The gears, they’re a-turnin’ again

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Sometimes you have to really throw yourself into your work

During a break from working on the comedy spec rewrite, I was digging through some files on some of my other scripts and found a friend’s notes on the pulp sci-fi spec.

I hadn’t read them in months, and vaguely remembered there were some quality comments, so since this is one of the scripts I’m considering working on next, I gave them a quick skimming.

(This is also a good time to remind you that unless you honestly and truly feel that a script is finished, never throw away any of the documents associated with it. You’d be surprised how invaluable those can end up being.)

Yep, definitely some good stuff in here, along with some very valid points about the story and the characters. One of the comments that really struck home for me was that while they liked the story and the ideas behind it, a lot of it still felt too familiar. There were a few moments of uniqueness, but they wanted more. Something slightly different from what they’d read.

“Familiar, but different.” I’ve heard that before.

And it really got me thinking. Even more so this time around.

As it reads now, it’s a good, fun story, but I know it can be better. And different. All while still maintaining the qualities and elements you’d expect for this kind of story, which is what made the idea of developing it so appealing to me in the first place.

Working in my favor is that this was an early draft, so some significant changes were already inevitable, and I at least have a pretty solid foundation from which to start the rebuilding process.

Another bonus is that this is the kind of story where the more new and original ideas I can come up with will only help make the end result stand out that much more.

As I mentioned, this script is a potential “next up”, but not a priority. If an idea or concept for it suddenly pops up, I can easily open up the script’s notes file and jot it down. That way I’ll have it right there and ready to go when that rewrite gets underway.

But for now, back to the comedy.

-A few items for the bulletin board:

-Filmmaker friend of the blog Hudson Phillips is running a crowdfunding project for his post-apocalyptic tale of female empowerment This World Alone. As of this writing, they’re just over 2/3 of the way there, so donate if you can!

-If you’re a screenwriter looking for something a little different in terms of a writing retreat, take a gander at what the Aegean Film Lab has to offer: an international screenwriting workshop in July on the Greek island of Patmos. It’s part of the Aegean Film Festival and a partner of the Sundance Film Festival. I won’t be able to make it, but maybe you will.

What would Miss Manners think?

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Treat them the way you’d want to be treated

Believe me. I get it.

You want to be a working screenwriter more than anything. ANYTHING.

So much that you find yourself occasionally succumbing to lapses in good judgment and common sense, resulting in actions that might initially seem sound and sensible, but in retrospect, become more of a “what the hell was I thinking?”

You want to make a good impression, and overstepping the boundaries of courtesy is a surefire way to have that NOT happen. Sadly, too many aspiring writers tend to ignore that and just plow forward, not taking into consideration the fact that they’re most likely sabotaging their own career before it even gets started.

So presented with the best of intentions, let’s go over a few of the basics:

-This is all on you. You want to be a working writer? Then you need to do the work. All of it.

There are no shortcuts.

The writing, editing and polishing.  Researching reps, producers and production companies on IMDB Pro. Networking. Making and maintaining connections. DO NOT approach a total stranger either online or in person and have the first thing you say be “Hi. Can you help me?”

Be patient and courteous. Everybody’s got stuff going on in their lives, so they might not get to your script right away. Much as you want a fast turnaround, you’re not a priority to them. DO NOT be pushy and bombard them with constant “Did you read it yet?” emails. Send it, give it 4-6 weeks. If you haven’t heard anything by then, send a friendly reminder (“Hey. Just wondering if you’ve had a chance to read MY SCRIPT. Thanks.”)

-Once you do get the comments back, send a thank-you note. If you agree with what they say, or think it makes some good points, say so. If the comments are negative, or at least not what you want to hear, DO NOT respond by arguing why they’re wrong. “You just don’t understand my genius” is never a good idea. They’re doing you a favor and providing their honest opinion. Just say thanks.

Rememeber: there are a lot of other writers in the exact same situation as you, and each and every one of them is spending just as much time figuring out some kind of plan to help them reach that goal.

Use your head while being polite and considerate to help you make a better impression.

-I’ve written about some of these topics before. Feel free to give ’em a look-see.

Psst! Your desperation is showing

You don’t know me, but can you help me?

Make Emily Post proud