goals

Don’t mind me. I’m just regrouping.

Maximum Z goals, motivation, pie, podcasts, productivity, Rocky & Bullwinkle, screenwriting, writing
Cut a little slice out of each day for creativeness (and done literally, you get pie!)
Cut a little slice out of each day for creativeness (bonus – pie while you work!)

Remember that New Year’s resolution you made about being more diligent and really sticking to a writing schedule and how you were going to be super-productive in 2013?  How’s that working out for you so far?

Well, here it is almost the middle of February and what does yours truly have to show for it, script-wise?

Zilch. Zip. Nada. The proverbial big fat goose egg and other colorful metaphors.

An outline with barely any dents in it and podcasting equipment that’s been taken out of the box twice.  How am I supposed to move ahead when I feel like I’m standing still? Not acceptable!

I could claim that most of January was focused on the query letters, but that’s kind of a lame excuse.  There’s no reason I (or any writer, for that matter) shouldn’t be able to set aside at least 30 minutes a day to work on something. Anything.

Maybe you’re like me and you’ve got that constantly-burning fire inside you that makes you want to write, create or produce something, and when you aren’t able to do that, you feel like you’re taking a step backward.

So consider the reset button officially pushed.  Let’s call this my New Year’s Resolution, Take 2.

I will do my best to try and accomplish at least one important thing each day for both script and podcast.  To be fair, there will be days where circumstances are just beyond my control and nothing will happen. It’s inevitable, and I accept that.

But the rest of the time – no excuses.

-Movie of the Moment. Not necessarily a movie, but a rediscovered treasure.  All 5 seasons of ROCKY & BULLWINKLE on Hulu Plus. Want to see countless examples of smart and hilarious writing in action?

Bullwinkle and a general watch helplessly as a missile takes off with Rocky strapped to it.

GENERAL: That squirrel is headed straight for Washington!

BULLWINKLE: Do you think he can carry the farm vote?

Look no further, my friends.

My mettle is being tested, and then some

Maximum Z goals, Joss Whedon, motivation, screenwriting, self-confidence, Spider-Man, synopsis, writing
Some days can feel like this...
We’ve all been there, Spidey.  Metaphorically speaking, of course.

A week after receiving my query letter, an agent responded, asking for a one-page synopsis.  Fortunately, I had one ready to go and sent it, trying hard to not get my hopes up.

The response came just under an hour later, including this:

“Sorry to say it doesn’t promise a unique storyline with surprises that would appeal to the young audience.”

Okay…

Not sure I would necessarily agree with most of that, but then again, I’m slightly biased.

What could have made them say this? Was my synopsis bad? Did the gist of the story not come across? Is this just another way of saying “Thanks, but not what we’re looking for?”

Hard to say.  Oh well.  Nothing else I can do about it.

So with my hopes temporarily dashed on the rocks below, onward I continue.  (Don’t worry. My hopes are pretty resilient, and should be back on their feet relatively soon.)

Probably like a lot of writers, there’s always going to be that dreaded feeling of second-guessing myself. Did I do enough? Is this right?

I could (and do) ask myself these questions, but the more time I spend worrying about them, the less productive I am.

It all comes down to doing the best I can, putting it out there and seeing what happens. Hopefully, it’ll yield positive results. If not, I’ve got no choice but to fix the problem where I can and see if that works.

They don’t call it a never-ending process for nothing, you know.

I’ve been working at this for quite a while, getting a little closer to success each time. The goal is obtainable, and I can do this. This long, drawn-out part can be pretty frustrating, but I’ve made it this far. A little longer won’t be that bad.

-Movie of the Moment: CABIN IN THE WOODS (2011)  I don’t really care for horror, but this was fun. If Joss Whedon is involved, you know it’s going to be written smart. I’d heard there was a unique twist to it, and there was (no spoilers here).

What was most impressive was how they took a lot of horror movie tropes and made them integral parts of the plot, including the all-important setting up and paying off.

Three to get ready…

Maximum Z creativity, editing, feedback, goals, motivation, productivity, rewrite, screenwriting, script, self-confidence, writing
Yeah, it kind of feels like that…

It took a while, but the initial editing phase is complete.  There aren’t a lot of significant changes to be made, but almost every page has something that requires some kind of fix. Fortunately, most of them are very minor, like changing a verb or rearranging the way a scene is described.

There are at least 3, maybe 4 scenes where something needs a little more attention, so I circle it and write my standard “Work on this”.

