Figuring my way out/through

The solutions are in there somewhere. Just gotta work at finding them

In an attempt to keep the outline momentum going, I’ve been making a sincere effort to squeeze in some writing on a daily basis. Sometimes it may only be 30 minutes or an hour, but I can’t keep making excuses as to why I’m not writing when I’ve got the opportunity to do so.

Lighting a fire under my ass is the only way. This thing ain’t gonna write itself.

And this is especially true now because I’m a few scenes into Act Three, and it’s quickly becoming all uphill from here.

I’ve got a semi-workable previous draft to work from, but some of the story details have been changed.  My next task is basically figure out what happens next using the practical approach: plot out each storyline, then weave them all together into an intricate, compelling and satisfying finale that ties up a lot of loose ends.

Daunting, but not impossible.

Also doesn’t hurt that I’m working a double shift on Thursday, which means lots of time to make some good headway. Dare I even consider reaching The End? We’ll see…

-Movie of the Moment. WRECK-IT RALPH (2012) – the latest from Disney*. If you were part of the 80s arcade experience and stayed involved with video games into the present, then you’ll probably enjoy this.

I liked it, but more for how the story was told, rather than what it was actually about.  It was impressive how there were a lot of setups throughout Acts One and Two that all paid off during the climax of Act Three. (I’ll be keeping this in mind for my outline).

Maybe the one thing that really stuck with me was that during the second half of Act Two, the focus seems to move away from title character Ralph and more towards supporting character Vanellope. I’m trying to figure out how it could have stayed more on Ralph.

As always, the voice talent is perfectly matched with their characters – especially John C. Reilly as Ralph, Jack McBrayer as Felix and Jane Lynch as Calhoun.  It was also surprising to see Sarah Silverman have a much bigger role than expected.

I’d categorize this as another movie I enjoyed in the theatre, but don’t feel like I need to own it. Same thing applies to BRAVE from earlier this year. Still, Disney always does high-quality work and it’s a feast for the eyes on the big screen.

*I originally thought this was a Pixar production, but it’s not. Proper edits have been implemented.

What’re YOU working on?

Just curious.

I’ll go first.

Returning to the outline of my western-adventure while waiting for feedback on latest rewrite.

Now you.

Not yet, but almost

Must…stay awake…finish…rewrite….zzzz

Man, am I pooped.  But it’s a good pooped. Which actually sounds somewhat disgusting. But back to my original point.

K’s out of town this week, which makes me the guy responsible for getting V to school on time. As a result, I’ve had to stay home but have been really busy.

Apart from the usual dad stuff (rides to school, soccer, etc), this week has been prime “getting stuff done” time, especially in terms of running and writing.

For running, I’ve been getting ready for the Los Angeles Half-marathon this Sunday. If you’re anywhere along the route, I’ll be the panting, sweaty tall guy.  This’ll be my third half-marathon this year, and I’ve beaten the 2-hour mark for the first two. I’m hoping to hit  1:55 in LA, but don’t know if that’ll happen, although it would be very nice.

Running’s been good to me this year. That, combined with the biking everywhere, as well as trying to eat healthier and avoid crappy stuff, has resulted in me losing about 15 pounds. I’m hovering just below 200, and my jeans are 5(!) sizes smaller than the ones I wore in high school. Not to shabby.

Next up – upper body.

As for the writing, I dove into this rewrite with the intention of finishing it before week’s end.

Mission accomplished.

It’s 7 pages longer than the previous draft, but there’s lots of editing and fine-tuning to work through. Bet I can trim at least 3-4 pages before all is said and done.

Those notes I got over the summer really helped.  I was able to make changes where necessary, as well as throw in some improvements I never even considered before.  The hardest part was coming up with and implementing those changes. At first I resisted, but had to keep reminding myself “This is a rewrite, not a cut-and-paste. There are some things that need to be different.”

You’d be surprised what you can come up with when you throw willingness and openness to change into the mix. It’s almost freeing.

I wasn’t used to being able to spend so much time on a project. Several hours at a stretch.

