Miyazaki

Create your own doorway

Maximum Z ambition, anime, community, encouragement, filmmakers, goals, Miyazaki, networking, opportunity, perseverance, persistence, screenplay, screenwriting, script, short films, success, support, writing , , , , , , , , , , , , , , , , ,

Had a great Zoom chat the other day with a newer writer. They’d found me on social media and liked what I’ve had to say about screenwriting and working on establishing a career at it. Would I be open to imparting some of what I’ve learned and any other advice I might have that could potentially help point them in the right direction?

Even though I admitted to still being one of those trying to “break in”, so my two cents of guidance was probably worth about that much anyway, how could I say no?

We talked about wide variety of topics, mostly involving screenwriting, including our respective backgrounds, experience, short- and long-term goals. They also asked for potential suggestions as to how they could go about achieving those goals.

I told them what I’ve said to many writers before, and it still rings true.

Everybody’s path to success (however you gauge it) is going to be unique to them and them alone. What works for me will probably be totally different than what works for you. If you know what your goals are, then it’s up to you to figure out what it will take for you to get there.

You need to create your own doorway, because nobody’s going to do it for you.

Use everything at your disposal. You might think you don’t have anything to work with at first, but you’d be surprised how effective even the littlest thing can be. It’s all about perspective and determination.

For example, the writer had worked on some short films in various capacities. They could use those to showcase their skills, as well as adding the other filmmakers and crew into their network. You never know who knows of another gig or has heard of a project that needs someone who can do the things you do.

If that’s what it takes for you to find that way in, that’s what you do.

The writer said nobody had put it that way before, which really helped them as they start to figure out their approach and possible strategies. They appreciated the advice, and the honesty.

This sort of stuff might seem pretty basic to those of us who’ve been at it for a long time (such as yours truly), but there will always be those just starting to dip their toes into these turbulent waters. I didn’t really have anybody like that when I was starting out, so why not offer up a helping hand in some capacity?

Now if you’ll excuse me, I’ve got a doorway to finish creating, followed by kicking it wide open.

I can see clearly now

Maximum Z anime, editing, Heather Hale, Miyazaki, plot, Radioslot.com, reading, rewrite, screenwriting, story, The Script Adventurer!

Ahoy! Rewrite dead ahead!

This week’s installment of The Script Adventurer! featured an interview with the multi-talented Heather Hale.  She’s worked as a writer, a director, a producer and as a consultant, so she definitely knows her stuff. (Mark your calendars – the show re-plays Sunday at 7PM on radioslot.com)

I always like to know what key piece of advice a professional or working writer would offer to the rest of us.  A thought or phrase to jot down on an index card and attach to the wallspace in front of your working area.

Heather named two.

1. Clarity is king.

You may know your story inside and out, but if the person reading it can’t follow it or is confused as to what’s going on, then you’ve got a problem.

It doesn’t matter if you’ve got the most brilliant concept ever.  The plot and story have to be clear so anybody can pick up the script and know exactly what’s going on.

It’s up to the writer to make their story as easy to follow and comprehend as possible, or else the reader/audience will get lost in the story, and not in the good way.

2. The reader is never wrong.

You think your script is perfect. The reader knows better. It’s their job to go over it with a fine-tooth comb and look for flaws.  And unless you’ve attacked that script from every conceivable angle, fixing any potential problem you can think of, they will find them.

The reader really does want to like your script, but if you give them any reason to say no, there’s no reason to be bitter about it.  They know what they’re talking about.  Look at this as an opportunity to make your script better or stronger than it was before.

-Movie of the Moment: Three over three days!  It’s been a long time since I’ve done that, and two were actually in theatres. Wow!

THE HUNGER GAMES (2012). I read the book last month, so it was pretty fresh in my mind. I liked it, although it could have been a little shorter. I can appreciate a strong female protagonist, and it’s easy to see why Katniss has caught on.  She’s tough and doesn’t give up.  Congrats to Jennifer Lawrence for doing a solid job in the lead.

I also really enjoyed Stanley Tucci as Caesar Flickerman, the blue-coiffed TV personality with perfect teeth. A great accomplishment in casting.

