But I look so good in jodhpurs

And a beret, too
And a beret, too

I’ve been poring over the notes I’ve received, and included within were a few suggestions for improvements, including cutting back on the use of CAPITAL LETTERS for emphasis.  In fact, it was recommended I cut them out altogether.

I always thought doing that really got the point across, especially for really active verbs. Add that to the list of things to consider/investigate.

It was also mentioned that I could cut about 4-5 pages if I eliminated my ‘directing the action’ in so many scenes.

Directing? Me?

I looked over some of the pages in question, and wouldn’t you know it? They were right.

This isn’t about camera angles or more technical aspects.  I put in too much detailed description of the action between lines of dialogue, or give too much of a suggestion how a line should be delivered.

Apparently I do it a lot, not even realizing I was doing it.

I’ve always made an effort to avoid an excessive use of adverbs and parentheticals, but this really is something new.  While it’s something I’ll definitely need to work on in the future, making the appropriate fixes this time around doesn’t seem to be too challenging.

At least for now.

Teaching myself to not do this seems a little daunting at first, but the person who pointed this out to me added that he’s been a working screenwriter for 30 years and is still learning.

So there may be hope for me yet.

Just wondering – has there ever been something about your writing that was pointed out to you that completely caught you by surprise?

-This post was written during a very quiet Christmas morning shift at work. Hope you made watching a movie part of your day. Happy holidays!  One of my gifts was the COMEDY FILM NERDS GUIDE TO MOVIES, which comes from the always-entertaining and incredibly hilarious podcast of the same name. Definitely worth subscribing to. Please note the very apt ‘explicit’ tag on iTunes.

Three to get ready…

Yeah, it kind of feels like that…

It took a while, but the initial editing phase is complete.  There aren’t a lot of significant changes to be made, but almost every page has something that requires some kind of fix. Fortunately, most of them are very minor, like changing a verb or rearranging the way a scene is described.

There are at least 3, maybe 4 scenes where something needs a little more attention, so I circle it and write my standard “Work on this”.

So all that’s left is one or two thorough typing sessions, one more read-through, a little feedback (professional and trusted colleague), and then diving headfirst into the fray and getting the script out there. (which reminds me I really need to get on the ball and get back to the research phase)

And honestly? I’m getting a little nervous.  But in a good way.

This is what I’ve been working towards, and now it feels like it’s just about here.

Is it wrong for me to think there could possibly be a good chance of something happening?

Don’t get me wrong. I’m not expecting a million-dollar sale.  Although selling a script would be fantastic, I’d much rather get representation and take some meetings that result in steady projects.  That would be phenomenal.

For some reason, I’m flashing back to a meeting I had about 11 years ago with a professional writer. I’d written 2 scripts and he read both of them purely as a favor.  When we met, the first thing he said was that I was a good writer. I had the talent, but really needed to keep writing in order to get better.

Which is exactly what I’ve been trying to do ever since.

Keep in mind that like everybody else, my first efforts were incredibly lousy (at least compared to my current stuff), so either he was being kind or he actually meant what he said. I really hope it was the latter.

For now, this remains an ongoing process. I’ve said many times it’s all been an absolute blast, and that still holds true.

And something deep inside tells me there’s bigger and better things ahead.

Ready. Set. Edit!

And I'm off!
Although the starter’s pistol might be a bit much…

My worries may have been for naught.

Fixing those angst-inducing scenes?  Not as tough as I expected. (Maybe I actually AM getting better at this. Wouldn’t that be cool?)

Final page count – 127, but the last page has 3 lines of text on it, including FADE OUT, so paring this down seems a lot more doable now.

So off I go to toil away with my trusty red pen.

In the meantime….what’s on YOUR writing agenda this weekend?

-MOVIE OF THE MOMENT – ARTHUR CHRISTMAS (2011) I don’t usually go in for modern-day Christmas movies, but this was an Aardman production,  which meant the writing  would at least be of good quality.

The plot – Santa’s nerdy younger son must deliver an overlooked present by Christmas morning.

