Script Showcase follow-up: Mercy buckets, chums

With The Maximum Z Winter ’24 Script Showcase in the books, I’d like to offer a heartfelt thanks to all the amazing writers who sent in their screenplay/TV script.

104 fantastic pieces of material, all of which are still available to check out – and contact the writer about reading. I sincerely hope it leads to great things for everybody, or at least a few leads or read requests.

Bonus – around 500 views (and counting), and that’s saying something for a blog of this miniscule magnitude.

Just about every submission email included the writer thanking me for doing this, or at least presenting the opportunity, and I really appreciate that. I like helping out the writing community in whatever way I can, and this seemed like a good idea.

As has been the case before, a few submissions came in after the Showcase posted, so unfortunately those writers missed out. I’m hoping to do it again next year, probably with a little more time between announcing it and posting it. Fingers crossed all the submissions come in before the deadline.

Thanks again to everybody who took part, and now would probably be a good time to start getting your scripts ready for the ’25 edition.

It’ll be here before you know it!

Just one week – seven days, and counting – until The Maximum Z Winter ’24 Script Showcase goes live.

Are you a screenwriter or TV writer with a script you’re just itching to show the rest of the world? Well, this is your chance to do exactly that.

Bonus – it’s FREE! Won’t cost you anything to send in the basic details about your script. But hurry – the deadline to do it is Thursday, December 5.

Then on Friday, December 6, a list with all the scripts will be posted. A link to that list will be posted on various social media platforms. If your script is among those listed and you want to spread the word about it, you can copy-and-paste the link and post it on all of your platforms.

Everybody wins.

Here’s the Winter ’23 edition to give you an idea of what it looks like.

The more eyes we can get on this, the better.

And if somebody wants to read a script, each writer’s email is included in their listing, so an interested reader can contact the writer directly and ask.

Here’s how it works:

Email the following info here with the subject line “Maximum Z Winter ’24 Script Showcase”

-Film or TV

-Title

-Writer(s)

-Genre(s)

-Logline

-Awards (if applicable) – limit of 5

-your email

That’s it.

And three very important details to keep in mind:

-ONLY ONE SCRIPT PER PERSON

-DO NOT SEND THE SCRIPT!!

-PROOFREAD YOUR EMAIL BEFORE SENDING! Is all the info correct? Any typos? How it’s written in your email sending it in is how it’ll be listed in the post.

Previously-listed scripts are okay, but new scripts are always encouraged.

Why am I doing this? I’m a big believer in networking and helping out the writing community. I don’t have much pull or influence within the industry, but wanted to do something that could help writers, and this seemed like the most practical way.

Did I mention it was free?

Once again – the window to send in is between right now and Thursday, December 5. Daily reminders will be posted during that time, but isn’t it better to just take care of it RIGHT NOW?

Thanks for sending in!

T-minus 2 weeks and counting

The sending-in of info about screenplays and TV scripts continues as more writers want to be included in the upcoming Maximum Z Winter ’24 Script Showcase.

Lots of interest being generated and excitement levels continue to grow, and there’s still 2 weeks to go until the Showcase goes live on December 6.

Here’s how it all works:

The Showcase is a big list of information about spec screenplays and TV scripts. Each listing features the basic details about each script (see info below), including the writer’s email. That’s there in case you’d like to ask them about reading it.

More than a few writers who’ve already sent in appreciate the opportunity to put their work on full display. I’m all about helping out others, and this seems like a fun and effective way to do that.

Bonus – it’s free.

Once the Showcase is up, I’ll do what I can to help spread the word about it, and hope you do the same – especially to shamelessly draw attention to your script being included.

If you want to have your script included, here’s what you need to do:

Send the following info here:

Film or TV?

Title

Writer

Genre(s)

Logline

Awards(s) – if applicable; 5 at the most

Your email

TWO EXTREMELY IMPORTANT DETAILS:

Only one script per person

DO NOT SEND THE SCRIPT!

I’d also like to stress the importance of proofreading your info before sending. Typos are sneaky little devils that show up when you least expect them – especially after the fact, so double- or triple-checking is highly recommended.

Previously-listed scripts are okay, but new ones are encouraged.

A few writers have asked about short scripts. Those are okay as well.

The deadline for sending in is Thursday, December 5, so don’t put off sending in until the last minute.

Looking forward to seeing what you’ve got.

There’s gold in them thar dumpster fires!

Saw a great quote the other day that was along the lines of “Being a writer is like having homework for the rest of your life.”

From a certain perspective, that definitely has a negative connotation. Emphasizing the ‘work’ part of the word indicates drudgery and toil. Like, strictly dullsville, man.

The obvious solution is to make it a positive experience.

I know. Easier said than done, but bear with me.

(Writing should never seem like work anyway, but that’s another post.)

To be a better screenwriter, you need to read scripts and watch movies. You can see how the pros did it and figure out how that could potentially influence your work.

While watching your favorites and the classics can definitely help, I also suggest watching really shitty movies as well.

Hard as this might be to accept, there’s something be gained from it.

What was it that made them bad?

The possibilities are numerous, but a good percentage of the time – it’s the script.

As a writer, you can use that to your advantage.

Painful an experience as it might be, watch that bad movie from a writer’s perspective. Is it the writing that sucks? The story? The characters (and not the actors)? Is there a coherent sense of structure? Is there any structure at all? Does the story flow naturally, or do things happen because it seems like the story needs them to?

Maybe it feels like the writer didn’t take any chances, or worse, went for the very easy and cliched (i.e. expected) solution. Does anything in your script feel that way? If so, think about what changes you could make that would produce the same results, but get you there in a totally different way.

It may be 90-110 minutes of your life you’ll never get back, but at the very least you’ll get a better idea of what NOT to do when it comes to developing your script.

And that is a worthwhile lesson for any screenwriter.

No words

’nuff said.

#paythewriters

#wgastrong

#sagaftrastrong