So long, rules!

One of the first things I learned about screenwriting was when something had to happen.

Page 3 is statement of theme.  Page 10 is your inciting incident, and so on and so on.

I mention this because today was about reinforcing what I already have for the first act.  I opted to start with my thrilling opening sequence.  All I had written down was ‘rousing action sequence,’ which really doesn’t grab you.  So I jotted down some notes about what I wanted to happen and got to work.

After a few false starts, it started to come together.  I keep going back to RAIDERS, with Indy and Alfred Molina in the temple, followed by the escaping-the-natives/introducing-Belloq sequence.  So much info and detail about each character in a space of minutes. Incredible!  Could I pull off the same feat?  Maybe.

It’s a little different when your main character is a train engineer.  What can they do besides drive a train?  One of many things I had to figure out.  But then the mental reminder that this is still the first outline, so things will change down the line.  But for now, she can drive a train and is pretty good with a gun.

As I worked on ramping up the conflict, I couldn’t help but notice that this was growing well beyond the original 3-page limit I had set up.  It was reaching at least 6.  Possibly 7.  And all of that would really mess up having the inciting incident on page 10.  Yikes!

But the more I thought about it, the less it mattered.  I was trying to have a thrilling introduction to my main character (plus her sidekick), and if it went beyond 3 pages, then so be it.

I’m also trying to figure out how to end the whole sequence.  I have a pretty good idea of what it will be.  It’s working out the details that’s the hard part.

-Something somebody at the writing group said last week also struck a nerve, and I’m really glad I wrote it down:  What’s at stake if Lucy fails?

This has been bothering me ever since.  What WILL happen?

What I have now under the ‘what she wants’ label is: to catch the real thieves.  Which is okay, but seems like it should be bigger.  Something a lot of people can relate to.

Again, working out the details is pain in the butt.

No Movie of the Moment tonight, but we did watch the original DEATH RACE 2000 the other night.  Wow, was that cheesy.  Once you suspend disbelief about everything going on, there are some funny moments.  Unfortunately those were few and far between.

As K pointed out, it was more interesting during the race and less when they were off the road.  Interesting early performance from Stallone.

All things being equal, we may put the Jason Statham-starring one on our Netflix queue.  For purely academic curiosity, of course.

Urgh. Not again

Like it does with the roads and traffic, a rainy day messes me up something fierce.

The threat of rain this morning extended my workday three hours, which I don’t mind because a few more ducats on my paycheck is a welcome thing.

K had a lunch appointment, so that meant driving downtown to pick her up, which I also don’t mind because I’m such a loving and helpful husband.

V had soccer practice, which meant running around in a blustery, heavy mist along with the coach and 5 2nd-grade girls on a muddy field, and the final game of the season is tomorrow, and they needed the practice, but I don’t mind since I’m such a dedicated and helpful father.

V’s friend is sleeping over, which meant making dinner (hot dogs and oven-baked fries) and dessert (banana bread and chocolate ice cream).  Now the girls are watching HOWL’S MOVING CASTLE while I write about not working on the outline.  It’s that very last part I mind.

On one hand, I don’t like not getting anything done.  At all.  It feels counter-productive.  A day spent not writing is another day to wait for things to pay off.  Like the saying goes, “this thing ain’t gonna write itself.”

But, if I look at it from a different angle, I wasn’t feeling as productive as I could have been, so maybe not writing actually worked in my favor.

I’ve been running scenarios in my head since yesterday.  Where do I want the story to go from here?  Can I still follow my plot point milestones?  Am I still in control of this thing?

I’m working on the first question, and a fairly certain ‘yes’ to the second two.

I don’t know how much I’ll be able to get done this weekend, so progress may be on hold until Monday.  But during that time I’ll be trying to figure stuff out, including maybe incorporating possible suggestions/feedback from the writing group.

But for now, my main concern with the first act is that I didn’t do enough exploring the main character.  Again, hopefully the feedback from the group will be helpful.

-I’ve recently started mentioning new posts on Facebook, which I think is contributing to more people checking this blog out.  And that’s great.

I hope people are enjoying my materials, which is what any writer wants.  I’m curious to know what they think of all of this.

Are they enjoying following my progress?  Do they have any questions about how this works?  Does this remind you of another blog, and if so, which one?  Do you think that writer would like mine?  Does anybody know somebody in LA that would be interested in my taking a look at my stuff?  These are questions that need, almost demand, an answer.

So to paraphrase Chicago elections, comment early and comment often.

That’s more like it

After spending more time worrying about whether or not I’d make progress with the LUCY outline, I managed to punch out a good portion of the first act over the past 2 days.

My mantra for the time being is ‘just keep going!’  What I have now is chock-full of action and excitement, and while it was supposed to end around page 17, it doesn’t.  And I feel oddly fine with that.

