The sound I needed to hear

Oh so worth it
Oh so worth it

It’s been a very long time since I felt my heart beating that fast.

It was the weekly meeting of the writing group, where volunteers offered up ten pages of their material for a read-through and critiquing. The time was right to take the low-budget comedy out for its first road test.

Despite my confidence in my own writing ability, anxiety was coursing through me. What if they didn’t like it? What if my attempts at jokes fell flat? Worst of all – what if they thought it wasn’t funny? These meetings are held at a small cafe, so the strongest drink in the house was coffee, so I couldn’t rely on a stiff drink to steady my nerves.

To make things that much more nerve-wracking, the moderator (who knows and likes my writing) had me going last. This may have been deliberate on his part.

We worked our way through the other three sets of pages, and then finally it was my turn.

I took a deep breath, stood up, and began distributing pages (complete with assigned parts), explaining the concept behind the story. Upon reflection, the chuckles and comments of “Oh, that’s good” and “I like it” were harbingers of what was to come.

Even so, I had to force myself to take deep breaths and calm down as the read-through commenced.

Also working in my favor: the person portraying the main character was spot-on.

They got to the first joke.

And they laughed.

To say I felt a sense of relief is a severe understatement, but it was exactly the reaction I was hoping for.

The read-through continued, with laughs in the places they were supposed to be. As expected, some jokes hit better than others, but it wasn’t that much of an issue.

A few minutes later, it was over, and we transitioned to the feedback stage.

Overall, it was very positive. Comments were made about what worked, what needed work, and potential changes. Some of the suggestions had merit and worth considering, but for the most part (and keeping in mind that a few members of the group are not the greatest writers – based on reading their work), I smiled, nodded and thanked each person for their thoughts.

Once again proving it’s all subjective, one person said my character descriptions were “too much” and maybe “too flashy”, but the person sitting to my left interjected and heartily disagreed, saying “a lot of the writing in other scripts is just dry and kind of dull, but this really pops off the page and paints a great mental picture.” A few nods around the table supported the latter position. If your work sparks contrasting opinions, then it must have something going for it.

The evening came to a close, and I left, feeling just the slightest bit triumphant.

For now, I’m still working my way through the first draft, and a lot of the jokes probably need a ton of work, but at least I can say I got past this first hurdle.

Should be interesting to see how things go from here.

-Shameless self-promotion! The Great American Pitch Fest is only two weeks away, so there’s still time to register. Save yourself a nice chunk of change by using the code MaximumZ20 to get 20 percent off. I’ll be there, and hope to see you too.

This train is picking up speed

What an incredibly appropriate image
What an incredibly appropriate image

My, but things seem to be happening all around me, and at quite a rapid pace at that.

-It took a lot less time than expected to complete the latest rewrite of the western, so the waiting-for-notes game begins once again. This draft is two pages longer than the previous one, but with a lot more character development in play.

As always, I’m distracting myself from worrying about it by working on the low-budget comedy. Churning out 2-3 pages a day is a pretty good objective. Slow, steady and all that.

Meanwhile, the hard part continues to be making sure the jokes are funny, or at least come across that way.

-Over the past few weeks, it feels like there are more and more announcements from friends and acquaintances about positive developments in their careers. While I can’t say the same has happened for myself (yet), it definitely feels like something big is coming. Potentially soon. Call it a gut feeling. I plan on holding onto that sensation for as long as possible.

In the meantime, I keep writing (and rewriting).

Tuesday’s interview with ScriptFest co-founder Signe Olynyk was, as expected, well-received. What I wasn’t expecting was that she would show her appreciation by setting up a special code for 20 percent off registration. The final cost minus one-fifth of itself. Very generous of her to offer up such an opportunity, wouldn’t you say?

Just enter the code MaximumZ20 at the checkout page, and watch the magic happen.

Even yours truly couldn’t resist and signed up. Yep. I’m going, and quite psyched about it, with the planning and strategy-building now underway. If you see me, feel free to say hi. I’ll be the tall guy in the glasses.

Any suggestions where a guy can grab some quality pie in Burbank?

-If you’re into film, TV, music and/or writing, and in the LA area, and are looking for an informative way to spend a Saturday afternoon, then I strongly suggest you check out the Three Cities Festival on May 23rd. Use the code TCFMAX to get 25 percent off the ticket price (which was pretty affordable to begin with, and this makes it that much more so). The number of available tickets is rapidly shrinking, so take advantage of this while you can.

-Hope you get lots of writing done this weekend, and Happy Mother’s Day to all you moms out there.

Ask a Getting-Down-to-Brass-Tacks Script Consultant!

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The latest in a series of interviews with script readers and consultants who would be worth your while to work with if you want to get your script in shape. Today’s spotlight is on writer-consultant-contest reader Jim Sarantinos.

