Digging up the perfect word(s)

All worth it in the end

It’s amazing how productive you can be while working at 30,000 feet. K and I flew across the country to spend some time with her family (as well as pick up a somewhat homesick V). Since the movie going each way didn’t interest me, I took the opportunity to  go through the latest rewrite and look for further necessary edits. Of which there were more than a few.

I’ve since made all the changes, save one: a handful of sentences describing a location. At first this may sound pretty unimportant, but it’s actually quite the opposite. Without going into too much detail, this description is for one of two key settings in the whole story. The other one – exactly what it should be, so now I need one just as good, if not better, for this. What I have now is just cliched and boring. Time to buckle down and come up with something exactly spot-on.

It’ll be an uphill battle, but I’ll find it. Trust me.

-During our stay, lots of downtime and limited internet access gave me the chance to start figuring Act Three of the western-adventure.

I’d completely forgotten some of the details in the first outline from a few months ago. Some of them still work (surprisingly so), which was an unexpected surprise, but others will have to go, which was completely expected. Further proof that after you write something, you really should ignore it for a while.

Reworking this may be a slightly bigger task than originally expected, which I don’t mind at all. It’s also a golden opportunity. First I come up with what I want to happen, then get to figure out how to make it bigger. Fun stuff indeed, and I do not mean that sarcastically.

-I took it upon myself to further my jump into making all of this happen by signing up for IMDBPro. Time to start researching who would be receptive to reading my stuff. Last time around, I went through a hard copy of the HCD, highlighting any agency and management company that was okay with unsolicited query emails. Not sure if that’s the way to go now. Any and all suggestions are welcome.

>Insert diabolical laughter here<

Followed immediately by this. Sorry. Couldn’t resist.

 

I vowed to get to the end of Act Two, and by gosh, I did. And then some. This really is the “all seems lost” moment for my protagonist. I had to make sure it seemed like she has no way whatsoever of reaching her goal, and that’s how it’s playing out so far.  How in the world is she going to get out of this exceptionally insurmountable situation? Which is exactly what I want you to think.

(Actually, you should be thinking that in every scenario for anybody’s script.)

While it’s fun to put the whole story together, I get a certain joy from devising what kind of obstacles to keep throwing into the mix. Taking this one step further, after I come up with the problem, I have to figure out how my hero gets out of each scrape. And since this is a Western, there’s a whole lot to choose from.

Those who know me personally would not hesitate to call me a nice person. “Still a boy scout,” even. But when it comes to developing the bad guys? Hello, dark side! From somewhere deep within the far reaches of my mind, I’m able to conjure up actions and characters most sinister.  The harder I make the conditions for my hero, the more interesting the story gets.

I want my hero to succeed, right? Then they have to go through hell in order to do that. And it’s up to me as the creator of this particular world to devise every hellish detail and solution.

If the prospect of doing this doesn’t make you giddy, then you’re in the wrong business.

Next up: keeping you on the edge of your seat while wrapping it all up in Act Three.

Stumped!

At least it gives me a place to sit and think…

There’s this one line of dialogue that’s giving me a lot of trouble. Actually, I hate it. The way it’s written now is too much tell, and not enough show, rather than the other way around.

I know what I want the line to say, but coming up with exactly the right words is proving to be quite the challenge. This line is pretty important on several levels, so it really has to pack a punch.

Time once again to step back, take a breath and not think about it. That usually helps the solution present itself. Not time for panic mode yet.

Despite this minor setback, this summer is still off to a pretty good start.

Putting an even more positive spin on this, while part of my creativeness figures this one out, the other part can get back on track and resume the fine-tuning of the western-adventure outline.

You can’t rush this kind of thing

Almost what being really productive feels like

We’ve all been there.  After countless hours of slaving away on a project, you’re closing in on finally being done. Hallelujah, the end is in sight! The urge to steamroll your way through whatever’s left and be done once and for all overwhelms you. That is an option, but it’s also one of the worst things you could do.

My work on the current polish/rewrite is about 20 pages from being done. While the ambitious part of me is ready to start researching professional script analysts, and maybe some agents and managers, the more rational part is saying “Hold on there, speedy.”  When I finish this draft, I’m going to go through it at least 2-3 more times with the proverbial fine-tooth comb, as well as get additional feedback from my trusted colleagues.  A fresh pair of eyes on something you’ve practically memorized by now can be extremely helpful.

Even during this current stretch, I’ve found a few story points that needed a little touching up and some typos here and there.  Nothing major, but I want to make sure everything is how it’s supposed to be. Even though all of this is pushing back the inevitable sending out, it’s more than worth it.

You’d think it would be common sense for somebody to make sure their work was as perfect as they can make it before submitting it to a professional. But this happens all the time.  There are countless tales of somebody reading a script and easily identifying problems with it, both in terms of appearance and execution.

When you’re presenting something this important, wouldn’t you want it to be the absolute best it can be? Of course you do. Then check it as many times as possible to make it that much harder for somebody to say ‘no’.

-Movie of the Moment: Jam-packed edition!  With V out of town, my movie-viewing has been plentiful.

-PROMETHEUS. As a friend put it, “A big hot mess.” Such a letdown, especially after all the hype. I didn’t like it. Pretty to look at, but a muddled plot that raised too many questions (as in “Would a person with any common sense really do that?”). Especially disappointing because of bad writing. Expected more from co-writer Damon Lindelof.

-MOONRISE KINGDOM. Loved it. I don’t have a problem with Wes Anderson’s style, but it did seem a little too similar to his earlier works. Still, a great story with perfectly-cast actors in each role. Nice to see Bruce Willis once again exercise his acting chops. The two leads, 12-year-olds who’ve never acted before, were really impressive.

-THE WOMAN IN BLACK. Wonderfully creepy gothic horror with a surprisingly spot-on lead performance by Daniel Radcliffe. What I liked most was that it seemed as if half of the scenes were dialogue-free, relying on mood and sound to raise goosebumps. Best when watched in the dark.

-TUCKER & DALE VS EVIL. I’m not a fan of slasher flicks, but this was a clever spin on the “college kids in the backwoods” story. Funnier than I expected.  Maybe one more run at the script wouldn’t have been a bad idea, so call it almost-great.

Hacking my way through the rewrite jungle

Yeah, it can feel like that sometimes…

Man, this rewrite is just zooming along, especially with the much-appreciated, very helpful feedback I’ve received. Spending so much time plotting things out before churning out pages really paid off. I tried to make sure any possible questions that arose could be easily answered through the course of the story.  One or two small issues may still need a little work, but looks like they can be handled without too much heavy lifting.

Nevertheless, confidence levels still running high.

Most of the edits took no time, but the biggest challenge was changing how the antagonist’s story ends. This has been in place since day one, but I’ve received more than a few comments saying it seemed too intense compared to the rest of the story.  So change was necessary.

I must have spent around two hours trying out at least a dozen scenarios until I finally came up with something I like. It may need a little fine-tuning, but the execution is pretty solid and I think it fits in nicely with the rest of it.

You know how a writer’s mantra is/should be “write every day”? I’ve tried to adhere to that as much as I can, and it really feels like it’s paying off in terms of being able to think my way out of potential writer’s block situations. Getting stuck trying to figure something out isn’t as much of a hassle as it used to be.

Cliched as it sounds, your creativity really is like a kind of muscle. The more you exercise it, the stronger it gets. And you don’t even have to break a sweat.