I came pretty close to burning out at the end, but knew enough to step away when necessary. A short game on the iPhone or some brief internet surfing can actually be beneficial to one’s productivity, but don’t quote me on that.

-Movie of the Moment – still working my way through Season 2 of THE WALKING DEAD. Man, that is some quality stuff. Practically addicting. Looking forward to Season 3, and I still have 4 eps left of Season 2.

Leaps and bounds!

Up, up and away…

Honestly, I didn’t expect to be the rewrite to be this far along, but that’s how it’s working out.

Utilizing elements of the previous draft, the revamped outline and the occasional sudden inspiration, I’ve been copying, pasting and making fixes left and right.

Pretty significant – changes in Act One extended it another 6-7 pages, which turned out not to be the problem I thought it might. This combined with changes in the first half of Act Two have kept things on track, so now I’m around 4 pages ahead. Still not a problem.

Even more significant – I’ve been able to insert important story elements in appropriate places, except for one. Still working on that, but not worried about it.

Basically, the whole process has been extremely energizing. And I’m loving it.

-Had a nice chat with the guy whose script I provided notes for a few weeks ago. He’s already made two films on his own, and this is his third. Despite his eagerness to start filming, I did my best to emphasize the importance of making sure the script is rock-solid and bulletproof first, including recommending a 2-week break from the script, followed by a page one cold rewrite.

After I gave my two cents about other topics like incorporating theme, conflict, character development and so on, the poor guy seemed stunned. Almost as if I’d scared him into submission. But he said he’d take everything I said into consideration – but he had to get going because he was headed out to scout locations.

Can’t say I didn’t try.

-Movie of the Moment – THE WALKING DEAD, Season Two. I’d watched Season One on DVD about a year ago, and thought it was fantastic.  I never got around to catching Season Two when it actually aired on TV.  Now Season Three has started up, but we’re phasing out Comcast (Roku or Apple TV? Your thoughts please) and I’m using Hulu and Netflix Streaming when I can.

Hence Season Two.

One of the many things I really appreciate about the show in general is the suspense factor. Sometimes it’s low, and sometimes it’s through the roof, but it’s always gripping and definitely leaves you wondering what’s going to happen next.  And the occasional plot twist out of nowhere doesn’t hurt either.

Throw in 3-dimensional characters, believable situations (despite the whole zombie apocalypse aspect), and just plain great writing, and it’s easy to see why this has been so successful. Very eager to keep going.

-Totally forgot to mention – took V to APE this past weekend. Met a lot of great self-published comic creators. Hoping to write about it  later this week, including links to some extremely talented folks.

Rules? I laugh at the rules! Ha!

Not bad, especially since she never studied law

Most people will say I’m a nice guy, but something’s happening with this rewrite that seems to be awakening my inner ‘bad boy’.

At least from a writing perspective.

One of the guidelines I’ve always felt compelled to follow is when something is supposed to happen, such as Statement of Theme on Page 3, or Inciting Incident on Page 10, then that’s when it happens. No ifs, ands or buts about it.

So even though I’m making some good progress, the way the story’s playing out, it’s getting more difficult to follow the rules.  The pages are playing out differently.

My first response was “oh no! this isn’t right! I’ve got to fix it!”  But that would weaken the story, so…I’m just going to leave it as is.

I know. Quite the rebel.

Part of me feels almost guilty for not doing what I’m supposed to. ‘Almost’ being the key word here.

I really like how this thing is shaping up, so that basically kicks the guilt out of the picture.  I’d rather a reader remembers this as a story that really grabs hold and doesn’t let go, rather than focusing on whether or not something happens exactly when the rules say it’s supposed to.

I’ve been told I’m pretty good with structure, so again, not feeling too guilty. Actually, it feels…really cool.

I’m 10 pages in, and this already feels different than previous drafts. Different in a good way. Like this could actually (finally?) be my breakthrough script.

And that’s kind of exciting.

Even better, that excitement seems to be finding its way into this draft, which I sincerely hope others will pick up on as well.

Maybe they’ll even get a glimpse at what this ‘bad boy’ has to offer and like what they see.