My only complaint – Katniss doesn’t always drive the action forward. She’s more reactive than active in some scenes.

-THE SECRET WORLD OF ARRIETY (2010). Another animated gem from Miyazaki and Studio Ghibli, based on the classic books THE BORROWERS.  A recurring theme in a lot of their films is the main character’s coming of age. And this one is no exception. If it weren’t for 3 of the characters being 3 inches tall, this could easily pass as a stage production. Good for all ages.

-RISE OF THE PLANET OF THE APES (2011). Smart and well-written. Easy to see why this was a surprise hit last summer. Especially fun if you’re familiar with the original films. K made an interesting point in that you’re rooting for the apes to win, which would mean the eventual downfall of humanity.  Count me in the camp of those who think Andy Serkis should have gotten some kind of recognition for his mocap work as Caesar.

Yet another burst of inspiration

Maximum Z anime, DC, Lucy Steele, Miyazaki, Netflix, outlines, screenwriting, theme

I don’t know how other writers do it, but when I start a story, I come up with the basic plot and see what theme works with it.

When I started LUCY, I didn’t have one.  I worked on the story, but couldn’t figure out a strong-enough theme.

I settled on one I thought worked.  At the time, it seemed okay.  But it didn’t fit.

I didn’t realize it at the time, but going off to V’s hockey tournament two weeks ago was exactly the break I needed.  It’s remarkable what a few days of watching 8-year-olds skate their hearts out can do to one’s creative batteries.

So when I sat back down to work on the outline, something was different.

Not only was I able to get through a creative block, but on a whim, I changed my one-word theme.  And it really clicked.

Boy, did it.

Even better, it works with a lot of the scenes I already had.

So today I wanted to see if I could keep the creativity flowing for the second half of the first half of Act Two.  I worked on expanding the ideas I came up with yesterday.  In each scene, I would ask “what’s the worst that can happen, and will it ask the central question of the story?”  That helped a lot.

Right now, I’m in the middle of a necessary sequence, and hopefully tomorrow can get to the end of it.  Working the midday shift has a better chance of yielding success.

If I can keep up this kind of progress, I’m hoping to be done with an outline I like by the end of February.  Later than I originally hoped, but the point is: IT WILL BE DONE!

And then the real fun begins.

Movie of the Moment: THE LOSERS, which I completely forgot was based on a DC/Vertigo comic.  Overall, it was a lot of fun with some really predictable moments (I saw the smoldering teddy bear a mile away).  It definitely had some good parts, but sometimes the cheese got a little overwhelming.  Glad I didn’t pay to see it.  My biggest complaint: Jason Patric as the bad guy. Either he was really playing up the camp or the only one not taking it seriously.

Since V is on her Miyazaki kick right now, tonight’s feature was MY NEIGHBOR TOTORO.  I’d seen it a long time ago, but couldn’t really remember anything about it.

It’s yet another charmer, full of warm-fuzzy moments.  Watch it with your kids.   And explain to them that, yes, Japanese families take baths together.

Lastly, it really too much to ask for Netflix to be a little more vigilant about scratched-up discs?  We missed about 12 minutes out of the whole thing because it would freeze, and then jump ahead.

V still loved it.

Cowboys and soldiers are MY kind of crap

Maximum Z anime, I Blame Ninjas, Miyazaki, movies, Netflix, Veronica, westerns, WWII

Through some miracle unbeknownst to me, my Adobe reader at work was up and running, so I was able to read through Patrick Sweeney’s GHOST TRAIN.  Due to time constraints, I got halfway through, then finished it at home.  I want to read it again because I’ve got some questions that a second read may answer.  Comments will be posted Monday.

In the meantime…

K is out of town for the week, so while it may mean the usual readjusting of child care and a slightly different menu (my dishes tend to run simpler when it’s just me and V), it also means I tear through the stuff I put on Netflix I know she won’t watch.

Which usually means westerns, WWII flicks and cheesy recent releases.  Not so much of the first two categories this week, but some of the stuff I’ll be watching over the next few days includes: GI JOE: THE RISE OF COBRA (which looks really, really stupid, but I can’t help myself), THE LOSERS (mixed reviews), and THE GIRL WITH THE DRAGON TATTOO (I read the book, but don’t have any desire to see the upcoming American remake).

