A world of my own design OR Atlas, schmatlas

The land is mine to manipulate as I see fit. So there.
This land is mine to manipulate as I see fit.  So there.

Making some good progress on the western outline. This “working at least 30 minutes a day” thing has really moved things along; actually much faster than originally anticipated. Give it a try if you haven’t already.

Sure, there are still some small details here and there that need to be hammered out, but for the most part the majority of the story is pretty close to being done.

When I started this, I wanted to make it as realistic as possible (or at least as much as a story about a female train engineer in the Old West can be), and that included using real geographic settings.  I wanted the fort here, the showdown here, etc.

But that just raised more questions. If the fort’s here, how far is it to this other point, and how fast would the train have to go in order to get there, and could trains go that fast during that time, and was there even a rail line between those two points?

This was becoming way more complicated than it had to be. I want to tell a story, not set up a math word problem.

So as I was going back and forth between the new and previous drafts, it dawned on me: I can just make stuff up, including where things happen.

I’m the writer. I’m allowed to do that.

So out went locations that actually exist, and in came totally fabricated ones (yet another benefit to all those years of listening to old-time radio westerns).

The feeling’s quite liberating. No longer do I have to worry about making sure every single detail is spot-on accurate, and can now focus on developing a rousing tale of adventure populated with colorful characters.

Which is how it should be.

-Major crisis narrowly averted! I’d lost a flash drive with a lot of script stuff on it. Only during the DREAMSHIP rewrite did I start making additional copies onto my hard drive, so a lot of projects I’d started before that were apparently gone forever.

I did a fairly good job of masking my pain, but was internally kicking myself for not having more backups (20/20 hindsight and all that).

Happy ending – K found the flash drive. Lesson learned – I’m in the process of saving everything on Google Docs so I never have to panic like that again.

You’re probably thinking “that’ll never happen to me. I’m always careful.” I used to think that too. Now it’s all about taking extra precautions.

-Movie of the Moment – FRANKENWEENIE (2012). A lot of fun that cleverly pays homage to classic monster movies. Parental advisory – V cried when the dog was killed (done very tastefully offscreen)

Cleaning up after all that dirty work

Yeah, it kind of felt like this...
Yeah, it kind of felt like this…

Well, that’s that.  The queries have been unleashed, and the process of getting it done was truly exhausting.

Most of the work was research. Lots and lots of it.

Equipped with a few lists of potential recipients, I scoured IMDBPro (signing up is highly recommended) and Google to check the status of each name, agency, management firm and prodco I had.

Are they still in business? (a good percentage were not)  Do they accept queries?  Is the person still there? If not, where are they now? What about that place?  Do they even handle screenwriters? Would they be interested in my script’s genre?

Some of the major houses (CAA, WME, etc.) don’t list any contact info apart from address and phone number, so unless you know somebody there, you’re just plain out of luck. A lot of them also have a disclaimer somewhere on the website stating they don’t accept unsolicited materials anyway. Better to focus on the ones that do.

Proof these lists are not entirely accurate or up-to-date – one listed office info for somebody who apparently died in 2009.

Believe me when I say this is not a small-scale project.

Something else to keep in mind – depending on your determination, you’ll be sending out an immense number of queries, and most likely the responses, positive or negative, will be few and far between. If you hear back at all.  Remember – these places are getting bombarded with queries from writers just like you every single day.

Not getting an immediate response can really be quite a blow to your self-confidence, but unfortunately it’s the way things are.  All you can do is send it out and move on.  Like I wrote last time, use this as an opportunity to redirect your attention towards something else of a productive nature.  Write something. Read something.  Exercise. Whatever it takes.

So while I wait, I’ve got an outline to improve, some podcasting equipment to master and a pumpkin pie that needs baking.

Patience and meticulousness required

Obviously, a lot of effort went into creating this. See how it paid off?

You think writing a screenplay is hard? Well, it is. But that’s just the first step of the process.  Getting it out there is an even harder hill to climb.

