A most pleasant update to report regarding progress on the pulp spec: the point of no return has been reached (and even slightly surpassed).
Something incredibly significant has just happened to my protagonist, and everything between here and the end of the story is not only about answering the central question and everything connected to it, but also dealing with this important new development, which is also tied in to the main storyline.
From here on in, the stakes are consistently rising and my protagonist’s situation will continue to get more and more difficult.
As it should be.
Fortunately, a lot of these details were mapped out during the outlining process, which has once again proven to be extremely helpful. But even that’s not written in stone; one big sequence was deemed too similar to another, so the relevant elements of both were combined, which actually helped tighten things up on several levels.
To be perfectly honest, there’s not much I can gripe about regarding working on this script. It’s in a genre I love; this was always “something I would want to see.” I’ve made a real effort to make this an exciting read, both in terms of story and how it actually reads.
Like with some of my previous projects, I’m continuing to have a fantastic time writing it, and hopefully that excitement and enthusiasm will be evident on the page.
Sure, the ongoing plan of 2-3 pages a day has been slightly off, so it’s taking a bit longer than originally anticipated, but that’s par for the course for me. But every writing session, no matter how long or short, gets me a little more further along.
Today, the midpoint. Next up – pushing my way forward to the next plot point, which is about halfway through the second act of Act Two.
One thought on “The goodness of just over 50 percent”
You’re making such good progress. Way to go!