I regret not being able to do much with LUCY this weekend, but this whole parenting thing is quite time-consuming.

Speaking of which, V got HOW TO TRAIN YOUR DRAGON for Hanukkah.  She loved it when we saw it in the theatres, but I think I’m more interested in watching it again than she is.  Which is okay.

She’s really into Miyazaki films lately.  HOWL’S MOVING CASTLE. KIKI’S DELIVERY SERVICE.  She wants to see MY NEIGHBOR TOTORO.  Tonight’s feature is CASTLE IN THE SKY.  I saw it when she was really little, but don’t mind having it in the house again.

I don’t know which is more fun to watch.  The movies or her reaction to watching them.

Someday she may even want to watch STEAMBOY, which is just wicked cool.  It was made by Katsuhiro Otomo, the same guy who did AKIRA.  While AKIRA is cool to look at, the story just gets too confusing.  At least for me.

What’s playing at your place?

My work is cut out for me

Maximum Z analysis, Black List, characters, espionage, Miyazaki, outlines, plot, radio, screenwriting, story, The 13th Man, thrillers, WWII

Due to heavy rainfall on Christmas Day, this poor little Jewish traffic reporter was swamped with work (no pun intended) on Saturday, so I got absolutely nothing done on the outline.

Sunday was sunny and much quieter, so I was able to do a little bit.

My plan was to keep moving forward today while doing afternoon drive (check it out! I’m on NPR! Well, the local affiliate anyway).  But I also felt bad about having downloaded those script from the Black List and not read any, so I checked out THE 13th MAN, a WW2-era thriller about an Army comic book nerd who helps crack a case regarding Nazi agents on American soil.  All music to my ears.

Wow.  This thing is just amazing.  Incredibly well-written.  A genuine page-turner.  Phenomenal story-telling.  My only two gripes: keeping track of some of the G-men characters, and a clever plot twist at the end.  While I did like the twist, and realize it does help hold the rest of the story together, would it all work if that whole subplot didn’t exist?  Maybe.  But I’m not the writer, so I can’t really say.

I’d give it a definite 9 out of 10.  Maybe 9.5.  I only hope the other 10 scripts I’ve got lined up are as entertaining.

One of the things screenwriters always hear is to not just write your own script, but read others.  It’s one thing to read the script for a film that’s been made, or an old favorite.  But reading an unproduced script that is actually circulating around Hollywood, or maybe won some competition(s) really helps open your eyes and shows you what works, while also showing how you could improve your own.

A common occurrence in THE 13TH MAN is that the hero not only repeatedly finds himself in a conflict, that conflict keeps building, and then builds some more, and then even more.  It keeps getting worse, and he has to keep changing how he tackles the problem.  He doesn’t always come out on top, because that would be boring.  But each conflict he survives helps lead into the next one, or maybe has the big payoff thirty, fifty or seventy-five pages later.

I’d love to know how long it took Enio Rigolin from start to finish.  It only got 9 mentions on The Black List, which is a shame.  Then again, I really like this sort of thing, so I’m biased.

Hopefully I’ll be able to support this argument after reading a few more of the Black List scripts, but if Hollywood made more smart, well-written films out of these scripts, the industry would be so much better off.  Treat your audience like intelligent adults!  You’d be surprised how rewarding it can be.  Once they get a taste of it, they’ll want more.  At least I would.

One last thing.  If I were in charge of casting for THE 13TH MAN, the first name crossed off my list for the lead would be Shia LaBeouf.  He may look like the ideal nerdy soldier, but I still have issues with him as the son of Indiana Jones.

Besides, they should have used Frank Darabont’s script for that one in the first place, but that’s another post.

Movie of the Moment: KIKI’S DELIVERY SERVICE. My first exposure to Miyazaki from way back, and now it’s part of our family library. Utterly charming and just plain fun to watch for grown-ups and kids; the American cast does a good job, but sometimes the original Japanese with subtitles is equally enjoyable.  Most important: V loves it, which is quite reassuring.

My suggestion: If the European element appeals to you, I highly suggest STEAMBOY, Otomo’s underrated follow-up to AKIRA.