I’ve got a what I consider to be pretty good query letter put together, but will utilize a little more professional feedback to give it that extra ‘oomph’. While consulting various forums, websites and the like, the general consensus is as follows: show the strength of your writing ability with a finely-crafted logline, a minimal amount of words about you and a maximum amount of professionalism.  This thing has to make somebody stop in their tracks and immediately think, “I HAVE to read this script!”

That’s the first part of what I’ve been working on.  The second part is proving to be quite the challenge: who to send this letter to.

I’m taking the scientific approach to this and doing my homework to find out who would be the most receptive to reading my script. Since it falls into the fantasy-adventure genre, I don’t want to look like an amateur and approach a place that does something completely different, such as horror or indie drama. It makes me look bad and wastes their time. Again – maximum amount of professionalism.

Digging through thousands of listings of agents, managers and production companies is proving to be the biggest hurdle. The last time I did this, I had the benefit of using the Hollywood Creative and Representation Directories, but I’m not sure if the publisher is still around. It may be time for another trip to the always-helpful public library and see if the latest editions are available.

Part of my brain is saying “Quit stalling and get moving! There’s no time to lose!” Then the rational part kicks in and says, “Would you rather get it done fast or professionally?”

I’ll take option number two.

Movie of the Moment – THE DARK KNIGHT RISES. I’ll write about this next time, but for now – not as good as THE DARK KNIGHT, but still pretty enjoyable.

Vamoose! Amscray! Skedaddle! Rampaging thesaurus on the loose!

Egad! A gargantuan leviathan extirpating a metropolitan conveyance venue!

I read this the other day and loved it.

It’s too easy to rely on everyday verbs while you’re putting a script together.  The more picturesque a word, the more visual it becomes.  It makes the script that much more exciting and interesting to read.

I usually have two minimized windows running while I’m writing. Pandora for creativity-inducing background music and Thesaurus.com for when I just can’t think of a solid alternate verb. It might take a little effort to find the one that fits, but oh the satisfaction when you do.

Not sure if  a verb works? Follow the example in the quote and read the sentence aloud. Try it with different verbs. Which one sounds spot-on? Does it not only convey action but mood as well?  If somebody storms into a room, you can probably guess how they feel.  Compare it to somebody who slinks, sashays or (always a favorite) moseys in.

The writer’s job is to paint a picture of the story in the reader’s mind. And you want to hold their attention by using words that will do just that. A compelling story with fleshed-out characters helps too, but dull writing makes for boring reading.

I can’t remember the exact wording or who said it, but there’s this great quote that says something like “There are a million words in the English language. Use them.”

Sound advice indeed.

A few steps forward

Just a handful of scenes on LUCY today. I’m trying to work out the transition from the opening of Act One to the page 45 twist.  It’s coming together.  Slowly.  Confidence levels still pointing upward.

I was able to fix my time problem by eliminating the California aspect completely and having it all take place in .  That Denver/Rockies climax still sounds pretty good.

-I got some good feedback regarding my 3 Stooges idea from yesterday.  The story is possible, but it would be difficult to avoid having it turn into a Stooge-ish comedy.  Consider this one officially backburnered.

Movie of the Moment: Nothing right now, but I got to see the trailer for next year’s THOR movie.  It looks okay, but there’s no sense of excitement or thrills I got from the first IRON MAN.  Where’s the powerful aura of gods on Earth?  Of an ages-old story that still holds up in modern times.  It’s Kenneth Branagh, for crying out loud!  I want Shakespearean drama from an Asgardian aspect!  So far, I ain’t seeing it.

-I think I’m officially done with entering the logline contest.  I didn’t win again this time, and I haven’t been very impressed with some of the recent winners.  Besides, I’d rather focus on LUCY and my other stuff anyway.

-Got a note from the director.  He says production is wrapped, and now he’s dealing with post.  No idea when it’ll be ready.  I wonder if he’ll follow through with the release party thing.  Hope so.