An extraordinarily jam-packed couple of days

The mind reels at what could possibly happen next
Who knows what could possibly happen next? (but it’s fun to guess)

It’s been quite an exciting time ’round these parts, my friends.

-Wednesday. As has been previously chronicled, my script was in the top 15 percent for the Nicholl. Not enough to be a quarterfinalist, but that’s okay. There are so many other avenues to explore, and I’m already mentally rewriting the script I’d enter next year.

-Friday. I won a pair of tickets to a Giants game, which includes a pre-game VIP party where Stan Lee will be in attendance. With any luck, I’ll be able to get my ESSENTIAL SPIDER-MAN VOL 1 signed, and maybe a picture with him.

-Sunday. Ran the Giant Race half-marathon. Perfect conditions – cold, foggy, windy and a mostly flat course. Steady pace, positive attitude. Finally achieved the until-now impossible and broke the 1:55 barrier – 1:53:07 (a pace of 8:38, which I’ve never done before either). Next race is another half-marathon in October. Highly doubtful I can duplicate this kind of time, but still looking forward to it.

-Sunday, part 2. While I was recovering from the race, DREAMSHIP got its second Black List review. 8/10 overall (yay!), including 9/10 for character and setting (double yay!). That was enough to place the script on some of the top lists, including uploaded for action/adventure, family and sci-fi/fantasy.

-Monday. Because of my scores on the Black List, DREAMSHIP will be included in this week’s ‘industry member highlight email,’ which goes out on Friday to around 1900 industry pros.

You couldn’t wipe the smile off my face if you tried.

It’s probably safe to say there may not be a week like this ever again, so I’m definitely enjoying the positive vibes while I can.

Mountain today, speedbump tomorrow

Yeah, it kind of felt like that
Yeah, it kind of felt like that

Well, the first round of Nicholl emails went out yesterday to inform everybody as to whether or not they were among the 372 (out of 7,251) who made it to the quarterfinals.

Regrettably, I wasn’t one of them. But there was a bit of a silver lining, too.

“A little bit of good news: your script scored well, placing among the top 15% of all entries. Possibly read three times, your script was appreciated by two readers. Its numerical placement was within script 728 to 1106 out of 7,251 entries.”

Not too shabby. Best of luck to those continuing on!

So things didn’t work out for me this time. It stings a little right now, but it ain’t the end of the world. I’m not about to stop trying and dive into a pint of Ben & Jerry’s to drown my sorrows.

There was a great tweet from 2003 finalist Ronson Page later in the day: “Hollywood has many, many, many doors. Only one has to open.”  There are other contests, next year’s Nicholl, etc.

This script got me a manager, so I’ve got nothing to complain about.

If anything, it makes me want to work harder and write even more. Finish the first draft of the western spec. Jump into the rewrite of my mystery.

We’re writers. It’s what we do.

Don’t get me wrong. I’d love to see my work advance in the Nicholl, but it’s not the only way in.

And I definitely plan on getting in.

Still undecided about the ice cream, though.

And how did YOU do with your Nicholl script(s)?

Diverting your attention in a forward manner

Look closely and you'll see a lot of potential out there
Can you see all the potential out there?

I’ve been in contact with a few writers over the past couple of days, and several have mentioned their anticipation/nervousness over the pending announcement of the quarterfinalists in this year’s Nicholl competition.

I’m not going to lie. I’ve been occasionally thinking about it as well.

And it doesn’t help that the folks at the contest have been posting positive anonymous reader comments on Facebook over the past few months. If you’re anything like me, you’ve probably read them and thought, “Whoa, that HAS to be my script!” or at least “This could be interpreted in such a way that it vaguely applies to my script.”

I think the number of entries this year was somewhere in the 7200 range, or probably higher. So maybe it is about your script, or maybe not.

The point is: There’s nothing you can do about it now. It’s out of your hands, and obsessing about it won’t do you any good.

Apart from just stepping away (or even actually going outside, where the fresh air will do you good), the best way you can counteract all this hand-wringing is to redirect your focus. Channel all that nervous energy into something more constructive, writing-wise.

How about getting your script ready for upcoming competitions? (Just Effing‘s absolutely final deadline is August 15th, TrackingB‘s late entry deadline is September 28th, and PAGE International will start accepting entries for 2014 in December.)

Or maybe take a closer look at those notes on your recent draft and see what you can do with them, or dig up that killer story concept you came up with a few months ago and fleshing it out a little.

It really doesn’t matter what you do, but it’s important you do something. Your work will be further along than it is now, which always works in your favor.

No matter what your plan is, set yourself up in your ideal writing conditions and have at it.

Just call me the human perpetual motion machine

Stop working? That's crazy talk!
Stop working? That’s crazy talk!

Well, this has been an interesting week, to say the least.

-Rewrite was completed and sent it off to my manager. Hope they like it.

-Found out DREAMSHIP was one of 25 semifinalists in the Tracking Board’s Launch Pad competition. The top 10 finalists will be announced at the end of the month, followed by the winner a few days later.

Even if the script doesn’t advance, I don’t mind (although it would be nice). I’m just thrilled to have made it this far.  As K said to me after I got the email from the Tracking Board people, “See? Somebody who doesn’t know you thinks you’re a good writer.”

That’s a nice reminder.

-The Nicholl deadline came and went. DREAMSHIP was sent to that back in March, which makes it one of at least 7,200 submissions. The final count should be tallied sometime soon.

(If you have the time, do a quick search to find out what past winners are up to these days. It’s a fascinatingly diverse range of material, including film and television.)

-With a lot of this contest stuff out of the way, it’s time to return to the first draft of LUCY.  It’s been about a month since I last worked on it, so it’ll be interesting to take a look at what I’ve written so far.  Nothing like fresh eyes on your old work!

-I can also start running again. Next race is in 6 weeks, and I really want to be ready for it.

-Movie of the Moment – SKYFALL (2012) Took me three separate viewing sessions, but I finally made it through.  I enjoyed it.

Easy to see why this was so popular. It was a well-written combination of old-style Bond movies with 21st-century themes, thankfully without dipping too much into cheesy joke territory.

That’s almost that

Reaching my goal seems a little closer now

It took me longer than I wanted, but I finally finished the DREAMSHIP rewrite. 116 pages, which isn’t too bad. Now begins the editing phase, primarily of the second half.  I managed to trim about 7 pages for the first half, and hope to cut at least 4-5 this time around.

It bothers me that it won’t be ready for the Nicholl, but I’ve accepted it and moved on.

I’m also exploring the idea of sending it to a couple of professional script analysis firms. One of them might be ScriptQuack, especially since this rewrite was based on their suggestions for the previous draft.  I like the idea of getting some solid feedback, but I don’t know if I have it in me to go through another rewrite.  I like the idea of doing what I can with this and moving on, since LUCY is still waiting.

There’s something that’s been gnawing away at me inside for the past few weeks. I’ve noticed a unique writing style in a lot of recent scripts I’ve read; a lot of it really good.  My writing may not necessarily be as vivid as others, but it gets the point across. I try to use a little flair, but not enough so it distracts you from the story.  I’d rather let the story do its job than wow you with fancy-schmancy writing.

I’m also hoping that once the editing/polishing is done to fine-tune the logline and start sending out query letters. I did this before using a hard copy of the HCD, sending out about 200 email queries. It got the script optioned, which unfortunately didn’t lead to anything.  Maybe I’ll have better luck this time around.