Of course, the group may have something to say about that on Sunday, but that’s okay too.  I doubt they’ll be too much in a snit about it, anyway.

As always, this is still a rough draft of the outline and will need a lot of work when it’s done, but it was a great feeling of excitement being able to write like this again.  Thinking of a scenario, plotting it out, making it sure it’s logical and realistic, while also inserting the fantastic into it to make it cinematic.

Boiled down to one statement: It’s what I live for.

And tomorrow, I get to do it again.

The weird thing is as I make progress, the way the story is developing keeps changing.  While I work on the story, I have to try and stay on track in terms of keeping it along what I want it to be.  It feels like it would be too easy to let the events drive what happens, but I have to really make sure I stay in control.  I hate when I don’t.

But as long as I know where it it I want to go, it should be fine.

Tomorrow – the push towards the end of Act One.

Movie of the Moment: not a movie, but a fantastic show from the BBC.  SHERLOCK, the incredibly re-imagining (a word I hate) of Holmes and Watson in modern London, courtesy of Stephen Moffat (spelling?), who was also a big part of the relaunching of Doctor Who.

The writing is crisp, the acting is great.  Overall, mind-blowingly great.  It is such a pity that American writers can’t be this good.  American TV would be an entirely different animal if they could.  Thank God the British have such higher standards.

-As part of her birthday, I took V and a friend to see MEGAMIND.  It was also well-done and a lot of fun.  I also got to thinking about how kids movies today are so much better then when I was that age.  All we had back then were crappy Disney movies.  At least until STAR WARS came along.

Then it all changed.

Slow, steady and all that

No post yesterday because I was completely spent.  Wiped.  Totally pooped.  There wasn’t much to write about anyway, since I didn’t get to do any writing.

Today, which also happens to be my birthday, saw a little progress on LUCY.

I tightened up the first 10 pages, and am now moving on into that 10-17 range.  I have to keep reminding myself that everything is still in the ‘putting together’ phase, and not to stress out about it.

It’s easy to forget that this is one of the harder parts of the whole process.  Almost a ‘throw everything at the wall and see what sticks’ method.  Seeing what works and what doesn’t.

Most of all, I can’t get discouraged.  That would be too easy, but it’s also not an option.

Movie of the Moment:  I finished THE LOVELY BONES earlier today. I watched it over the course of three days.  At 2:10, it probably could have been about 20 minutes shorter and still worked.

I liked the concept, but there was a little too much ‘Hey, check this out’ in terms of what was going on with the dead girl in the afterlife.  Also a lot of expository narration and odd metaphoric images.

I didn’t read the book, so can’t compare them.  The subplot about the mother running away didn’t really seem to accomplish much, and it’s a shame they wasted Susan Sarandon in such a comedic way.  I do recall Stanley Tucci was nominated for Best Supporting Actor, and I guess that works.  His character is really creepy, but I don’t know if it warrants a nomination.

SUPERMAN is on Encore, and Glenn Ford just died. How can you not get choked up at that?  But in the scene where Clark tells his mom he’s leaving, Phylis Thaxter’s makeup looks awful and unrealistic.

That being said, this really is an outstanding template for what a comic book movie should be like.  Too bad Bryan Singer blew it with SUPERMAN RETURNS.  Man, that was boring.

Little by little

School was back in session today, which let me get back to work on LUCY.

The first act is slowly coming together, emphasis on ‘slowly’.

My problem seems to be trying to fit scenes into the standard form.  And that might not work for this.

I’m concerned I’m throwing too much action at the viewer, rather than setting everything up so it can be paid off later.  Take RAIDERS, for example.  The opening sequence shows Indy in his element and all his expertise (and quite well, I might add).  Then we go to the college to show him in another element, followed by the expository scene where he (and we) learn about the Ark from the G-men.

Maybe part of my problem is I feel married to my original plot points and am trying to shoehorn everything in to make it fit, rather than be willing to bend a little and try to flesh out the story.

And I don’t have to do that.  For now, the plot points are guidelines and NOT written in stone. While I like the way the story is developing, it really feels like it needs more set-up and less “hey, check this out!”

It seems a bit daunting right now, but I bet the more I work on it, it’ll come together a little easier.  At least, I hope that’s what’ll happen.

Movie of the Moment: I don’t remember how it popped into my Netflix queue, but there’s this British pseudo-holiday miniseries called HOGFATHER from author Terry Pratchett.  It’s kind of an alternate universe where the Santa-like Hogfather is missing (possibly dead?), and Death takes over the job, while an aspiring assassin tries to off the aforementioned Hogfather.  It’s a mash-up of Dickens, fairy tales, Monty Python and Hitchcock.  It’s better than I expected.

I started watching it by myself, but V was intrigued and sat down about 20 minutes in.  She was quite mesmerized and we watched the rest of part 1 together.  We’ll see how it goes for part 2 tomorrow.