In years gone by, when I was seeking feedback on a script, I would ask just about any writer I knew if they’d be interested (along with an offer to reciprocate, of course).
At first that number was in single-digit territory, but eventually crossed into low double-digits.
Definitely way too many. But I was still learning and trying to get as much feedback as I could.
That in itself soon became a double-edged sword. As much as I appreciated everybody’s notes, the amount of conflicting opinions (Person A: Do this! Person B: Don’t do this!) kept getting bigger and bigger.
It got to the point where I couldn’t stop second-guessing myself, which was definitely not helping.
So after the last set of notes came in on the latest draft, I decided on taking a different approach next time. For my own sake.
Taking a look at my list of names, I evaluated each person on it. How were their notes? Insightful? Just okay? Even if I didn’t agree with everything they said, did their notes have merit?
Doing all those reciprocal reads also played a big factor. Does their writing indicate they have a solid grasp on the craft? Simply put – do they know what they’re talking about?
The number of names was soon whittled down to a respectable half-dozen; six writers I think are very talented and who have each made good headway developing their own careers. The notes each one has provided me have been extremely helpful in improving both my writing skills and my material.
It’s also gotten to the point where it’s not an uncommon thing for one of them to ask me for notes on their latest project before they send it out.
When I wrapped up the first draft of the pulp spec this past weekend, my first instinct was to immediately contact the group. But time and experience has taught me that patience pays off. I opted to go through it again, editing and making appropriate fixes. This way, I’m sending them a better draft, which means less work for them. Their time is valuable, and I want to respect that.
I’ve seen writers on forum groups asking the community if anybody would be interested in reading their latest draft. That’s fine, but I think it’s a little too risky. Without knowing how much experience the other person has, you might end up hindering your progress, rather than advancing it.
I can’t stress it enough: take the time to build up you network. Establish your own core group of writers you think are exceptionally good. Be more than willing to read their stuff. Take their notes to heart. In turn, both of you will be better writers for it, each creating better material.