Jim Sarantinos is the Editor-in-Chief of Creative Screenwriting Magazine, and writer of Gideon’s Way, a highly popular and acclaimed screenwriting blog which he started in 2009. He’s guest blogged for MovieBytes and other sites, and placed in various high-profile screenwriting contests including Scriptapalooza, Fade In, and most recently, Happy Writers with a TV sitcom pilot.

Jim has also read for various screenwriting contests and is currently developing several film and TV projects.

1. What’s the last thing you read/watched that you thought was incredibly well-written?

I’d have to say Nightcrawler, and I’m still mad it wasn’t recognized at the Oscars. TV-wise, I just watched my first episode of The Americans. Riveting stuff.

2. How’d you get your start reading scripts?

Going through film school, it was considered vital to our training; perhaps even more important than watching films themselves. I decided to consult because I was getting too many random scripts flooding my inbox demanding/requesting I read them and provide feedback within 24 hours.

3. Is recognizing good writing something you think can be taught or learned?

You can teach the basic building blocks of screenwriting, but recognizing good writing is learned from experience, intuition and taste.

4. What are the components of a good script?

Style and character. I love deeply flawed characters that straddle good and evil simultaneously. There’s so much scope for them to grow and interesting places to take them. I also love worlds I’m not familiar with; not necessarily fantasy or supernatural. A wonderful story can be set in an abattoir, a funeral home or a country club.

5. What are some of the most common mistakes you see?

Lack of story focus. Know exactly what you want to say before you start writing. Sure there is some discovery during writing, but know your theme and central message early on.

6. What story tropes are you just tired of seeing?

Car chases, explosions, shootouts. Give me a cop disarming a criminal solely with his/her mind and wit any day. You can only paper over the story cracks with CGI for so long.

7. What are the 3 most important rules every writer should know?

-Know yourself.

-Know your story.

-Know the audience.

8. Have you ever read a script that was an absolute, without-a-doubt “recommend”? If so, could you give the logline?

I can’t give you a logline, but I recently read a contained thriller about a heist gone wrong. Two-thirds of the movie was set in an office where the hostages and criminals were barricaded in. It was so vivid and real, which made it easy to visualize it.

9. How do you feel about screenwriting contests? Worth it or not?

They’re a double edged sword for me. I’ve heard of success stories which have launched careers and also stories of writers winning major contests and not getting anywhere. There are also too many cash cow contests with dubious readers. If you enter a contest, go big or go home. Preferably enter one that gives notes, so you know the reader has actually read your script. Practice due diligence.

10. How can people get in touch with you to find out more about the services you provide?

My blog Gideon’s Way is at www.gideonsway.wordpress.com and Script Firm Consultancy is at www.scriptfirm.wordpress.com

11. Readers of this blog are more than familiar with my love/appreciation of pie.

What’s your favorite kind? Humble. Preferably organic, sugar and gluten free.

Mega-shorty

Blink and you may miss this post
Blink and you may miss this post

It’s been a very busy week for me, so my writing’s slacked off a bit and I want to try and catch up, so not much to say today.

Positive: Got to the end of Act One for the low-budget comedy. Splitting time between editing/rewriting and pressing forward. May give the first ten pages a test run at the writing group next week.

Negative: Reading a friend’s script that is, simply put, really, really hard to get through. Lots and lots of problems with it, and I’m only up to page 20. Torn between throwing in the towel or forcing myself to make it to the end.

Potentially positive: Got some great feedback on the western, so reorganizing stage is underway.

That’s it. Gotta go. Have a great weekend, and try to get some writing in.

Just a few random thoughts…

typing Superman
…typed at super-speed!

-Work on the low-budget comedy spec is inching forward at a rate of about 1 1/2-2 pages a day. It may not seem like a lot, but it’s proving to be much more enjoyable than expected. A big part stems from going back and rewriting the jokes to make them better (and hopefully funnier). It’s difficult to be self-analytical about it, but I think I’m getting better. The big test will be if it generates some actual laughs when people read it.

I was originally hoping to be done with it by the end of the month, but mid-May may be a little more realistic.

-More notes and feedback coming in on the western. Lots of helpful and insightful comments, including some fantastic suggestions on how to make the logline better, and a few confidence-restoring observations about the material as well as my own skills. Those are always nice to get.

Already figuring out what to work on when the next rewrite gets underway.

-Had to give notes to a newbie writer about their script. There was a lot that needed to be fixed, and I tried to be equally tactful and supportive with my comments, but they still got more than a little defensive.

Apparently I can’t recognize the genius in anybody’s work.

-When I first started my “Ask a Script Consultant!” interview series, I had no idea it would: A) go on this long, or B) spark so much controversy about whether or not it’s a good idea to use one. It’s easy for professional writers to denounce it because they’ve got a much stronger support system than those of us trying to break in. A lot of us do what we can on our own to get better, but sometimes will still need help and guidance in order to improve, and do what we can to get it.

Sure, there are some really lousy ones out there, and you might get burned. That’s a chance you have to take. It’s up to you to do the work to find the one that’s right for you.

Caveat emptor, chums.

-Enjoy the weekend. Hope you get a lot of writing done.