problem-solving

It all leads to this

Maximum Z determination, ideas, perseverance, persistence, problem-solving, screenplay, screenwriting, script, spec, story , , , , , , , , ,

Slight shorty today, but one worth discussing.

Some slight progress on the outline of the new spec, but I realized what the biggest obstacle has been:

I need more details about how it ends.

This isn’t to say I don’t know how it ends. I do, but the challenge is finding the best way to present it, along with how everything that precedes it plays a part in getting there, how this is without a doubt how it should end, and that any other outcome would be unacceptable. Quite challenging.

Once I crack the details about the ending, there’ll be a lot of filling in the blanks as part of assembling and organizing all the storylines and subplots. Fingers firmly crossed for that part to go smoothly, or as close to it as I can get.

There’s been a lot of brainstorming and writing down any and every idea that comes to mind. A few possibilities so far, but no “That’s it!” moments just yet.

It’s out there, and I’ll find it.

No restraints! (up to a point)

Maximum Z action, comedy, community, development, outlines, problem-solving, scenes, screenplay, screenwriting, script, sequence, short films, spec, story, strategy , , , , , , , , , , , , , ,

While my short film is now in the hands of the editor, that allows me more time to get back to working on the outline for the new action-comedy spec.

It’s coming along, but choices have had to be made in terms of how far to take things regarding the story and how things play out.

Do I play it safe and hold back, or do I throw caution to the wind and go all out?

Believe it or not, this was a tougher decision than expected. I don’t want to overdo it, but I also don’t want things to be boring. There’s pushing the envelope, and then there’s way over the top.

But then again, this is an ACTION-COMEDY, with an emphasis on both parts, so maybe there’s some kind of middle ground that would work.

It also helped to get the opinions of a few other writers, who all said for this kind of story, you pretty much have to ramp things up, but to also not let things get out of control, which makes it feel like you’re throwing everything at the wall, which reeks of desperation – which I do not like, or want.

What I do want is for the reader/audience to really get the impact of everything that happens because it all works within the context of the story while also reinforcing/supporting the action and comedy. Not an easy path to navigate, but I feel up to the challenge.

So that’s the plan. Most likely it’ll be initially putting it all together in a simple and straightforward way, then go back and figure out the best/most effective way to have each scene and/or sequence showcase the action and comedy when applicable. Sort of “How can this be more exciting and/or funnier while still accomplishing what it needs to?”

I also suspect that once everything is in place, that’s when the real fun begins. Even with all of this figuring things out, I’m really enjoying putting this one together and look forward to unleashing it on the world when it’s ready.

Drips & drabs, but no drudgery

Maximum Z determination, development, enthusiasm, excitement, ideas, outlines, perseverance, persistence, problem-solving, productivity, progress, screenplay, screenwriting, script, spec, story, writing , , , , , , , , , , , , , , , ,

Some kind of bug/virus took me out of commission earlier this week, which slammed the brakes on everything – including the slow-but-steady progress developing the new spec. Apart from a persistent runny nose, I’ve for the most part recovered, and am slowly getting back into it. Slow definitely being the operative word.

I may be working at a snail’s pace, which is a bit frustrating, but it’s a snail that’s seeing results, which is good. Even with this like-molasses-in-January output, things continue to move forward. Getting a few scenes done today means a few more than I had yesterday. It might not seem it at the time, but all the little steps forward will gradually result in the completion of a long journey.

The most important thing is to GET IT WRITTEN. Outlines and first drafts ain’t pretty, but at least they’re a starting point.

It’s not just about putting all the puzzle pieces together, but figuring out what the puzzle is and all the potential components. Pages and pages of the project’s notebook are jam-packed with ideas and possibilities. There is absolutely no doubt this will continue to be one big mess, but oh what a beautiful mess it is (and will continue to be as it takes shape).

But despite all the frustration about timing and slow progress, I’m still having an absolute blast doing it. Having a solid polished script is great, but it’s the figuring things out and organizing all the ideas that has always given me an extra thrill. I do what I can to spin an entertaining yarn, and this time is no exception.

I’ve said it many times and it still rings true – you can see the writer’s love and enjoyment of the material in the material itself. That’s what I’m shooting for here – apart from just having a fun script. I want the reader to get just as caught up in the story and NEED to see what happens next. I try to have my scripts fall under the category of “I hope you enjoy reading this as much as I enjoyed writing it”.