Overall – fun, enjoyable, but not sure I would classify it under ‘the holiday season just isn’t complete without watching this’.

My biggest problem was how they handled the ‘all is lost’ moment at the start of Act Three. It felt like Arthur’s motivation was rejuvenated because the plot required it to be, not because of what was happening. If they had made it feel more organic, I would have probably liked it more.

Still, while some scenes fell neatly into expected/almost-cliched story points, there were others that pleasantly caught me off-guard.  I also liked how there was a lot of the wonderfully dry British humor (which could partially explain why US audiences haven’t embraced Aardman films).

If you’re looking for grown-up-friendly kid films this winter break, this and THE PIRATES! BAND OF MISFITS would make for a good double feature.

A pair of potentially pressing perplexing problems in a possibly penultimate draft

today's blogpost brought to by...
today’s blogpost brought to by…

Being done with this rewrite is almost a reality; emphasis on the word ‘almost’.

There’s this one scene that’s really bothering me. Something about it feels very…off.  It’s necessary in that it wraps up a subplot, but the way it’s written feels less ‘show’ and more ‘tell’.

I’m not exactly sure how to handle this. The scene still works, but part of me thinks it could be better and another part wonders if it should stay as is. This is definitely going to require some figuring out.

One unfortunate side effect of making changes is it will most likely drag things out and make the script longer, which really is the last thing I need right now.

Which brings me to another issue.

This is at least 7-10 pages too long, so the next step after all the writing is done is to hack, slash and rewrite this down to a more agreeable length.  I don’t want a potentially interested party to be put off by the number of pages before even starting to read it. (Although in my defense, this is a real page-turner of a script)

I don’t like setting deadlines for myself, but with the end of the year looming, the rest of the month seems like a good opportunity to really wrap this script up once and for all.  I’ve been in contact with a professional writer who gives notes, so that’s where it’ll go when all is said and done.

Which will most likely lead to more rewriting, but you and I knew that was going to happen anyway.

The ever-elusive 1:55

Only one way to go – up

When you start out doing something, you know what your goal is from the very beginning.

“This is what I want to accomplish” is your mindset.

You work and work, always striving to reach that goal.

There may be setbacks, but you don’t let them stop you or deter you. You remind yourself that reaching that goal will take time. Persevere, as my dad is fond of saying.

Set that bar. Reach for it. Every effort and attempt gets you that much closer to it.

Hit a milestone on the way to that ultimate goal, and ask yourself “How can I improve?” Always strive to do better, because you know you can.

The whole time you’re working towards that goal, part of what keeps you going is looking forward to seeing all that hard work pay off.

And when that goal is finally reached, take time to enjoy it.  Besides, chances are you’re going to immediately set another goal and start working towards that one.

My goal in screenwriting is to write a script that will start me on the path of writing them for a living.  After a few more tweaks, I think the latest draft of my current script may be the one that does that.  This has been a long journey, but I’m a much better writer now compared to when I started out, and it’s all contributed towards reaching that goal.

And working towards these goals doesn’t just apply to creativity.

My goal in running is to do a half-marathon in 1:55.  This weekend’s run in Los Angeles yielded a time of 1:57:45, which isn’t bad. I still beat the 2-hour mark, but I know I can eventually hit my goal time. (The hot weather didn’t help. I don’t do well with the sun beating down on me.) In the meantime, I’m continuing to train and am already looking at potential races for next year.

My current goal in the kitchen is to make a pumpkin pie completely from scratch. After years of using the canned stuff, I’ve taken the plunge and bought a sugar pumpkin. (The baklava project has been put on hold until the holidays.)

Everybody has multiple goals they’re working towards. Don’t stop trying.

-Movie of the Moment – ARGO (2012). Absolutely loved it. Great story, great characters, smart script. Highly recommended. I’d be surprised if it didn’t get some Oscar nods. Also can’t help but wonder how Affleck would do directing a film where he wasn’t part of the cast.

Also finished Season 2 of THE WALKING DEAD. Solid all the way through, and ready to jump into Season 3.