A verbal solution for a writing problem

Even despite a temporary lapse, output on the sci-fi adventure rewrite was progressing at a decent pace.

I already knew there’d be more work to do once it was done, but something still felt off. A piece of the puzzle was missing, and it felt weird to keep pushing forward. Like building a house with incomplete blueprints.

Although my original intent was to finish the rewrite, I wanted to take care of the missing puzzle piece. This in itself was quite challenging.

Once again, my network of savvy writing colleagues comes to the rescue.

I’ve been doing more one-on-one Zoom calls with writers I’ve only known through social media. It’s a great opportunity to get to know them as people, as well as talk a lot of shop about screenwriting.

Such was the case earlier this week. Another writer and myself were discussing some of our current projects, and the sci-fi adventure came up. Despite my stumbling through the “pitch”, my friend got really into the concept, prompting them to ask a lot of thought-provoking questions about the story and the characters. Some I had an answer for, some I didn’t.

(side note – I used to be embarassed about not having all the answers when it came to my stories, but have since embraced it and am now willing to say “I don’t know” or “no idea” because this usually leads to a discussion where everybody involved helps me come up with an answer.)

This led me to realize that some aspects of the story weren’t as defined as I thought. That, in turn, had a ripple effect on the rest of the story. The same story of which I had just passed the halfway mark with rewriting.

It was like taking a piece out near the bottom of the tower in a game of Jenga. Not that everything came crashing down; more like things got a whole lot more wobbly.

We talked things through some more, and did some impromptu brainstorming, all of which which helped point me in the right direction.

Long story short: the rewrite’s on hold and the reset button’s been pushed. But like I mentioned during the discussion, once those fixes are worked out and implemented, it shouldn’t be too difficult to get back on track.

While I originally hoped to be done with the rewrite around now, or at least mighty close to it, I don’t mind making another trip to the drawing board to take care of this. I’m already looking forward to taking this on and seeing how it goes.

Bonus – the chance to make any other fixes in the 50+ pages I’ve already written.

Yet another reason to be active and interactive within your personal writing community.

The final chapter in the Indiana Jones series opens today. The characters and storytelling have been a huge influence for me and my writing, and I can only hope that my scripts can someday be compared to them.

I also hope the movie’s good.

From the archives: Two shoulders, no waiting

shoulder
Plus two sympathetic ears at no additional cost

Over the past few weeks, as part of group Zoom calls and one-on-one discussions, I’ve discussed with other screenwriters the frustration with how things are going for the writing, establishing/maintaining a career, and just the overall experience. And the current writers strike ain’t helping much, either. Sometimes all you can do is listen and offer encouragement and moral support. It might not be much, but it can still make a difference. It also reminded me of this post from August 2019. Enjoy.

Trying to make it as a screenwriter is a tough choice to begin with. It’s a long, drawn-out process that takes a long time before any significant results can be achieved. Sure, there are exceptions, but for the most part, it remains a marathon, not a sprint.

And that also means there’s going to be A LOT of heartache and disappointment along the way, and that can really take its toll on you. Not to sound too New Age-y, but all that negative energy can do significant damage to your confidence and self-esteem.

“This is never going to work.”

“I can’t do this.”

“Why do I even bother?”

If you’ve never said or thought any of these things, I’d love to know how in the world you managed to accomplish that and still call yourself a screenwriter.

Many’s the time I’ve seen comments on a public forum from another writer that echo these sentiments, or had them send me a private note saying something similar.

And I feel for them – whole-heartedly. I’ve been that writer thinking those thoughts a lot, too.

Do I wish I could help them out in any capacity? Without a doubt.

Even though it may not be much, I’ll offer up whatever support or encouragement I can. Don’t underestimate the power or effectiveness of telling somebody you’re in their corner. It makes quite the difference knowing you’re not alone during this tumultuous journey.

I once got a note from a writer I barely knew. They knew a writer I knew, and had seen some of my postings online. We were both semi-finalists in a prestigious contest, and it was the day the finalists were being announced.

For reasons totally unknown to me, they contacted me, asking if I’d received any kind of update. I hadn’t.

“Having a total shit writing year so far so I’m clinging to anything positive ha,” was their response.

I told them I was sorry to hear that, and offered up my own frustratingly good-but-not-great batting average, along with a few words of encouragement in the vein of “much as it hurts to get thrown off, you just gotta keep getting back on the horse”.

They were in total agreement.

An hour or so later, the finalists were announced. I wasn’t one of them. But they were. Naturally, I was disappointed, but also happy for them because they had something good happen.

