it many times and it still rings true – you can see the writer’s love and enjoyment of the material in the material itself. That’s what I’m shooting for here – apart from just having a fun script. I want the reader to get just as caught up in the story and NEED to see what happens next. I try to have my scripts fall under the category of “I hope you enjoy reading this as much as I enjoyed writing it”.

Onward, runny nose and all.

Finding the right next one

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Progress continues for developing the story of the new spec, with a few important details solidifying, along with weighing options for the overall setting (Is it too familiar? If it changes, how much will that affect the rest of the story? Is that a good thing?)

But the one thing really coming into play this time around is figuring out the best way for one scene to lead into the next – to the point that it needs to seem like it was only logical that this next thing is the only thing that could have happened, and so on and so on. It’s challenging.

This is where watching films and reading scripts really comes in handy. Taking a look to see how other stories have accomplished this can make quite a difference. Granted, a lot of the scenes involve being set up earlier in the story, so not only is there a payoff somewhere down the line, they also tie in to how the story is developing AND move things forward.

A leads to B, which leads to C, which leads to D, etc., etc.

It’s also important to stress that the events of the story need to flow organically. B needs to be the only thing that could have followed A without it feeling forced or “this happens because I need it to”. Making sure of this is a big contributing factor to all the time being spent on the story.

I’ve discussed this with several other writers, and many said this is a positive thing. Putting so much effort into this now leans towards the story’s foundation being pretty solid, and establishing that steady A-to-B-to-C movement will help things flow.

Something else I’ve noticed in a lot of the films and scripts is that the scenes are VERY TO THE POINT. There is no time wasted whatsoever. The scene starts, they get to the point asap, then move on to the next one. I’ve seen the opposite in a lot of scripts, including some earlier drafts of my work. I’ll be making sure this doesn’t happen this time around.

Even though there is still a lot to figure out for this story, there’s also a lot coming together – at a slightly faster pace than usual, which is something I’m not used to. There’s even been a random moment of clarity or inspiration when I’m not expecting it, which is always great.

My automatic reaction to when that happens is “does this work within the context of the story and accomplish its purpose?” and if not, is there a way to adjust it so it does? Even if I end up not using it, it might still have the potential to be used in one form or another somewhere else in the story (or in an entirely different script).

And what might be the best thing of all is that I’m simply having a great time putting all of this together. Like I said, it’s challenging, but still fun. Wish it could go a little faster, but I think it’ll be worth the wait.