So all that’s left is one or two thorough typing sessions, one more read-through, a little feedback (professional and trusted colleague), and then diving headfirst into the fray and getting the script out there. (which reminds me I really need to get on the ball and get back to the research phase)

And honestly? I’m getting a little nervous.  But in a good way.

This is what I’ve been working towards, and now it feels like it’s just about here.

Is it wrong for me to think there could possibly be a good chance of something happening?

Don’t get me wrong. I’m not expecting a million-dollar sale.  Although selling a script would be fantastic, I’d much rather get representation and take some meetings that result in steady projects.  That would be phenomenal.

For some reason, I’m flashing back to a meeting I had about 11 years ago with a professional writer. I’d written 2 scripts and he read both of them purely as a favor.  When we met, the first thing he said was that I was a good writer. I had the talent, but really needed to keep writing in order to get better.

Which is exactly what I’ve been trying to do ever since.

Keep in mind that like everybody else, my first efforts were incredibly lousy (at least compared to my current stuff), so either he was being kind or he actually meant what he said. I really hope it was the latter.

For now, this remains an ongoing process. I’ve said many times it’s all been an absolute blast, and that still holds true.

And something deep inside tells me there’s bigger and better things ahead.

You want realism? Go outside.

Maximum Z creativity, criticism, goals, history, ideas, originality, screenwriting, self-confidence, westerns, writing ,
You invoke the ‘i’ word? I beg to differ

“…the idea of a female train engineer during the time of steam locomotives or even into the early decades of the twentieth century is, I think, virtually inconceivable.”

This was part of a comment that pointed out the historical and factual inaccuracy and basic impossibility of the concept behind my western-adventure.

My problem isn’t with what this person is saying. They’re entitled to their opinion.

What bothers me is that they seem to just flat-out refuse the idea that such a story could, or even should be considered.

Which is exactly why I want to write it.

We don’t go to the movies to watch a reflection of our lives. We go to see a story told in an original and interesting way. The more original and interesting, the better.

I happen to think this one has the potential to be both.

It may not be a 100 percent-accurate depiction of the era, but I’m not setting out to make a documentary.  This is escapism. Pure and simple.

Besides – how could I pass up the chance to give my imagination a workout like this? This is why I write.

There will always be those who shoot your ideas down, or at least find fault with them.  Listen to what they have to say, take what you want from their comments, and ignore the rest. Then go write what you want.

If they think they can do a better job, by all means  – let ’em try.

Figuring my way out/through

Maximum Z Disney, goals, ideas, motivation, Movie of the Moment, outlines, problem-solving, rewrite, screenwriting, script, story, storytelling, writing
The solutions are in there somewhere. Just gotta work at finding them

In an attempt to keep the outline momentum going, I’ve been making a sincere effort to squeeze in some writing on a daily basis. Sometimes it may only be 30 minutes or an hour, but I can’t keep making excuses as to why I’m not writing when I’ve got the opportunity to do so.

Lighting a fire under my ass is the only way. This thing ain’t gonna write itself.

And this is especially true now because I’m a few scenes into Act Three, and it’s quickly becoming all uphill from here.

I’ve got a semi-workable previous draft to work from, but some of the story details have been changed.  My next task is basically figure out what happens next using the practical approach: plot out each storyline, then weave them all together into an intricate, compelling and satisfying finale that ties up a lot of loose ends.

Daunting, but not impossible.

Also doesn’t hurt that I’m working a double shift on Thursday, which means lots of time to make some good headway. Dare I even consider reaching The End? We’ll see…

-Movie of the Moment. WRECK-IT RALPH (2012) – the latest from Disney*. If you were part of the 80s arcade experience and stayed involved with video games into the present, then you’ll probably enjoy this.

I liked it, but more for how the story was told, rather than what it was actually about.  It was impressive how there were a lot of setups throughout Acts One and Two that all paid off during the climax of Act Three. (I’ll be keeping this in mind for my outline).

Maybe the one thing that really stuck with me was that during the second half of Act Two, the focus seems to move away from title character Ralph and more towards supporting character Vanellope. I’m trying to figure out how it could have stayed more on Ralph.

As always, the voice talent is perfectly matched with their characters – especially John C. Reilly as Ralph, Jack McBrayer as Felix and Jane Lynch as Calhoun.  It was also surprising to see Sarah Silverman have a much bigger role than expected.

I’d categorize this as another movie I enjoyed in the theatre, but don’t feel like I need to own it. Same thing applies to BRAVE from earlier this year. Still, Disney always does high-quality work and it’s a feast for the eyes on the big screen.

*I originally thought this was a Pixar production, but it’s not. Proper edits have been implemented.