community

T-minus 2 weeks and counting

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The sending-in of info about screenplays and TV scripts continues as more writers want to be included in the upcoming Maximum Z Winter ’24 Script Showcase.

Lots of interest being generated and excitement levels continue to grow, and there’s still 2 weeks to go until the Showcase goes live on December 6.

Here’s how it all works:

The Showcase is a big list of information about spec screenplays and TV scripts. Each listing features the basic details about each script (see info below), including the writer’s email. That’s there in case you’d like to ask them about reading it.

More than a few writers who’ve already sent in appreciate the opportunity to put their work on full display. I’m all about helping out others, and this seems like a fun and effective way to do that.

Bonus – it’s free.

Once the Showcase is up, I’ll do what I can to help spread the word about it, and hope you do the same – especially to shamelessly draw attention to your script being included.

If you want to have your script included, here’s what you need to do:

Send the following info here:

Film or TV?

Title

Writer

Genre(s)

Logline

Awards(s) – if applicable; 5 at the most

Your email

TWO EXTREMELY IMPORTANT DETAILS:

–Only one script per person

–DO NOT SEND THE SCRIPT!

I’d also like to stress the importance of proofreading your info before sending. Typos are sneaky little devils that show up when you least expect them – especially after the fact, so double- or triple-checking is highly recommended.

Previously-listed scripts are okay, but new ones are encouraged.

A few writers have asked about short scripts. Those are okay as well.

The deadline for sending in is Thursday, December 5, so don’t put off sending in until the last minute.

Looking forward to seeing what you’ve got.

Time unintentionally taken

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When I started working on the new spec a few months ago, I was hoping to have a solid outline done by the end of the year.

But the story is proving to be more complicated than I originally thought, and I’ve come up with some ideas that would help not only the story but to also showcase the “different” in the Familiar But Different aspect when it comes to the films that inspired it.

And on top of that, I’ve been busy with other stuff, so development on this project has really slowed down. I’m still working on it, but slightly annoyed that this is happening in the first place.

Part of it is my strong desire to get this thing written. I’m really psyched about it, but I also want to do as much outlining and figuring stuff out before moving onto pages.

There’s also the previously-alluded-to going for “familiar but different”. There are scenes and sequences in this story that require a strong sense of originality so as to avoid being interpreted as me being a lazy writer and just ripping off stuff from those other films. That is something I definitely want to avoid.

Thus, my continuing struggle to put this one together.

I initially felt embarrassed and a little ashamed about being so far behind schedule, but this is what putting this story together requires. When I expressed this to other writers, I was reminded that everybody makes progress at their own pace (“As a runner, you know how true that is.”), and it was also pointed out that several other writers in our community spend a lot of time writing and even more time rewriting their stuff.

I was told I shouldn’t feel bad about not being as productive or prolific. I’m doing the work at the pace that works best for me, and that’s the important part.

I also have to keep in mind that my animated script began several years ago as just jotting down ideas, and then gradually evolved into what it is today – including countless rewrites and polishes. Even today I’m still waiting on notes that will be applied to the next draft.

I know I’ll get this one done, and of course wish it wasn’t taking so long, but that’s just the way it is. I’m still enjoying putting it together, and confident I’ll be happy with the end result (and all the subsequent drafts that follow it).

From the archives: May I be of some assistance?

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“Be with you folks in a minute.”

Not the first time I reposted this one, but was reminded about it after a great chat with a screenwriting colleague earlier this week asking for some help in promoting her FREE class on writing a Christmas movie. Details down at the bottom.

In the meantime, please once again enjoy this post from July 2019.

For the most part, working towards making it as a screenwriter is a solitary effort. You’re the one who has to write the script and get it out there. It’s a tough journey, but you don’t have to go it alone.

Hence – networking.

Making that initial contact is great, but you should also strive to make it worth the other person’s while as much as you are for yourself.

Once you start to build up your own personal community of Other Writers, and those relationships gradually develop beyond the “Hi. Nice to meet you” stage, you’ll naturally seek out some help in the form of feedback – your latest draft, a query, a logline, what have you.

And that’s all well and good, but it’s equally important, if not more so, for you to return the favor. Rather than just popping up and saying “Hey, would you read my script?”, try “Hey, we’ve known each other a while, and you seem to know what you’re talking about, so would you be open to reading my script? And I’d be more than happy to reading one of yours.”

