ideas

Fighting the latest metaphoric fire

Maximum Z continuity, creativity, ideas, logic, problem-solving, proofreading, rewrite, screenwriting, script, writing
always alert & ready to spring into action
Ever alert and ready to spring into action

It seems to happen especially when you suspect there’s a remote possibility it could.

You’re going over the latest draft of your script. The one you’ve been working on for what feels like an eternity.  The one you’ve been so meticulous in plotting and figuring out what happens, making sure everything ties up nicely.  No loose ends. No gaping plot holes.

After countless rewrites, you’re positive this thing is done.  It’s ready to go out.  But you give it that one last read-through, just to be sure.

Maybe there’s the occasional line rewritten or replacing of words, but for the most part, there’s not a lot to change.

Oh, false sense of security. Why do you torture us so?

Because that’s exactly when you find it:  a small gap in logic that brings things to a screeching halt.  Until now it had stayed hidden.  From everybody.

It’s the kind of thing someone might not notice while they’re watching your movie, but might later come up after further analysis. “Hey. How could he have ___?”

Almost as if on autopilot, your brain and creativeness kick in. What’s the most plausible solution?  Does it mesh smoothly with the rest of the story? Is there a way to set this up so it pays off in a more-than-satisfying way?

You know there’s an answer to this. It’s all a question of finding it.

You’re a writer. It’s what you do. You probably even live for this kind of thing.

That panicky stress upon first realizing there’s a problem has given way to calm and strategic thinking of how to fix this. Maybe you even devise several possible solutions, testing each one out to see which works best.

But in the end, the right words have been found, and that nasty ol’ logic gap has been filled.

As far as you’re concerned, the script has once again reclaimed the empowering adjective of bulletproof.

At least until you get your next batch of notes, and it starts all over again.

You want realism? Go outside.

Maximum Z creativity, criticism, goals, history, ideas, originality, screenwriting, self-confidence, westerns, writing ,
You invoke the ‘i’ word? I beg to differ

“…the idea of a female train engineer during the time of steam locomotives or even into the early decades of the twentieth century is, I think, virtually inconceivable.”

This was part of a comment that pointed out the historical and factual inaccuracy and basic impossibility of the concept behind my western-adventure.

My problem isn’t with what this person is saying. They’re entitled to their opinion.

What bothers me is that they seem to just flat-out refuse the idea that such a story could, or even should be considered.

Which is exactly why I want to write it.

We don’t go to the movies to watch a reflection of our lives. We go to see a story told in an original and interesting way. The more original and interesting, the better.

I happen to think this one has the potential to be both.

It may not be a 100 percent-accurate depiction of the era, but I’m not setting out to make a documentary.  This is escapism. Pure and simple.

Besides – how could I pass up the chance to give my imagination a workout like this? This is why I write.

There will always be those who shoot your ideas down, or at least find fault with them.  Listen to what they have to say, take what you want from their comments, and ignore the rest. Then go write what you want.

If they think they can do a better job, by all means  – let ’em try.

Figuring my way out/through

Maximum Z Disney, goals, ideas, motivation, Movie of the Moment, outlines, problem-solving, rewrite, screenwriting, script, story, storytelling, writing
The solutions are in there somewhere. Just gotta work at finding them

In an attempt to keep the outline momentum going, I’ve been making a sincere effort to squeeze in some writing on a daily basis. Sometimes it may only be 30 minutes or an hour, but I can’t keep making excuses as to why I’m not writing when I’ve got the opportunity to do so.

Lighting a fire under my ass is the only way. This thing ain’t gonna write itself.

And this is especially true now because I’m a few scenes into Act Three, and it’s quickly becoming all uphill from here.

I’ve got a semi-workable previous draft to work from, but some of the story details have been changed.  My next task is basically figure out what happens next using the practical approach: plot out each storyline, then weave them all together into an intricate, compelling and satisfying finale that ties up a lot of loose ends.

Daunting, but not impossible.

Also doesn’t hurt that I’m working a double shift on Thursday, which means lots of time to make some good headway. Dare I even consider reaching The End? We’ll see…

-Movie of the Moment. WRECK-IT RALPH (2012) – the latest from Disney*. If you were part of the 80s arcade experience and stayed involved with video games into the present, then you’ll probably enjoy this.