The takeaway here is that you’re not alone in this. Every other writer goes through it. We’re all going to have a lot of bad days, probably a lot more than the number of good days, and it can be tough to get through it, let alone come out stronger.

This is one of those added benefits to networking and connecting with other writers. You’re not just helping to develop your writing and analytical skills, you’re creating your own emotional support network.

Chances are you’ll have a stronger relationship with a small number of people; the ones you’ve interacted with, or shared scripts, exchanged notes, etc., on a more regular basis.

Don’t be afraid to reach out and tell one of them “Hey, I’m not feeling too good about this right now. Mind if I talk about it?” They’ll understand, and be supportive about it (in theory). Just being able to talk about it could help you feel a little better.

Screenwriting is complicated enough, and gets even more so when you throw all your hopes and ambition into it. Sometimes you’ll feel strong, powerful, ready to take on the world. And sometimes you’ll feel like the world’s beaten you to a bloody pulp with no hope for recovery. (Again, I’ve experienced both.)

You can’t force yourself to feel better and restore your confidence, but you can take little steps to help yourself out – at your own pace. And any help you might need is always there and easily accessible.

Savoring the victory

Super-shorty post today, due to a small turn of events:

My fantasy-comedy placed 3rd in the Family/Teen/Animation category for StoryPros.

Not too shabby.

Previous scripts have made it to various levels in this contest, but this is the first time I got this far.

Feeling quite accomplished about it.

And this was an earlier draft. Several rewrites/polishes have taken place since, and I like to think it’s a stronger script now.

No idea how it’ll do in upcoming contests, but hope and confidence levels continue to hold strong.

Taking a little time to celebrate, then it’s back to the grind for the sci-fi adventure (which is almost at the halfway point)

I also want to acknowledge and thank all the amazing and talented writers who provided me with an abundance of notes and feedback that helped me get the script to what it is today.

Hope everybody enjoys a piece of pie with my compliments.

A small ramification of the writers strike

I was afraid of this.

The intent was to post the Maximum Z Summer ’23 Script Showcase in 2 weeks, with an abundance of film and TV scripts for the enjoyment of all.

More than a few scripts have been sent in, but there has also been a significant number of writers contacting me saying “Normally, I’d do this in a second, but because of the writers’ strike…”

And you can probably fill in the rest.

Much as I would love to proceed with the Showcase, the last thing I want to do is make anybody feel uncomfortable about it or feel like they’re putting their potential future involvement with the WGA at risk. Myself included.

So even though it breaks my heart to do so, the Summer Showcase is on hold until further notice.

I won’t cancel it outright since there’s no idea when the strike could end.

If it does end in the near future, then I’ll weigh the options of opening it up again. If it runs longer than anticipated, the Showcase will most likely return later this year with the Autumn/Winter edition; looking at December 1st.

If you’ve already sent in your script, let me know if you want it kept on file for next time, or plan to resubmit it (or another script) at the appropriate time.

Like many other pre-WGA writers, I’m hoping to eventually be part of the organization, so I stand in solidarity with what they’re trying to accomplish. If that means not being able to do the Showcase, it’s a small price to pay.

(Illustration by James Yang)

For all the writers of screen & TV out there

Hard to believe it’s that time of year already, but if you’ve got a screenplay or TV script you want to share with the rest of the screenwriting community, and the online world in general, your chance to put it front and center is once again at hand.

The Maximum Z Summer ’23 Script Showcase will post on Friday, June 2nd, so you have between now and Thursday, June 1st to send it in. Details listed below.

This bi-annual event has been going on for a few years now. It’s just my little way of giving a helping hand to any writer via a little publicity boost for their script, absolutely free of charge.

Once the post is up, I’ll post a link to it on my various social media platforms, and highly encourage you to do the same if you want to get more eyes on your listing.

And if you see a script you’d like to read, the contact info is right there for you to get in touch with the writer to ask. I’m fairly certain they’d be more than happy to send it your way.

Here’s how it all works:

Email the following info here with the subject line “Maximum Z Summer ’23 Script Showcase’:

-Film or TV?

-Title

-Author(s)

-Genre(s)

-Logline

-Awards (if applicable) – 5 at the most

-your email

And that’s it.

Two VERY important details to keep in mind:

-DO NOT SEND THE SCRIPT!!

Just the info above. Nothing else.

-and-

-Only one script per person.

New scripts are highly encouraged, but past submissions are also welcome.

Again – send it in between now and Thursday, June 1st.

HIGHLY RECOMMENDED – proofread the email before sending!. There’ve been more than a few typos over the years, so make sure everything reads the way it’s supposed to.

Looking forward to seeing what you’ve got, so don’t delay and send it today!