Helpful tip #1 – don’t be the person who asks for notes but isn’t willing to give them.

Helpful tip #2 – even if you don’t like what their notes say, you still need to hold up your end of the bargain and give them notes – especially if you’re the one who asked in the first place.

Sometimes the best kind of help is when it’s unexpected – either from you or from somebody you know.

A few years ago, a producer friend of a friend was looking for a certain kind of project. I didn’t have anything that met their criteria, but offered to post the listing on a few social media platforms. At least 20 writers responded. I sent their info to the producer, who then contacted a few of them (as far as I know).

What did I get out of it? Just being happy to help and the appreciation from all the writers – even the ones the producer didn’t follow up with.

I’ve also been fortunate to be on the receiving end, with friends sending me emails and messages about listings seeking scripts like mine.

A little effort really does go a long way – anything from forwarding a script or job listing to a few words of encouragement, or even offering congratulations for somebody achieving some kind of accomplishment. Don’t you like when somebody does that sort of thing for you?

As much as we’re all working towards our own individual success, we’re also part of a community; one where each member should help support the others in whatever way they can.

-Screenwriter Isabel Drean has a new online course called “Break Into The Industry With A Christmas Movie“. It’s free and only runs for 28 minutes. There are also links to other online courses Isabel offers. She’s a veteran screenwriter, including selling five scripts which were all produced in an 18-month span.

Input much appreciated

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In the past week and a half, I’ve had a pair of Zoom calls with writing colleagues – the first to discuss ideas for my action-comedy spec, and the second to review their potential fixes for the animated fantasy-comedy. Additionally, one friend did some pro coverage on the animated script, and another friend sent a video of their page-by-page analysis for it.

I can’t begin to describe how beneficial all of these were in making me feel more confident about each project.

I’d been feeling stuck regarding the story of the action-comedy, so talking through it with somebody helped fit a few more puzzle pieces into place. Also great – they love the concept of the story and think it has a lot of potential.

Still quite a ways to go on it, but every little bit helps.

As for the animated script, the general consensus was that a lot of it is solid, but a few areas could use a little adjusting that would all go a long way in improving it. Even better – these are not major changes, so although they’re still challenging, they’re not insurmountable. Just requires a little more effort on my part.

Another bonus was that all three had very positive and encouraging things to say about the script itself, and felt these changes would help take it to the next level. I’ve set a deadline to have a completed draft by the end of the year, but hoping it’s closer to the end of October. Either way, seems doable.

Like I said – feeling really good about both projects. And I definitely would not have gotten to this point if I hadn’t reached out and asked for this kind of feedback.

Your network of writers is one of the most underrated but also most valuable resources you have. Notes, encouragement, connections, just to name a few. I love helping out when I can, and I know that many times the feeling is mutual.

Even though I’ve gone through A LOT of drafts for the animated script, it wouldn’t be what it is today without the feedback from many of the writers I know. Any future success it could potentially yield will be due in no small part to what other writers had to say about it.

For which I am very, very grateful.

The reins have been reclaimed

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The past few days have been the standard rollercoaster. Some good stuff, some not-so-good stuff, with a small percentage of the latter being very not-so-good.

But there were a few glimmers of hope within the darkness. More on those as/if they develop. Any positive vibes and crossed fingers are always appreciated.

During this time I was reminded of the phrase “Don’t worry about things over which you have no control.” I took that to heart, and it’s really helped.

There are SO MANY things about screenwriting that are out of our hands. Stressing out about them doesn’t do us any good, and I’d much rather work on the things over which I DO have control.

Things like figuring out the story of my new spec, coordinating with guests for my podcast, getting the crowdfunding ready for my short film, reading friends’ scripts and giving notes.

(Two little things that have really paid off – a few minutes here and there to interact with other writers on social media or email, and maintaining a “What needs to get done today” checklist.)

Taking care of any of these helps me feel productive and less stressed because I AM GETTING STUFF DONE. Some of it may take longer than hoped or expected, but each one constitutes a step in the right direction. Even just writing about it helps.

If you feel this way, just remember that you’re not alone and there are always things that you can do to help make your screenwriting journey a little easier.

Keep calm, stay focused, and maybe have some pie.