Whew!

And...exhale

Wow, what a jam-packed couple of days! Here’s a quick rundown:

-Whirlwind trip to New Orleans for the Half-Marathon. 13.1 miles in 1:56:06. Wooo!  Next up – coming in under 1:55 for a race in September.

-On this week’s installment of The Script Adventurer!, I interviewed Scott Myers from Go Into The Story. He had a lot of interesting stuff to say, including the most important thing a new or aspiring writer should focus on is having a strong story concept. If the idea behind your story isn’t strong, then the script won’t be either.  Also served as a reminder of what a great resource the site is for aspiring and professional writers.  Check it out if you haven’t already.

-Now that the big run is out of the way, I can devote more time to finishing the DREAMSHIP rewrite. There’s no reason I can’t wrap it up by the end of the month, and I don’t foresee much of a problem with the follow-up editing.

I also realized the Nicholl deadline is coming up, and I could actually submit to it.  Not sure which way to go on that.

-I spent part of the going-there flights muddling my way through the latest section of the LUCY outline.  Progress remains slow but steady.

-Movie of the Moment: Lots of ’em! Best Picture winner THE ARTIST (2011) was featured on the plane.  I liked it, but not sure if it should have won Best Picture over HUGO. If you’ve ever seen SINGIN’ IN THE RAIN or A STAR IS BORN, then you know how this plays out.  John Goodman was really good as the studio boss.

Also got to watch BATMAN: YEAR ONE (2012), an animated adaptation of the comic by Frank Miller and David Mazzucchelli. Solid work on both story and voice fronts.

K watched NEW YEAR’S DAY (2011), which I had no desire to see.  When it was over, she said, “It’s trying too hard to be LOVE, ACTUALLY.”  I caught about three scenes because I was zipping through THE HUNGER GAMES, which I liked more than I expected to.  Easy to see why this is the latest YA novel headed for the big screen later this month.

Also caught the first 30 minutes of MY WEEK WITH MARILYN (2011) before the plane landed. I’ve always had a problem with biopics. It’s tough for me to separate the actor from the real-life person they’re playing.  So while it was easy to imagine Kenneth Branagh as Olivier or Michelle Williams as Marilyn Monroe, I kept seeing them as actors playing somebody else.  Nevertheless, I liked what I saw.

-JOHN CARTER opens this weekend. I may actually go see it.

Boing boing boing

Yeah, kind of like that

What a day.

Avid readers/followers of ScriptShadow will no doubt be aware that an amateur script is currently the absolute hottest thing in the film industry right now.  Said script will be officially reviewed tomorrow (there, not here). There is so much buzz about this script that when Carson sent it out to his readers yesterday, he mentioned how he’d received more voicemails in one day asking for it than any other time or for any other script he could remember.  And that the writer had received calls from just about every single major agency, production company and studio, asking about making a deal and/or representation.

To put it in perspective, that’s like being the holding the only winning ticket for the highest-ever lottery in the history of mankind.

The first thing I thought: Wow. That must be some script.

Second thought: Lucky bastard.

Third thought: Wish I could get that kind of response from my stuff.

I’m sure there are hundreds, if not thousands, of other writers who are thinking the same things.  But I can’t stress enough that I don’t resent this writer his success.  I read the script, and it is extremely good.  Definitely high concept. Compelling premise and story. Interesting characters.  A definite page-turner.  Smart.  This guy has earned his rewards.

(Without giving too much away, it came across as a modern interpretation of THE MANCHURIAN CANDIDATE. Not necessarily a bad way to go.)

While it was easy to feel sorry for myself, I didn’t like disappearing into a “poor me” mood and instead opted to do something about it.

I went for a run. (New Orleans Half-marathon is a week from Sunday. I think I’m ready.) That always helps me reflect on whatever might be bugging me at the time.  It’s also good for clearing one’s head.

After I got home, I knew I had some time to work on DREAMSHIP, including incorporating the additional scenes I mentioned yesterday. That went a lot better than expected. One scene I really wanted to do just wasn’t going to work, but I managed to find a good alternate way of doing it.

I also reminded myself that my script is completely different from his on several levels, but still has to be rock-solid.  And more importantly: this is only the first draft of the rewrite, so I shouldn’t be so hard on myself.  Once I type in “FADE OUT”, then I can go back and see what needs to be fixed.

So a day that started off making me upset ended up with me feeling pretty darned good about things.  The key now is figuring out how to keep that latter feeling going into the next day.

Shameless self-promotion: The Script Adventurer! on Radioslot, live on Mondays 1-2PM PST, and replayed Sundays at 7PM PST. What, you’d rather watch 60 MINUTES?  Of course, the Oscars are this Sunday, so I won’t be offended if you opt to watch that instead.

