Lucy Steele

Ha! Breakthrough!

Maximum Z Lucy Steele, movies, outlines, plot, screenwriting, Star Wars, story

You’d be amazed at how creatively inspiring folding laundry can be.

Sounds crazy, I know, but I was working on the outline, got stuck once again on how to have Lucy track down the bad guy, and I didn’t really want to sit and stare at the screen, hoping for some kind of answer.

So I stood up, stretched and realized I had a ton of laundry on the nearby drying rack to take care of.  The folding of shirts begins.  The whole time, I’m thinking “what could she do?  I know HOW I want her to get there, but what’s the set-up?”

Fold, fold, fold.

Previous attempts at a solution had proven futile.  And I was almost done with the shirts.

She has to find this guy.  It’s the spine of the story.

Last week I had rewritten the beginning, which suddenly offered a story point which would tie in very nicely with what led up to Lucy’s current predicament.

Wow.

That was the spark I needed.  I knew what I wanted, typed out the basis of the idea, then folded the last of the shirts.

But I had to be sure this worked.  A quick jaunt to the DVD player to check how similar another well-known sequence might be.  Answer: a little, but nobody’s going to claim I ripped it off.

I had the answer I wanted.  I couldn’t understand why I hadn’t thought of it before.  It was perfect.  A little readjusting in some scenes beforehand, a burst of creativity in the handful of scenes following, including a reminder about her love interest, and there I was at page 45.

Oh so nice.

Tomorrow: the slog towards the Point of No Return continues!

Movie of the Moment: We DVR’d the last 3 CLONE WARS on Cartoon Network (something about a Dark Side trilogy, based on V’s description) and since tonight’s homework is done early, we may crash on the couch and watch all three (excluding commercials, of course).

Yessir, that girl is growin’ up right!

A little better

Maximum Z Lucy Steele, outlines, plot, screenwriting, story, subplot

After wielding my mighty editing pen, I went through a previous outline and cut out everything I didn’t want to use.  It helped.

I also kept a lot of what I’d written in the previous draft, but after the editing, it seems to flow along a little smoother.  Nice.  Today’s effort got me to around page 41 or so, which means I’m a few pages from the page 45 twist, which I’m still going with, based on my plot points.

Unfortunately, right after that the assorted storylines need to start intersecting, but I’ve got a few ideas.  I’m also concerned about the villain’s storyline.  So far, he’s only been shown once.  I’m trying to avoid having him be Marlon Brando in APOCALYPSE NOW and only show him at the end.  Can’t do that.

While I work on the main storyline and the bounty hunter subplot, I’m still trying to figure out how to incorporate the bad guy subplot so it not only feels natural, but also helps move the story along, builds tension, etc.

It would be nice if creativity whacks me upside the head sometime over the next couple of days.  I could use it.

Is this uphill climb getting steeper?

Maximum Z hockey, Lucy Steele, outlines, plot, screenwriting, story, Veronica

So I got to around page 22 or so today on the outline.  It’s slightly different than the previous version, but something still seems…off.  I can’t exactly put my finger on it, but it’s like you know there’s something important you have to do, but can’t remember what.

I still like the way the story is developing, but since I’m essentially eliminating one of the subplots (for now), it makes moving ahead a bit harder.

I also seem to keep going back to the previous draft, and that may not be helping.  Especially since that’s what I’m trying to move away from.  That may become more evident as this draft advances.

It also doesn’t help that I’m not plotting ahead enough, so to speak.  I don’t like just taking a stab in the dark and seeing what could work.  I really need to figure out where things are going and how to get there.  I already developed the plot points, and now need to fill in the blanks between them.

Surprisingly, the only version of the previous draft I have is a hard copy from about 2 months ago.  This was the super-detailed one, where each scene breakdown was about 4-5 sentences long.  Even though I won’t be using all of them, some of them I had completely forgotten about, so seeing all that detail and characterization was quite the pleasant surprise.

And even better, I may be able to salvage some of those for this latest draft.  Which would be cool.

V has a hockey tournament up at Lake Tahoe this weekend, so what I’m hoping is that during some of the downtime, I’m able to make some good progress.  Because Lord knows, I don’t plan on being outside if I can help it. A high of 30 degrees?  Are you kidding?

As long as I come home with all my extremities intact and functional, I’ll be fine.

