movies

The value of face-to-face time

Maximum Z Bay Area Screenwriters, blog, characters, dialogue, Justin Sloan, Movie of the Moment, networking, Pacific Rim, screenwriting, The Last Starfighter, Writers Guild of America, writing, writing group , , ,
Coffee makes for a good 3rd part of this equation
Coffee makes for a good 3rd part of this equation

A few weeks ago, I’d read a post on Done Deal Pro from a writer who’d gone to Los Angeles to attend a Writers Guild function, but was now back home in the Bay Area.

Since I’m always looking to expand my network of fellow writers, especially ones that could be considered local, I contacted him and asked if he’d be interested in meeting.

Fortunately, he was. Coffee at the Ferry Building.

Since most of this summer has involved V being at work with me, she and I worked our way from my office to our designated meeting place.

I handed her my phone so she could play video games while Justin Sloan and I sat down to talk.

We exchanged backgrounds and career developments. He was especially intrigued about my results using the Black List.

Unfortunately, Justin had to get back to work so we had to cut things short, but he asked if he could read my script, and I offered to give feedback on his.  He also asked if he could send me some questions for his blog Bay Area Screenwriters. You can read those here, and I’ve added a link to it over on the blogroll.

It was great not only talking about writing, but also discussing the assorted experiences we’ve each had in relation to writing. Contests, writing groups, etc.

This is one of those experiences that can’t be duplicated via an online forum or instant messaging. Having an actual conversation with someone will hopefully be fulfilling for both parties.

So send those emails, set up those coffee chats, get out there and talk to people.

-Movie of the Moment: PACIFIC RIM (2013). What happened? This was supposed to be the big hit of the summer. No such luck. Instead, we got great special effects weighed down with forgettable characters and horrible dialogue. (Can’t people come up with something better than “Let’s do this!”?)

I will give del Toro and Beacham credit for coming up with an original story, but feel bad it was so poorly executed. There was no way this could lived up to all the hype. Scott Pilgrim, anyone?

Some notable disappointments: the Russian and Chinese pilots/robots were treated as throwaway characters, and were dispatched with way too quickly.
-the Australian guy with a huge chip on his shoulder seemed straight out of a studio note. “This guy should be a real asshole, but give him a dog so he’s semi-likeable.”
-the trailers featured most of the robot-monster action, leaving little to surprise us during the actual movie.

-THE LAST STARFIGHTER (1984). Hadn’t seen this in years.  Also watched it with V because I thought she might like it – she did. There are elements similar to DREAMSHIP. Not exactly the same, but definitely there.

The story by itself still holds up, even though the rest feels a little clunky, and Robert Preston’s fast-talking Harold Hill-type character always brightens up whatever scene he’s in.

Watching this on an HD screen makes it that much more obvious you’re looking at a film set, and the special effects, cutting-edge at the time, seem quaintly dated.

Should of known better

Maximum Z A Monster in Paris, animation, Movie of the Moment, proofreading, screenwriting, script, spelling, The Simpsons, writing

I admit it. I’m a fiend when it comes to spelling.

It drives me crazy when I’m reading somebody’s script and find a misspelled word, especially if it’s something used on an everyday basis.

I can understand making a mistake with a 25-cent word more likely to be found in the SATs, but ‘their’ instead of ‘there’? Or ‘lose’ and ‘loose’?

Yeah, spellcheck is a handy resource, but it doesn’t know what you’re trying to say.  You’re going to have to rely on that eye-brain connection to see you through.

Not the strongest speller? Consider an extra tab/window on your screen featuring Dictionary.com, just to be on the safe side.

Don’t trust yourself? Find somebody you do, making sure to offer some kind of reciprocation in gratitude.

The industry is always looking for a reason, no matter how insignificant, to say ‘no’ to your script. Maybe they’re willing to overlook one misspelling out of the whole thing, but you better have a kickass script to begin with.

The more mistakes they find (spelling and otherwise), the more likely your script is toast.

Misspelling not only makes your script look bad, it makes you look bad. It shows you may not be taking this as seriously as you should.

Just to put it in perspective: a friend sends you their script, but you find at least four spelling errors in the first 10 pages. The rest of it probably looks like this as well. Would you want to keep reading?

-Movie of the Moment – A MONSTER IN PARIS (2011) An absolute charmer of an animated film.  Take elements of BEAUTY AND THE BEAST, KING KONG and slapstick comedy, set it in 1910 Paris, add music, and this is what you get.

Looks like my get-up-and-go has got up and went

Maximum Z burnout, creativity, encouragement, exercise, motivation, Movie of the Moment, productivity, screenwriting, script, Superman, writing , ,
Everybody feels like this sometimes; today just happens to be my turn.
Amazingly, not as comfy as you’d think

I’m up to page 80 of the first draft, with maybe 2-3 pages to go to hit that next major plot point, which would put me approximately 7-8 pages over. Not necessarily too bad.

But there have been times lately, especially in the past few weeks, when writing feels more like work, which it really shouldn’t.

I’m not going to call it burnout, but it feels mighty close to that. Call it the writer’s equivalent of battle fatigue.

I don’t like it, and what bothers me more is the why.

Maybe it’s from not exercising as much, so my energy levels are down. On the other hand, I did two 13-mile runs in just under a week, so maybe I’ve exhausted myself.

Or maybe it’s psychological.  The ever-present concern whether people will like the end result is shaking my confidence, which makes it hard to focus.