 

Why not?

so much to do in 363 days

This is what I’d like to accomplish, writing-wise, between now and December 31st:

-Finish DREAMSHIP. Last week I entered Script Doctor Eric’s $3 Screenplay Contest AND hit the halfway point. Either way, it’ll get done.

-Finish the LUCY outline and at least 1-2 drafts of the actual script.

-Date and cost permitting, possibly go to a Pitchfest-type event.  Any recommendations? Anti-recommendations? Nerdy as it sounds, I enjoy researching and targeting who would be a good fit.

-Seriously look into representation.  I don’t see why this couldn’t happen.

-From a non-writing standpoint, do at least 2 half-marathons. I’m signed up for New Orleans and K’s planning on Portland. No idea what the other one(s) could be.

-Make baklava. So tasty and something I’ve always wanted to attempt.  Fortunately, any mistakes can be taken to work because radio people are basically human piranha. They will eat just about anything, especially if it’s free and homemade.

-Movie of the Moment: HUGO (2011). V and I saw it at the Sundance Cinema in Japantown. Basically, this is Scorsese’s love letter to the early days of cinema.  I thought it was charming and maybe a little long, but still had a fun time.  The 3-D really added to it in some places, but the glasses were different in that you had to keep the middle of the lens focused on the screen or everything went all wobbly.

I thought it very odd that although it’s set in Paris, everybody has a British accent.  To make it easier for American audiences to follow along? If you can get past that, it doesn’t become much of an issue.

Allow me a slight rant regarding my fellow moviegoers. I have no problem with paying a little more for a high-quality theater. And I think being able to select your seats is a great idea.  But when you go into the auditorium and somebody’s in the seats you picked, then asked if they could move because they’re in our seats, and responds with “Does it matter?”, then I have to wonder how incredibly stupid and selfish they must be.  If it didn’t matter, then we wouldn’t have picked our seats when we bought the tickets!  That’s the whole point.  But the show was about to start and I didn’t feel like getting into an argument, so we sat in the seats next to them, which I’m guessing were their seats.  I hope the daggers I was staring at them really hurt.

It’s moments like these that make me think investing a couple of bucks in a nice home theater system might not be a bad idea.

 

Sorry for the delay

I haven’t written/posted in a couple of days because I’ve been out of town.  For THE RACE.

The Legs of Steel are now on the mend following my running the 2010 Disneyland Half-Marathon.  My time: 2:02:30, which is 2:31 more than the last one I did. Three years ago!  There’s hope for me yet.

I am sooo grateful it was cool and foggy.  If it had been sunny and warm/hot, I don’t know how I would have done.  There were times I felt like I wouldn’t be able to finish, but my body overruled my brain and I kept going.

Once again, K put it in perspective.  If I had trained more, I would have had a better time.  So, I’m going to really have at it in order to be ready for New Orleans in February.  I’m hoping to get at least 1:55.

And our time in Disney was fun, too.  Hot, but fun.  V discovered a love of rollercoasters.  Except for that big one in CA Adventure.  She didn’t like that.  Or Indiana Jones.

K also commented that I was born to steer the boat on Jungle Cruise.  Can’t argue with that.  We also noticed a lot of multiracial families and a TON of tattooed patrons.  There were also a lot of overweight folks, but that’s expected…

On the writing front:

-I talked to that life coach from the logline contest last night.  He was really cool and had some helpful things to say.  I didn’t know what to expect, but was hoping he wouldn’t be some kind of Tony Robbins ripoff.

Quite the opposite.

He used to work in the industry, but has since moved on.  He mentioned a lot of his clients still do, which is very interesting.

He liked what I said about myself, and suggested trying to get involved with some networking.  Only problem – I’m up here and they’re down there.  I think there may be some ways to accomplish this online, so that’s something to investigate.

He also offered to try and send some potential event leads my way, which means I may be heading south again.  I’m thinking November-ish.   Provided, of course, that this doesn’t fall within the ‘Hollywood shutting down for the holidays’ timeframe.

It also seems like the man behind the contest is also a great contact to have, and is worth establishing more of a connection with.  His basic script analysis package is $99, which isn’t too steep; just more than I can currently afford.  I’d like to do that soon as well.  I think if he likes it enough, he’s willing to pass it on to more industry folks.  And that would be awesome.

-I re-did the first act outline of BABY LIKES JAZZ, using my notes from BABY BOOM as a reference point.  Problem is, apart from these changes, I like how it all unfolds later on.  I also noticed a few holes that need to be taken care of.  That might be harder to take care of than I anticipate, but I’m not too worried.

No Movie of the Moment tonight, but we’ve got IN THE LOOP and the first season of PUSHING DAISIES in the house.  One of those tomorrow, so hang in there.  Suggestions are always welcome, too…