The ping-ponging between my three projects continues, with a little bit of progress for each.

A lot of this whole endeavor comes down to not only rewriting, but how each rewrite is put together. What to keep, what to cut, and most importantly: what to change.

For the most part, there’s nothing huge or drastic, but just enough to make a difference.

Is this scene necessary, and if so, where does it fit best into the story?

Is there a different way to present it so it’s not the same as its previous version but still accomplishes what it’s meant to?

What would be a more effective way to show the protagonist in action while driving the story, but also reinforces their arc?

Notes for each project are dotted with questions that need addressing (e.g. WHY DOES SHE DO THAT? WHICH IS SHE MORE LIKELY TO DO?, etc.) – all with the intent of helping me figure things out.

Also very helpful – a collection of notes from readers with questions, comments, and suggestions. Some have had quite a lasting impact.

It’s becoming easier to make these changes. Some long-term darlings have been sacrificed, all for the greater good – resulting in what is hopefully a better and stronger story.

It’ll be interesting to see what the end result for each project is, with every day seeing a few steps forward.

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Good news for the crowdfunding of my short film SHECKY! We hit our initial goal, which was all about post-production. There are still a few weeks left, so a stretch goal has been added with whatever’s raised going towards helping out with film festival fees.

All the tier rewards remain in place, with the addition of a new one that includes a personalized video of me telling you a terrible joke. And in case that sounds weird, it’s keeping with the style of the short’s story.

So if you’re a supporter of indie filmmaking, the telling of terrible jokes, and the screenwriting community, I hope you can chip in. Every dollar really does make a difference.

Thanks!