determination

That worked out nicely

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Bit of a shorty today.

It took several days of almost-constant work, including a good deal of editing, tweaking, and overall wordsmithing, including a marathon 6-hour stretch at the very end, but the rewrite of the animated fantasy-comedy is complete.

Total page count now stands at 106, which is still good.

Got a squad of beta readers currently working their way through it, and the initial responses have been very, very positive – which is always encouraging – as well as a handful of suggestions for minor fixes scattered throughout.

I’m quite happy with the end result.

Up next – concept art, character designs, a pitch deck, and researching potential targets for querying.

Writing is just one piece of the puzzle.

Allowing myself a brief respite before jumping back into the rewrite of the sci-fi collaboration, which also seems reinvigorated in terms of ideas and execution. The jotting-down of new material is well underway.

Overall, a mighty fine writing week. Hope it was for you too.

-really, really enjoying BLUE EYE SAMURAI on Netflix. Incredible stuff, and definitely NOT family-friendly.

Just some minor reshuffling

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Almost two weeks into the year and my priorities have already changed. Hopefully for the better.

The original intent was to finish the rewrite of the sci-fi adventure, then start on a new project.

But then I got some phenomenal notes back on the animated fantasy-comedy AND a revived connection from a former collaborator about a project that’s lain dormant for a few years.

So now I’m splitting my time between those two, while the first two have been temporarily relocated to the proverbial back burner. As is my usual fashion, I’ll most likely jot down the occasional thought for the latter two between writing sessions for the former two.

I was initially resistant to the idea of rewriting the fantasy-comedy. It’s done well in some contests and garnered some potential interest, but given the opportunity to make it better, how could I resist? The aforementioned notes really opened my eyes as to what needed work – thankfully not a lot – and it feels like implementing those changes could have quite a positive impact on the script as a whole. Work has already begun and even though I’m still in Act One, I’m thrilled with how it’s going.

Regarding the script that’s been resurrected from the graveyard of abandoned scripts, my former partner had some ideas about it and got in touch with me to discuss it. His suggested changes seem to be more in sync with the type of story we want to tell, and my suggestion was to streamline and simplify the story to make it more relatable.

Both projects seem to hold a lot of potential, and I’m enjoying splitting my time between them. Both are established in terms of their stories, so these new drafts aren’t as challenging as if we were starting with an entirely new blank slate.

How do I feel about all these sudden changes of plans? Honestly, thrilled. I’m enthusiastic about all of them, and while I’d like to work on what I originally set out to, I’ve got no problem taking care of these other two first. If things go smoothly, there might even be the possibility of returning to the initial two sooner than expected.

We’ll see, but fingers crossed.

Catch ya later. Got some writin’ to do.

Looking back, looking forward

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Since this is the last post of 2023, it’s only fitting – and probably expected – to review the events of the past 12 months, as well as lay out the plans and hopes for the next 12.

This was a pretty good year for me on a few fronts.

After a significant amount of rewrites, my animated fantasy-comedy did okay with contests. It placed 3rd in Family/Teen/Animation for StoryPros, made quarterfinals in PAGE (first time breaking that barrier) and was a 2-time Second Rounder at Austin (first time for that one as well, and 2 times because I entered 2 drafts and each made it).

Because of the strike, and then being hit with consecutive bouts of Covid, I wasn’t able to do much with putting the script out there – something I’m hoping to fix come January.

I also finally made it to Austin and had a phenomenal time. I got to meet a lot of the amazing people I’m connected with on various social media platforms, as well as a few established pros.

As for 2024…

Currently working on the rewrite of the sci-fi adventure, and have been laying the groundwork for a new one – an action-comedy. Hoping to have both done by this time next year.

Since there’ll be more focus on the writing, I’m taking the year off from contests. Just seems like the right thing to do – and will save a decent chunk of change. No plans to go to Austin either. Maybe in ’25.

Also hoping to get things moving on the representation front. Since I’ll be skipping contests, I’m looking into some of the programs offered by Roadmap Writers. Heard lots of good things.

And I know I’ve mentioned this before, but I’m really hoping to get the ball rolling on filming the short script I wrote a few years ago. I’ve been really fortunate to have lots of offers of help and guidance to assist me in reaching that finish line.