A lot of writers say they write because they can’t imagine doing anything else. I agree, but what do you do when it’s tough to actually write?

It’s not writer’s block. I know the material. And it’s not motivation. Believe me, I really want to get this done.

The biggest drawback to all of this is if I’m not mentally jazzed about writing, the writing’s going to reflect that.

I could have an incredibly thrilling action sequence ready to go, but it might read as sluggish, listless or, god forbid, lazy.

It’s one thing to say to yourself “Keep going! You can do it!” It’s another to actually put those words into effect.

-Movie of the Moment – MAN OF STEEL (2013) Talk about tired and listless. How can a movie about Superman feel so empty? The special effects were impressive – I’d expect nothing less – but in terms of story and characters, I was very disappointed there wasn’t more of a sense of fun to it.

A friend says they were following the Nolan/DARK KNIGHT model and going for dark and brooding, which is what Batman’s all about anyway.

For a character with the nickname of the Big Blue Boy Scout, ‘dark and brooding’ isn’t exactly what comes to mind.

V and I saw it, and there were a few times she asked “Is it almost over?” This is a child who really enjoys a good comic book movie, and she’s known about Superman since she was really little, so when she asks that, you know it’s not a good sign.

Deterred? Me? Never!

Maximum Z Abraham Lincoln: Vampire Hunter, confidence, encouragement, goals, half-marathons, inspiration, motivation, Movie of the Moment, running, screenwriting, writing
Just...a little...farther...
Just…a little…farther…

And so another half-marathon has come and gone, along with my latest attempt to break the much-desired time of 1:55.

This time it was the SF WiPro on Sunday morning. There was a lot more uphill along the course than I expected, but I’m proud to say I didn’t stop on any of them.

End time: 1:57:28, for a pace of 8:58, which is actually pretty good for me. And taking all that uphill into consideration, it ain’t too shabby. It gives me confidence of how I could do on an entirely/mostly flat course.

Was I disappointed about still not hitting my personal best? Sure, but it’s in the past and now I can look ahead and get ready for my next race in August.  I’ll do my best for that one and see what happens. If I beat 1:55, great; if not, there’s yet another race in October.

For me, training for and running in these races is a lot like working on a script. I work at it when I can. Sometimes it’s easy, sometimes it isn’t. It’s a tremendous effort that takes a lot of dedication and commitment, and success does not come easily or quickly.  However, the payoff for when it does go well can be extremely gratifying.

Most importantly, no matter how hard things may seem, or how much I feel like giving up, I keep going.

Every single time I put myself out there, either for a race or a script competition, it’s a challenge to myself to do better than the last time. If I don’t get the results I’d hoped for, the next step is to figure out how I can improve.

I like to think I’ll eventually break 1:55, and my writing situation has been steadily improving, both in terms of skill and career development.

It’s been a long, tough effort, but my proverbial finish line is somewhere out there. It just takes a while to reach it.

-Movie of the Moment – ABRAHAM LINCOLN, VAMPIRE HUNTER (2012) It sucked.

That’s me – the human flying buttress

Maximum Z Comedy Film Nerds, encouragement, ideas, Movie of the Moment, originality, screenwriting, script, Star Trek, story, storytelling, writing
Just offering what little support I can
Just offering whatever support I can

When another writer follows me on Twitter, I’ll send a thank-you DM when applicable and ask how their latest project is coming along. The responses are usually pretty enthusiastic, and it’s great to see such a wide spectrum of material and how each person’s path is developing.

(What writer doesn’t like to talk about their work? I’m no exception either.)

Or maybe they’ve hit a bump in the road. “I’m stuck in Act Two,” “This rewrite’s killing me!” or “I’ve been dragging my feet on getting this draft done.”  Happens to all of us.

Based on how they’re doing, I’ll usually write something like “That’s awesome!” or “Hang in there!”, followed by the ubiquitous “Best of/Good luck!”

And I actually mean it.

Honest.

So it was a little surprising when I got this response during a recent DM chat – “You have a special gift of encouragement. WHO does that these days?”

Really? Nice, supportive people are now considered a rarity?

I’m not an idiot. This is a savage business a lot of us are trying to break into. It’s extremely competitive, and the odds are definitely not in our favor.  It’s extremely easy to get disenhearted and want to throw in the towel after receiving that 97th rejection letter.

A few words of support are never the wrong thing to say, even if it’s something as simple as “Good luck.” That may be just the extra push you need to get yourself to keep going, start again, or what have you.  If you’re lucky, you have loved ones, friends and trusted colleagues who support your efforts, regardless of how long it takes.

And consider me part of that group as well.

-Movie of the Moment – STAR TREK INTO DARKNESS (2013). Nice to look at, but is it really asking too much for an original story and characters – again? I didn’t like the Leonard Nimoy/Spock part of the 2009 movie, and was disappointed at the way this one played out.

For a funnier, NSFW spoiler-filled review, click here.

It bothers me that Orci, Kurtzman and Lindelof have become the go-to guys for pop culture sci-fi flicks. Yes, they’ve got talent (to a certain extent), but their work just feels like something’s missing. Maybe too much relying on flashy spectacle and not enough smart storytelling?  The effects should enhance the story, not the other way around.

As much as I enjoy a good fanboy film, I’ll take a solid story over gee-whiz special effects every time.  I suspect a lot of people also feel this way, or at least hope they do.

Trust your audience to be able to follow along; they’ll appreciate it.