query letter

Thrillingly terrifying, or possibly terrifyingly thrilling

Maximum Z agent, analysis, confidence, editing, manager, motivation, Multiplex, query letter, Radioslot.com, rewrite, screenwriting, webcomics
Yeah. Kind of like that...

My mind is racing at a faster rate than usual these days. There are a zillion things I need/want to do with DREAMSHIP over the next few weeks. Finish the edit. Polish where necessary. Research potential script analysts. Create and fine-tune a list of potential managers, agents and production companies. Compose a persuasive query letter.

I kinda/sorta knew this all along, but it didn’t really hit me until I started price-checking different services like Done Deal Pro and IMDB Pro:  this is like me officially entering the field of battle, and not entirely sure I’m armed and ready.

I hate self-doubt.

I know my script is good, but there’s still that little voice in the back of my head saying “But is it good enough?” There are literally thousands, probably even tens of  thousands of people just like me trying to accomplish the exact same thing.  It’s me against them. Every man for himself.

My script not only has to be a solid piece of work, it has to have that certain something that grabs your attention and doesn’t let go.  Once you start reading, you don’t want to stop. You NEED to keep going.  You are COMPELLED to know what happens next. That’s the impact I want.

I can only hope that’s what actually happens.

And the more I think about it, the more I realize I don’t have time to worry. I’ve worked too hard to let that stand in my way. I may be nervous about what’s coming next, but I won’t let that stop me.

Besides, this is what it’s all been about.

-In case you missed the most recent installment of The Script Adventurer!, my guest this week was Gordon McAlpin, the mind behind the webcomic Multiplex.  Apart from some technical difficulties, it was great talking to him. The fine folks at Radioslot have added an additional replay, so now you can catch the show live at 1PM on Monday, or hear it again 7AM on Wednesday or 7PM on Sunday (all times Pacific Standard Time).

That’s almost that

Maximum Z analysis, Dreamship, Hollywood Creative Directory, loglines, Lucy Steele, Nicholl Fellowship, query letter, reading, rewrite, screenwriting, ScriptQuack
Reaching my goal seems a little closer now

It took me longer than I wanted, but I finally finished the DREAMSHIP rewrite. 116 pages, which isn’t too bad. Now begins the editing phase, primarily of the second half.  I managed to trim about 7 pages for the first half, and hope to cut at least 4-5 this time around.

It bothers me that it won’t be ready for the Nicholl, but I’ve accepted it and moved on.

I’m also exploring the idea of sending it to a couple of professional script analysis firms. One of them might be ScriptQuack, especially since this rewrite was based on their suggestions for the previous draft.  I like the idea of getting some solid feedback, but I don’t know if I have it in me to go through another rewrite.  I like the idea of doing what I can with this and moving on, since LUCY is still waiting.

There’s something that’s been gnawing away at me inside for the past few weeks. I’ve noticed a unique writing style in a lot of recent scripts I’ve read; a lot of it really good.  My writing may not necessarily be as vivid as others, but it gets the point across. I try to use a little flair, but not enough so it distracts you from the story.  I’d rather let the story do its job than wow you with fancy-schmancy writing.

I’m also hoping that once the editing/polishing is done to fine-tune the logline and start sending out query letters. I did this before using a hard copy of the HCD, sending out about 200 email queries. It got the script optioned, which unfortunately didn’t lead to anything.  Maybe I’ll have better luck this time around.

 

How to REALLY get an agent

Maximum Z agent, Hollywood Representation Directory, manager, query letter, screenwriting, Writers Guild of America

Probably the most frequent question asked by screenwriters is “How do I get an agent?”

I’ll skip the usual advice like ‘have a bulletproof script.’  That goes without saying.

But one thing I keep hearing over and over again is contact the Writers Guild; they have a directory of agencies that accept unsolicited material.

Whoever tells you that hasn’t seen this directory in quite some time.

When I hear ‘directory,’ I think ‘phone book’.  This is a double-sided piece of paper.

I contacted each agency to find out their submission policy.  And then the fun began.

Some don’t accept unsolicited material anymore. Okay, that’s acceptable.

Some want you to send your query by fax.  Wouldn’t you expect an agent to use email?

Some places don’t represent writers.  WHAT?  Then why are they on the list in the first place?

Some of them want you to send your letter with a SASE, which is still okay (see email question above).  Of the 15 or so I sent out, I got 3 back.  Keep in mind agencies get literally hundreds, if not thousands of queries a week.  What, no interns to handle this sort of thing?  I also got 1 or 2 about 6 months after I sent the query. I’m guessing they were cleaning out the closets.

If the Writers Guild wants to be a good resource for writers trying to break in, they really need to get on the ball and maintain a solid database of agencies.  True, the list of those that accept unsolicited material is constantly shrinking, but they’re still out there.

If you think your script is really ready and you have a killer query letter, you’re much better off with the Hollywood Representation Directory.  You can get a hard copy or subscribe to it online.  Most big libraries should have it, so be prepared to work the copy machine.

My former writing group chipped in and we bought a recent edition on sale.  I went through the agent and manager sections with a highlighter, marking down who accepted unsolicited queries.

Of the 200-plus query emails I sent out, I got about 30 responses, including 10 asking to read the script.  Most of them passed, but one guy optioned it.  Nothing ever came of it, but it was closer than I’d ever gotten before, and once I have another script ready to go, I’ll do it all over again.

-Brief LUCY update:  Closing in on the midpoint, including finishing a much-needed action sequence.  Thrillsville, baby!