There were a good deal of moments this past year involving self-doubt, uncertainty and just feeling not good enough. It’s been a long arduous journey just to get to this point, and there’s still a long distance to go. It can be frustrating, but I know I can keep finding the strength and determination to keep going. It helps to have so many people in my corner, metaphorically cheering me on.

At the end of each year, I usually say something like “Here’s hoping the new year brings bigger and better things on the screenwriting career front.” This is year is no different. There will no doubt be more heartbreak and feelings of inadequacy, but I like doing this too much to even consider the idea of giving up. Yes, I hope things work out or at least advance to some next levels, but if they don’t, I’ll still be plugging away and enjoying the journey.

Can’t close things out without saying thanks for coming along with me on this ongoing rollercoaster ride, and I wish you nothing but the best for all your projects in the coming year, and hope it’s truly phenomenal for you.

-Also wanted to thank everybody who sent in for last week’s Script Showcase. Hope you got some read requests!

It worked before, so why not again?

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This year’s contest season is pretty much over for me, with some not-too-bad and better-than-expected results.

My animated fantasy-comedy took 3rd Place in Family/Animation at StoryPros, was a quarterfinalist in PAGE and Emerging Screenwriters Animation, and made Second Round at Austin and the ISA Fast Track Fellowship.

Still waiting to hear from a few smaller contests, but none worth mentioning.

Quick note: I’ll be attending Austin this year. Hope to see you there.

I’m quite proud of how this script turned out, and even though I’m rewriting another script, as well as developing a new one after that, there’s still a chance I’ll go back and do another draft.

But I’m not in any rush. Taking my time seems to work well for me.

A few years ago, I opted to skip the contests and just focus on making the scripts better. It was a good decision.

So I think I’ll do it again.

For the time being, no contests for me for the 2024 season. I’d much rather focus on getting these scripts into decent fighting shape.

This is where I’d also add a mention of how much money I’d be saving by not doing any contests. Those fees really add up, don’t they? That’s still the case, to a certain extent. I’m giving serious consideration to redirecting the money spent on contests to one or two sets of professional feedback.

I’m also very fortunate that I have an amazing network of writers who will happily provide feedback on these scripts. A lot of them will be entering contests, and I’ll be the first to cheer their victories and console their defeats.

I won’t say it’s like a heavy load’s been removed from my shoulders, but it definitely feels like the right choice. The contests will always be there, and I’d rather take the time to really hone these scripts so they’re as good as they can be.

The other three little words

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My, what a rough week this was.

PAGE semifinalists and Nicholl quarterfinalists were announced. My script was not on either list.

Disappointing, especially since I think it’s a pretty solid script.

At least that’s what my readers say.

But like you always hear: it’s all subjective.

Your first thought when you get that notification that includes “Unfortunately,…” is probably “I must be a really shitty writer”.

Not so. I’ve read a lot of scripts of exceptional quality that also didn’t advance, including one by a previous Nicholl top 10 finalist.

There is absolutely no way to tell how a script is going to do in a contest. You send it, hope for the best, then move on to whatever the next thing is.

After I’d posted about not advancing, more than a few writers responded in kind.

“Me too.”

“Another swing and a miss.”

“Whoo! My eighth consecutive year of not advancing.”

It’s taken me a lot of time to accept that while it’s great to see your script do well in a contest, when it doesn’t do well is no absolute reflection on you as a writer.

Again: it’s all subjective.

One writer I know was frustrated after years and years of their script never doing well in a contest. That script then went on to place in the top 50 for the Nicholl.

This isn’t to say that your script couldn’t do with a little more work. That’s really up to you.

If you’re among the horde of writers whose contest journey has come to an end, give yourself a minute to vent and air those grievances, then decide what you’re going to do about it.

Is your script as solid as it can be, or would it be worth your while to give it another read to see if anything could use some tweaking?

Something to also keep in mind: winning a contest can be a stepping stone to a career as a writer, but it’s not the only way. A script can not do well in a contest but still attract the attention of somebody interested in making it.

As another writer put it: “I’d rather write a script that would be a good movie, than one that wins contests.”

At this point I don’t know what my plan is for next year’s contests. I’m too busy working on scripts to worry about it.

Which reminds me of another three important little words:

Don’t. Stop. Trying.