short films

Is it that time already?? (Yes. Yes, it is.)

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When I read a compelling logline or hear a “It’s THIS + THAT” that piques my interest, I will not hesitate to contact the writer and ask if the script is available to read.

But where could I, or any other writer, get information like this without having to scroll through endless pages of social media?

Wouldn’t it be awesome to have a vast assortment of scripts available in one convenient list that doesn’t cost you a single cent (RIP – the penny) AND has the email for every single writer?

Behold The Maximum Z 2025 Script Showcase!

This is your chance to put the basic info about your script on full display for the rest of the screenwriting community to peruse and have somebody go “Hey, I’d like to read that.”

Here’s how it works:

The Showcase will post here on Friday, December 19th. It will be a collection of screenplays and TV scripts, plus the added categories of scripts for short films and webseries. A link to the Showcase will be posted on various social media platforms.

If your script is included and you want your connections to know about it, it is highly recommended to copy-and-paste the link and post it on your platforms, inviting everybody to take a look.

To have your script included, send the following information here with the subject line “Maximum Z 2025 Script Showcase”:

Format (Film, TV, short, webseries)

Title

Writer

Genre(s)

Logline

Comps

Awards (if any, limit of 5) Please list how you placed, category (if applicable), the year, and the name of the competition – e.g. “Second Rounder – 2025 Austin Film Festival” or “Finalist – Horror, 2024 StoryPros International”

Your email

Feel free to check out the 2024 edition to get an idea of what it’ll look like.

Two conditions:

ONLY ONE SCRIPT PER PERSON

and

DO NOT SEND THE SCRIPT!!

Previously-listed scripts are okay, but new scripts are highly encouraged.

And can’t stress this one enough – PROOFREAD ALL OF YOUR INFORMATION BEFORE SENDING!! How it’s written in the email is how it’ll be listed in the post. This blog is not responsible for any wrong details, misspellings, or shitty punctuation.

The window to send in is between now and Thursday, December 18. Any submissions after that will not be accepted. Reminders will be posted weekly during that time, so don’t delay and send it straightaway.

Here’s the email again, and the subject line is “Maximum Z 2025 Script Showcase”.

Looking forward to seeing what you’ve got.

No restraints! (up to a point)

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While my short film is now in the hands of the editor, that allows me more time to get back to working on the outline for the new action-comedy spec.

It’s coming along, but choices have had to be made in terms of how far to take things regarding the story and how things play out.

Do I play it safe and hold back, or do I throw caution to the wind and go all out?

Believe it or not, this was a tougher decision than expected. I don’t want to overdo it, but I also don’t want things to be boring. There’s pushing the envelope, and then there’s way over the top.

But then again, this is an ACTION-COMEDY, with an emphasis on both parts, so maybe there’s some kind of middle ground that would work.

It also helped to get the opinions of a few other writers, who all said for this kind of story, you pretty much have to ramp things up, but to also not let things get out of control, which makes it feel like you’re throwing everything at the wall, which reeks of desperation – which I do not like, or want.

What I do want is for the reader/audience to really get the impact of everything that happens because it all works within the context of the story while also reinforcing/supporting the action and comedy. Not an easy path to navigate, but I feel up to the challenge.

So that’s the plan. Most likely it’ll be initially putting it all together in a simple and straightforward way, then go back and figure out the best/most effective way to have each scene and/or sequence showcase the action and comedy when applicable. Sort of “How can this be more exciting and/or funnier while still accomplishing what it needs to?”

I also suspect that once everything is in place, that’s when the real fun begins. Even with all of this figuring things out, I’m really enjoying putting this one together and look forward to unleashing it on the world when it’s ready.

Well, that was an experience

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Last weekend was the shooting of my short film SHECKY, and it was definitely something most memorable. That’s me in the middle with some of my more-than-capable crew.

For the majority of two consecutive days, four actors, sixteen crew and two behind-the-scenes photographers occupied my house. Thank God my cousin was able to take the dog for the weekend or that poor animal would have lost her mind.

My wife and I did what we could to take care of everybody in the best possible way (i.e. food and beverages). A good part of it was purchased, some was donated, and some was homemade. Helpful tip – feed them well. They will notice and it will be appreciated.

When you write a script, there’s a good chance you probably don’t think about all the aspects involved in the actual making of the film. And believe me, there is A LOT. Probably a lot more than you realize.

