Another screenwriting contest season come and gone, at least for yours truly.
My western’s record with PAGE extended to 0-6, and didn’t make it to the quarterfinals in the Nicholl. After last year’s debacle with Austin, I opted to skip it this year.
(Side note 1 – I don’t pay to get the reader/judge notes, so don’t know why the script fared how it did for either contest. The Nicholl used to offer notes after the top 5 were announced, but not sure if they’re doing that this year or you had to pay upon registering.)
(Side note 2 – A very hearty congrats and good luck to the 359 writers who made it to the Nicholl QFs. I wholeheartedly applaud the Academy’s decision to limit submissions to one script per person. Other contests should follow their lead.)
My initial reaction to the news from both competitions was “I must be a really shitty writer to keep failing like this.”
But as my ever-supportive wife, a few friends who are also consultants, and several other trusted colleagues in my writers’ network reminded me:
It’s a really good script.
You’re not a bad writer.
IT’S ALL SUBJECTIVE.
This script has also done moderately well in some smaller contests, so it can’t be that bad.
I know a writer whose script advanced in the Nicholl after several years of bupkis. I also know another writer who made it to the top 50 one year, then the same script didn’t even make the quarterfinals the following year.
And as a few others pointed out about the prestigious contests and the scripts that do well in them: it may be a good script, but would it be a good movie? I’ve read some contest winners (and some top vote-getters on The Black List); some were very well-written, and some just didn’t do anything for me. One or two even made me question why they did as well in the contest as they did.
Furthermore – did any make me eager to shell out the cost of a ticket if it were available on the big screen?
But again, that’s just my take – i.e. SUBJECTIVE.
At the very least, reading these scripts could be helpful in a “developing your craft” kind of way.
So where do I go from here? I’m rewriting a pair of newer scripts, and haven’t decided if either will go the contest route. Possibly, but right now I couldn’t say.
I’d rather focus on getting them in decent shape. If that means skipping contests next year, that’s fine by me.
One thought on “You win some, you lose (or don’t place in) some”
Oh, I know the feeling. I haven’t been able to repeat my early successes in contests, despite the feeling that my writing had improved during the interim. Everything I submitted sank without trace. So I turned to film festivals, and my scripts rose triumphantly to the surface again. I appreciate the pool of entries may be smaller, but an ego boost was badly needed, I was happy to have more eyes on them, and it’s allowed me to pretty up my IMDB page.