What’s wrong with PG-13?

One of the two movies which resulted in the creation of this rating
One of the two movies which resulted in the creation of this rating

In recent discussions with other writers, I’d be asked what I was currently working on. I’d mention the western and mystery specs, and give a thumbnail description for each.

Among the responses I’ve come to expect is usually the follow-up question:  “Who’s your target audience for that?”

Everybody.

While what I write would probably be too much for very small children, there’s no reason it couldn’t be enjoyed by anyone between 8 and 108, as the saying goes.

In addition to all the usual criteria, I want to make sure the story is interesting enough so it would appeal to a wide spectrum of viewers, as well as keeping the content dead-center on that fine line between “not enough” and “too much.”

One writer sent back his notes on the western. He had some very good comments, but some of them seemed to be through a DJANGO UNCHAINED filter (which he also admitted being influenced by). It was suggested I go for a more intense level of violence in some scenes.

Which would be fine if I were writing something that was a hard ‘R’, but this isn’t.

I’m just more of the family-friendly sort, and there’s absolutely nothing wrong with doing that kind of material. (FROZEN has earned $350.7 million so far. Not too shabby, with the sing-along version ready to be unleashed.)

Although I want my stories to be fun and exciting, it’s also important to me they respect the audience’s intelligence, no matter what age they are, while also being fairly easy to follow.

I appreciate it when a movie does that, and hope to keep the practice going.

Grab ’em early and don’t let go

And this is just the beginning…

I printed out a months-old version of the LUCY outline yesterday as part of the plan to launch a massive rewrite to incorporate some recent ideas. As I was looking it over, it dawned on me – the opening sequence just ain’t strong enough.

The way it’s written now, it would last about 3 pages, which really isn’t enough. The opening sets the tone and mood of the whole story. If I can’t hold your interest here, then you’re not going to want to work your way through another 100+ pages.

Think of the opening sequence in RAIDERS. It runs about 10 minutes, and does a phenomenal job of establishing the character of Indiana Jones.  I need to do the same thing.

This is where that ‘having fun while you write’ thing comes into play. And I get to do it with trains in the Old West.

Throw in a bottle of RC Cola and some Moon Pies and it’s an ideal writing session.

-Movie of the Moment – MEN IN BLACK III. Fun, clever and a definite improvement over the previous sequel. Setups and payoffs were obvious from the get-go. Josh Brolin did a great job as a young Tommy Lee Jones.  If this opens the door to a MIB IV, they should go the FANTASTIC VOYAGE/INNERSPACE route and do microscopic or nano-technology-based aliens. You heard it here first, folks!

This also confirmed for me once again that Smith needs to stop playing it safe and really try something new. Wasn’t he Tarantino’s first choice for the lead in DJANGO UNCHAINED? But he’s got a good thing going that brings in big bucks, so I don’t see that ever happening.