script

Re-establishing a foothold

Maximum Z action, comedy, determination, development, frustration, outlines, perseverance, persistence, plot points, screenplay, screenwriting, script, spec, story , , , , , , , , , , , , ,

A bit more of progress on the outline for the action-comedy spec, including coming up with some much-needed story details.

Things had been feeling very rudderless as I struggled to figure things out, and the pressure I was putting on myself wasn’t helping. So I did the most sensible thing and took a step back with a focus on the basic foundations of the story.

What needs to happen? What building blocks have to be in place? Is there enough “there” there to make this a workable story? Would everything work the way I’m hoping it does?

I wrote out the most basic outline I could think of, including combining pre-existing plot points with potential alternates (or at least additional details), and laying things out in a “A leads to B, which leads to C, etc.” sort of way.

This resulted in a bit more clarity regarding the progression of events as well as the filling-in of a few more blanks between all of them. Having a better idea of how the path should look tends to yield better results.

It’s not a lot, and there are still many gaps to be filled, but it’s a start of sorts and it definitely helps. Just overcoming this can be considered a victory in terms of writing and confidence in the ability to move things forward.

There are a lot more steps to go, but this feels like things are getting back on track and I hope to keep the mini-momentum going.

There will be questions

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I consider myself to be very fortunate to be part of this community, and a significant part of that involves seeing the creativity and writing skills of its members on display in the form of their scripts. I really enjoy reading them, and appreciate when they read mine.

Part of that involves – when requested – the giving of notes. I try to be as objective and helpful as I can, and a big part of that is me asking questions.

Sometimes it’s to clarify a necessary detail, or something important, or maybe it’s about the WHY as it applies to any number of things. If something isn’t clear to me from what’s on the page, I’ll ask questions to the writer in the hope that that will help them make it more clear. It’s safe to say the less questions I have, the better the script is.

I’ll never tell a writer “This is how you should do it”, because that’s just wrong and simply not helpful. If what they have on the page isn’t conveying its intent enough, I might make suggestions of alternatives that still accomplish what the original material was trying to do, along with “just my two cents”.

A lot of these script swaps are for both reading enjoyment and quality improvement, so both parties are appreciative and receptive to notes and comments that could potentially help make each script better. It’s always nice to hear “These are really helpful! Thanks!”, “You’re not the first person to say that,” (or its mirror twin “Nobody’s mentioned that before”) and “I never thought of it that way.”

This isn’t to say all my notes are perfect, ’cause they definitely ain’t. Sometimes a writer will respond with “I get what you’re saying, but I think this way is more effective”. And that’s fine. It’s their script, not mine.

I will also add that I will absolutely not hesitate to point out a spelling or punctuation error. Proofread, people! SPELLCHECK IS NOT YOUR FRIEND.

Like I said, I’m very fortunate to always have a short stack of scripts in my reading queue, along with a steady influx of “Hey, would you be able to read this” and my asking somebody to read something of theirs. Even though it always takes me a little longer than expected to get to each one, which usually involves sending a note/email apologizing for the delay, it’s always great to open that pdf file and dive right in.

But rest assured, questions will be asked if needed.

It all leads to this

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Slight shorty today, but one worth discussing.

Some slight progress on the outline of the new spec, but I realized what the biggest obstacle has been:

I need more details about how it ends.

This isn’t to say I don’t know how it ends. I do, but the challenge is finding the best way to present it, along with how everything that precedes it plays a part in getting there, how this is without a doubt how it should end, and that any other outcome would be unacceptable. Quite challenging.

Once I crack the details about the ending, there’ll be a lot of filling in the blanks as part of assembling and organizing all the storylines and subplots. Fingers firmly crossed for that part to go smoothly, or as close to it as I can get.

There’s been a lot of brainstorming and writing down any and every idea that comes to mind. A few possibilities so far, but no “That’s it!” moments just yet.

It’s out there, and I’ll find it.

Creativity activated

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Super-shorty post today.

Not happy with the development and what feels like a lack of progress on the new spec, so taking some time to see what I can do to rectify that. I’ve got ideas.

Wish me luck, and have a good weekend.

-quick contest update – my fantasy-comedy didn’t make Second Round for Austin. Was hoping it would, but that’s the way it goes. Back to the spec.

The only constant is change

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Even though a lot of the past week was family-oriented, thoughts about the current spec were omnipresent. There’s still a lot to figure out, but things are progressing, albeit slowly.

One positive result is that as these ideas develop, each causes a ripple effect in terms of how it impacts the rest of the story.

Just as an example, I needed to come up with a very important story detail, so started listing all the possible reasons how it could happen. I came up with one I felt worked best and started implementing it into the still-under-construction outline. That in turn triggered thoughts of “that could be because of ____” or “what if ____ is why?”.

A little more rejiggering of possibilities and how they’d fit into the story and voila! Some really helpful ideas and additional details that strengthen its designated storyline AND how it affects a few others.

When I started this project, I reminded myself that the end result would most likely be very different while the core story remained the same. Staying on top of all those little details is really keeping me on my toes, while also forcing me to constantly ramp up my creativity to make this script as original and entertaining as possible.

It’s a safe bet I’ll come up with more story-changing/impacting ideas over the next few weeks, but I welcome them and will deal with those as they happen.

The main focus remains just putting it all together.