I have no excuse

Maximum Z assignment, documentary, Filmsack.com, loglines, Lucy Steele, Netflix, outlines, plot, story, writing gigs

I was really bad about posting this week.  Only once.  That’s just wrong.

Part of the problem was frustration with the outline.  While I liked it, something seemed to be missing.  It also felt as if I had written myself into a corner, creatively speaking.  I had the set-up, but not the solution, which is not the way to do it.

So even though I told myself I wouldn’t do it, I started over.  All the way back to the beginning, which in this case means the logline.

Something about it just didn’t seem to click, so I noodled around with it and came up with 2 versions.  One was a little more…intense, and one was just different.

I sent them both to writer friends and got very helpful feedback.  Then I consulted with my most valued critic, aka K.  She liked what I came up with as well.  She also said how much she likes the idea and can’t wait to read it when it’s done.

So now I need to start a slight restructuring of the story itself.  Do I keep the sidekick?  Is there a way to simplify things, but also keep them moving at a steady pace?  These and many more questions I hope to answer in the coming weeks.

-Interesting follow-up to my short-writing experience from last summer.  Apparently all the post-production is finished, so the release party is in a few weeks.  But it’s on a Thursday night, starting at 8PM, which for a creaky odl traffic reporter like me, that’s kind of late.  And it’s at a dance club-type place, which is REALLY not my kind of environment.  Highly doubtful I’ll go, but you never know.

The director sent me a note a few days ago, saying he’s going to be working on a short documentary (approximately 12-15 minutes), and wanted to know if I’d be open to writing the script for it.  And he’ll have a budget, which means $$$ for yours truly!  Actually, more like $.

I’ve never written a docu before, but I love watching them, so I have a general idea of how to go about it.  The subject matter is something completely foreign to me: DJ school.  As in club.  Not radio.  Although the latter would be kind of cool, I don’t think they have those anymore.

I’m meeting with him on Monday to discuss it, so I’ll post how that went, along with the usual LUCY updates.

-Strong recommendation for a hilarious podcast about movies . filmsack.com.  4 guys talking about what they liked or didn’t like about the movie selection of the week.  All types of genres from various decades, but the 80s seem to get the most representation.

What’s really great is that a lot of the movies are available on Netflix via streaming, so watching them isn’t too much of a hassle, provided you have the time to watch.  Even if you haven’t seen the movie in a while, it’s still a blast to listen to.

At least it’s something

Maximum Z conflict, Lucy Steele, Marx Brothers, outlines, plot, screenwriting, Star Wars, Turner Classic Movies

The past few days have not been kind.

I thought I made some good progress with some slight revamping of the major plot points, at least in terms of my page 45 and midpoint.  The problem was getting from what I had already developed to this new set-up.

I couldn’t figure out what to write.  And when a writer doesn’t know what to write, it’s very frustrating.

It probably didn’t help that I read those two Black List scripts.  The writing in those was really impressive.  Mine?  Not so much right now.

But I also reminded myself that those other scripts weren’t first drafts.  I bet they had the same kind of problems putting them together that I am now.  And that actually help me feel better.  I know this will all come together in the end.  It’s the gettin’ there that kills you.

Today, I was determined to make some kind of progress and move forward.

One of the things I always use as a placeholder during the outline process is a note to myself in a scene to WORK ON THIS or EXPAND! or DEVELOP.

Which is exactly what I did.  I had a general idea of what I wanted to happen in one sequence, tried to play out the scenario in my mind and put it on the page.

And it worked.  Which is nice.

Even better, I changed something in the scene right after that one that presents more of a challenge to my main character.  Before, she was able to figure something out too easily, so I made it really hard for her.

Since conflict is vital to a good story, one of the best questions a writer needs to ask him or herself: what’s the worst thing that can happen to your character to make achieving their goal that much harder?  If Luke and Co just stroll into the Death Star, get Leia and leave, that wouldn’t be much of a story, would it?

Before, this sequence came across as too easy for my heroine.  Now, she really has to pull herself out of a really deep hole.

And now the fun really begins.  I need to figure out how to have the three separate subplots tie together, and about 8-10 pages to do it in.

And I can do it, too.  Not quickly, but I can.  And will.

No Movie of the Moment right now, but V discovered the magic that is the Marx Brothers courtesy of Turner Classic Movies on New Year’s Eve.  If you don’t laugh during the mirror sequence from DUCK SOUP, then something is wrong with you.