Onward, runny nose and all.

Mind the gap(s)

Maximum Z adventure, development, ideas, outlines, pages, problem-solving, rewrite, science fiction, screenplay, screenwriting, script, writing , , , , , , , , , , , ,

Feeling really good about how the latest rewrite of the sci-fi adventure outline is going.

A lot of the story is in place, but there are still a few blanks or gaps that need filling in – questions that need to be answered or an issue that needs to be addressed. Something relevant has to happen at those points, but I don’t know what yet, so I’ll put in a generic placeholder like “HOW??” or “WORK ON THIS!”

I’ll do this as I work my way through the rest of the story, and when I move on to the next draft, I’ll be able to focus on filling in those gaps. Sometimes that’s enough, but there have also been instance where a new detail can inspire a new direction or a spur-of-the-moment minor changes.

It’s like putting together a jigsaw puzzle, but putting in that missing piece creates a new, slightly different version of what the puzzle was originally supposed to look like, but you don’t mind because it still works – maybe even more than you thought it would.

This approach also proves helpful because more than a few times I realized something was happening with no setup whatsoever, so I’d go back and see where that could happen. I try to make it organic, rather than feel forced because the story requires it. Sometimes the answer comes quickly, or it might take a few tries. It’s also not uncommon to suddenly come up with something that’s the total opposite of what I originally intended, but it works even better, so in it goes.

I’m making a real point of taking my time with this. That seems to be helping in terms of determining where the fixes (and follow-up fixes, if necessary) need to be made, so the proper adjustments can be made as I go along. Bulldozing my way through seems more of a short-term solution, resulting in more potential rewrites down the line. Better to take it slow and deal with all the problems now than to spread it out and spend more time on them later.

I just wrapped up Act One, and am fairly hopeful Act Two won’t take too long. A lot of Act Three had already been set up in One and Two, so probably won’t need as much work.

I’m eager to get started on pages, but have no problem taking the time to fill in those gaps to make sure everything flows nice and smoothly.

-Coming to Austin? I’ll be there. Feel free to say hi.

Knowing your nails and how to use them

Maximum Z audience, choices, craft, creativity, development, ideas, inspiration, intelligence, opportunity, payoff, problem-solving, productivity, screenplay, screenwriting, script, setup, story, storytelling, structure, writing, writing process , , , , , , , , , , , , , , , , , , , ,

Savvy and experienced consumer of literature I’m sure you are, no doubt you’re more than somewhat familiar with the classic piece For Want Of A Nail:

For want of a nail the shoe was lost.
For want of a shoe the horse was lost.
For want of a horse the rider was lost.
For want of a rider the message was lost.
For want of a message the battle was lost.
For want of a battle the kingdom was lost.
And all for the want of a horseshoe nail.

Sometimes we don’t realize how important something is that at first glance might seem completely insignificant.

The same concept could apply to screenwriting and the details of your story. A reader could see something and wonder “I don’t get it. Why is this in here?”

If you do the work and plan accordingly, the answer/reason will soon be obvious. That little detail is there for a reason, probably an important one, and without it, the rest of the story won’t work.

This is important on several levels.

It shows you put a lot of thought into putting the story together.

It shows you understand the concept of effective setups and payoffs.

It shows you respect the intelligence of your reader/audience and don’t feel the need to deliberately draw our attention to this sort of thing.

It always bothers me when a story sets something up and doesn’t pay it off, or has something later on in the story that comes out of nowhere.

Some writers go into it with a solid idea of how everything is set up and know how it’s going to play out, some come up with the bare bones of a foundation and fill in the blanks, and there are even those who sit down with a blank page, start writing, and see how it goes.

I tend to waver between the first two.

Sometimes you might even go back over what you’ve already written and discover an opportune moment to put in a small detail that can further enhance something later on in the story. It’s as if your subconscious was working in conjunction with your creativity and giving you an unexpected helping hand.

Are parts of your story set up that they start with a “nail” and escalate from there? Or does something happen later that could use a stronger setup?

You’d be surprised at seeing the ripple effect one little change can have on the rest of your script. Hopefully for the better.