Out, damned trope! Out, I say!*

Do whatever you can to avoid falling into this perilous situation
Do whatever you can to avoid falling into a similar perilous situation

(*A slight variation on the actual line from MACBETH – Act V, Scene I. We’re all about accuracy around here.)

The more I work on the story of the monster spec, the more I realize how flimsy the villain’s plan is. I know what their objective is, but the biggest roadblock is figuring out HOW they’re going to accomplish it.

Part of the original story included a monster with shape-changing abilities taking the place of a high-ranking figure in world politics. At the time, it seemed good.

But now it just seems tired and stale. It really is something we’ve all seen before, which totally goes against what I’m trying to do. Coming up with a fresh, original story is one thing; telling it in a fresh, original way is another.

How often have you read a script or seen a movie or TV show and thought “Seen this before” or “Saw that coming a mile away”?

It’s easy to fall into the trap of using something that’s been used or done many times before. Cliches. Tropes. Clams. Call ’em what you will.  There’s nothing wrong with them, but it’s lazy writing.

Why would you go through the trouble of working so hard to create something new and exciting, but fill it with material that isn’t?

Read through what you have. Does anything come across as too familiar, or at least expected?

Look at that tired old chestnut as purely temporary, then go back and brainstorm a few alternatives which are totally opposite (or at least really different) but also accomplish the same thing.

Take a look at scripts and movies similar to yours. Can you see how they did it? Maybe it’ll inspire an approach you hadn’t thought of.

Feeling stuck? Ask for help. Twitter’s usually pretty good. You’ll soon discover that writers have the amazing ability to easily come up with ideas when it’s for somebody else’s project.

You’re a creative type, so get creative. You know there has to be a better way out of this. It may take a couple of tries, but you’ll get there.

In the meantime, I’ll be busy figuring out a new way for monsters to take over the world.

Time once again for…

Okay, class. Who's got stuff to talk about?
Okay, class. Who’s got stuff to talk about?

…the much-anticipated Project Status Update!

So simple, anyone can do it in just two easy steps!

Here’s how it works:

1. What you’re currently working on
2. How it’s going

I’ll start the ball rolling.

1. A rewrite of my mystery spec.
2. I’m up to page 82, which places it in the latter half of Act 2. This includes the realization that my “page 75” plot point has changed, but still works.

See? No sweat. Give it a try.

And continuing with the theme of something not seen in a while…

-Movie of the Moment. THE LONE RANGER (2013). Yep. Finally.

It wasn’t terrible, but it wasn’t good either. My biggest complaint was that there was just way too much going on. I’m all for an epic western, but this felt like they were trying to jam in as many cliches as possible. They could have totally removed at least two supporting characters and the inane “1933 Tonto telling a story” scenes.

It really seemed like it couldn’t decide what kind of story it wanted to be. Slapstick comedy? Buddy picture? Drama with touches of gore? All these and more on display.

One of the first rules in screenwriting is to make the audience want to root for your main character, which unfortunately doesn’t happen here. I actually thought Armie Hammer was a good choice to play the part, but the material was all wrong. Yes, he’s adapting to the ways of the frontier, but for crying out loud, this is the LONE RANGER. You do not make him a naive doofus.

Regarding Johnny Depp as Tonto, Graham Elwood of the Comedy Film Nerds podcast summed it up perfectly: The name of the movie is THE LONE RANGER, not JACK SPARROW GOES WEST.

One can only hope that the failure of this film will not once again stop the resurgence of the western.