Lighting and sound equipment, and the related insurance. Props. Set decoration. Wardrobe (which the actors provided). The aforementioned food (also A LOT) and related items (breakfast, lunch, snacks, plates, cups, coffee maker, drinks, etc). Hard drives to store the info from memory cards used during shooting. I most likely saved a chunk of change by using my own house for the location.

And paying your cast and crew. This is not something you want to skimp on.

Believe me – IT ALL ADDS UP, so definitely make sure you can afford it. You’re a producer, and that’s your job: to take care of all of that, and probably a lot more.

It’s probably safe to say that all those “behind the scenes” scenes you’ve seen in movies and TV are just the tip of the iceberg. Producing your own film, even if it’s just a short, is a HUGE undertaking. The closest comparison is organizing a wedding. Leading up to the actual filming, I made it clear more than a few times that this was my first time as a producer, so to please bear with me.

Everybody was great, patient, and very understanding. They were all experienced (except for one PA who was also a first-timer) for which I’m very grateful. Over the course of the weekend, just about everybody came up to me to say that they really liked the script and were excited to be part of the project.

As for the actual filming, it really is mind-blowing to see characters, scenes and dialogue you wrote literally come to life in front of you.

That being said, there’s also a lot of “hurry up and wait” while the crew gets the equipment ready for each shot and scene.

But then everything’s good to go and the director says “Action”…

Magic.

I gave myself a few days to recover (including dealing with some kind of sinus infection), and am now gearing up to launch the crowdfunding for post-production – another world of which I have a lot to learn. I don’t know how that’ll go, but am hoping for the best possible results.

Would I do it again? My initial response is “Lord, no.” But I suppose once this film is completely and utterly finished, I might consider it.

Emphasis on “might”.

Just stumbling my way through

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T-minus one week to shooting my short film SHECKY, which means constant checking and re-checking of the seemingly infinite list of “stuff that needs to get done”.

And just about every item on there involves me asking a ton of questions to those with much more experience and doing my best to not feel foolish while doing so.

Fortunately, everybody has been extremely understanding and patient while explaining, coupled with “You’re actually doing a really good job.”

Certainly doesn’t feel that way.

One of the things I severely dislike is not knowing how to do something I’ve set out to do. It’s very frustrating and can easily throw you off-kilter. But nobody’s good at something they’ve never tried before. (Hello, screenwriting!) Mistakes will be – and have been – made, and the best thing to do is learn from them.

Which is what I’m trying to do with this.

I’ve also been told on multiple occasions of how excited everybody is about the project and being part of it, and how great it’ll feel during the shoot and once it’s all over.

That’s what I’m hoping (post-production notwithstanding). In the meantime, back to the list.

One down, a gazillion to go

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Just two weeks to go until we shoot my short film SHECKY, and there are a lot of things I need to take care of. It’s a list that feels like it never ends, or at least like every time I check something off, two or three more take its place. I’m doing my best to deal with a few items each day.

I suspect it would be very easy for things to fall through the cracks, instantly rendering them as forgotten – which means they would inevitably be needed in some kind of vital capacity or else the whole thing is shot to hell.

Which is why I’m doing everything I can to stay on top of that list and keep things moving.

It is my objective to have as much stuff ready to go for that first day of shooting so that when everybody shows up we can get right into it.

It’s exhausting and challenging, and definitely a crash course in learning how films are put together – even if it’s only a short.

Like when we start out as screenwriters, there’s a lot I don’t know, so I’m taking the time to learn as I go. Mistakes will be made, questions will be asked, and I’ll learn from all of it.

Each day involves adding a few more items onto the list, or maybe a new expense (which also seem to keep showing up). It’s always good when I can check off one or two things as “taken care of”.

All of this is part of the gargantuan effort to see this thing get made. Confidence and support from the cast and crew remains high, so I’ll keep working on reducing the number of items on the list. Don’t know if it’ll ever get to zero, but I’m sure gonna try.

-Donations are still being accepted to help with any and all SHECKY-related expenses (hello, post-production!), so let me know if you’d like to chip in. Every dollar helps, and perks and tier rewards from the crowdfunding still apply.

Just put “SHECKY project” in the subject line and I’ll send you the appropriate links (Venmo or PayPal).

Thanks!