I liked it, but more for how the story was told, rather than what it was actually about.  It was impressive how there were a lot of setups throughout Acts One and Two that all paid off during the climax of Act Three. (I’ll be keeping this in mind for my outline).

Maybe the one thing that really stuck with me was that during the second half of Act Two, the focus seems to move away from title character Ralph and more towards supporting character Vanellope. I’m trying to figure out how it could have stayed more on Ralph.

As always, the voice talent is perfectly matched with their characters – especially John C. Reilly as Ralph, Jack McBrayer as Felix and Jane Lynch as Calhoun.  It was also surprising to see Sarah Silverman have a much bigger role than expected.

I’d categorize this as another movie I enjoyed in the theatre, but don’t feel like I need to own it. Same thing applies to BRAVE from earlier this year. Still, Disney always does high-quality work and it’s a feast for the eyes on the big screen.

*I originally thought this was a Pixar production, but it’s not. Proper edits have been implemented.

Lo, the cowboy ponders his fate

Maximum Z adventure, confidence, creativity, Django Unchained, ideas, originality, outlines, productivity, Rossio & Elliott, screenwriting, script, story, Tarantino, The Lone Ranger, westerns, writing
Guns + horses + good story = winning combo

Ah, air travel. When it works in your favor, it’s a very pleasant experience.

When it doesn’t…well, let’s just say it’s a good thing I had a pen, some paper, an outline to work on and an abundant supply of spare time.

I worked my way through the first act of my western-adventure, making changes and setting up setups where applicable. I still like how this is coming together. All that work fine-tuning the previous script is really paying off for this one.

But there’s one thing still nagging at me. Some significantly high-profile westerns are headed our way: Tarantino’s DJANGO UNCHAINED at Christmas, Verbinski/Rossio/Elliot’s THE LONE RANGER next summer and Chan Wook-Park’s THE BRIGANDS OF RATTLEBORGE sometime next year (in theory). All very different takes on the genre, and no reason why none of them won’t be successful.

So while I plug away at my story, the angst that plagues every writer kicks in: is it still worth the time and effort to do it?

In the end, there’s only one definitive answer:  Of course it is.

This is a story I’m very enthusiastic and passionate about, so to not write it would simply be a big mistake. It’s got familiar elements but based on an original idea to make it fresh and exciting.

And if those three films are successful, that could potentially create a demand for more scripts of that nature.

Which is where mine comes in.

All the more reason to hunker down, dive in and make sure this thing is done right.

Color me pleasantly surprised

Maximum Z action, adventure, characters, creativity, ideas, outlines, plot, screenwriting, story, subplot, westerns, writing
Totally wasn’t expecting that

Since figuring my way through the climactic portion of Act Three is still stressing out my creativeness, I did what any good writer would do in this situation: go back to the beginning and edit like a madman.  This will give my creative muscles a good workout while subconsciously working out the end.

Overall: the opening definitely needs some reworking, and there are a few places here and there that could stand a little adjustment, but for the most part – a lot more fun than I remember. Trying really hard not to sound egotistical, but I had to occasionally remind myself this was something I wrote.

Me.

Gosh.

Not working on this for so long enabled me to take a really good look at what I have so far. Interestingly, even though I knew what was coming, there was still a lot in there to make me want to keep going and see what happened next.

In all honesty, I’d also forgotten how much I wanted to utilize a lot of elements that make up the thrill-generating, pure adventurousness of the Western genre.  Those are definitely in there, with a lot of potential to be built up even more, but for now it’s all about the story. If that’s not rock-solid, then everything else is irrelevant.

The whole time I was looking this over, I found myself focusing less on ‘would it look cool on the big screen?’ factor, and more on making sure the characters were being proactive and realistically moving the story forward (especially the title character), and that each plotline was being established.  Maybe this is my brain quietly telling me my storytelling and writing skills are improving.

Something also very important to work on as this whole project moves forward – that the story grabs you from the start and doesn’t let go. But I suppose that should go without saying…