Ah, the car chase. A film staple. And a fantastic opportunity for the writer to really let their imagination run wild.
Mine started with the short description in the outline “Chase! (2-3 scenes)”.
I knew how it was going to start, and how it was going to end. It was all that stuff in the middle I had to figure out.
Despite the story’s fantasy-like setting, I’ve made a point of trying to keep things as realistic as possible where applicable. This falls into that category. No crazy cg effects or unbelievable stunts; just simple, basic and peppered with mad driving skills.
“But there’s only so much you can do with a chase scene,” you may think. And in some ways you’d be right, except there are countless ways to make things happen.
Break it down to the simplest elements – somebody’s trying to get away, somebody’s trying to stop them, and there are going to be obstacles in each one’s way.
The challenge is to think up ways for both to go about achieving their goal, as well as what can stop or prevent that from happening.
It’s not just about having a chase just for the hell of it or something that looks cool, but what makes the most sense and what fits in, plot-wise. Is there a way to make it feel it really belongs there and is connected to other parts of the story? If it means adding a little something to a previous scene, so be it.
Need a little inspiration? Go to YouTube and type in ‘car chase in movies’, or check out William Martell’s blog, which always includes a classic chase in the Thursday posts.
Most of all – please, please, please avoid tired cliches like the plate glass window, the fruit cart, the baby carriage and the large construction vehicle.
Maximum Z 