One of my biggest challenges when it comes to rewrites has always been letting go of what’s on the page now and making whatever changes are needed.
It’s taken time to learn to get better at this.
Such was the case with the current rewrite.
I was going through the previous draft, marking up what needed to be done.
I got to a scene that I loved, but ultimately realized that it simply didn’t need to be there. Broke my heart to take it out, but I had to do what was best for the script, not me.
There were a few scenes that had to be adjusted a bit as a result of that, which in retrospect was a pretty good thing. Those scenes are now tighter and help keep things moving along.
And it’s not like I can’t use the content of the cut scenes again. They’ll just be stored away for potential use in the future – for this script or possibly another.
Cutting that one scene has also resulted in being more open to doing more with other scenes. I’ve enjoyed working with the mindset of “Is there a different way to do this?” and then exploring the possibilities. It’s not uncommon to go through several versions before finding the one that works.
Don’t know how long it’ll take to get through the rest of the script, but I’m quite happy with how it’s going. This in turn makes me want to work on it more, so there’s a chance it could even be done sooner than expected.
I honestly think the end result will be a much better script. All because I was willing to get rid of/change material I thought was already good.
The biggest note I’ve received on the animated fantasy-comedy is that my protagonist needs to be more involved; be the thing that drives things forward, and how what she does affects those around her.
The challenging part is figuring out how to do that while keeping a lot of important story details.
Challenging, but not impossible.
Just as I imagine this task becoming more insurmountable the more I think about it, I’m reminded that I did a major overhaul on my western that involved the same thing. The protagonist needed to be more proactive in driving the story forward.
The end result had A LOT of changes that required a new approach. It took some time, but I was able to accomplish that, and the script ended up being better for it.
No reason to think I can’t repeat it this time around.
The past few months have not been as productive as I’d hoped, writing-wise.
My initial intent for this year was to complete the rewrite of the sci-fi adventure. January started out strong, but more and more other projects needing attention kept shoving it to the side to the point where it’s practically invisible.
I’m hoping to get back to it soon.
In the meantime, there’s been an inordinate amount of other stuff going on. It’s getting to the point where I worry about burnout and spreading myself too thin, which could result in nothing getting done.
And that’s definitely the last thing I want to happen.
I’m trying to focus on one thing at a time, and also not stress about what I’m not focusing on. It can be challenging, but I’m working my way through it.
Another interesting aspect of this is seeing a lot of other writers touting their latest progress. Scripts completed, deals signed, etc. I’m happy for them, but can’t help but feel like I can’t get out of first gear.
I wouldn’t call it writer’s block; more like an inadvertent short attention span. I work on something, then remember I need to also work on this other thing, so I work on that, and so on and so on.
Sometimes it feels overwhelming, but doing what I can to keep things under control and manageable.
Granted, there are also times when things go smoothly and get completed. Those victories, no matter their size, are always savored, as well as act as a reminder that yes, I can do this.
I’m sure more pieces will begin to fall into place and that most of this will eventually get back on track.
“And then he actually asked, “But what’s your Save the Cat moment?””
My next few weeks are quickly shaping up to be busy with all kinds of meetings with other writers; both in-person and over Zoom. Some are first-timers, others are “great to see you again!”. This really is one of the things I appreciate and enjoy most about the writing community: interacting with other writers.
It seemed only fitting to repost one of my favorite posts – this one from August 2016.
Enjoy.
It’s been a busy week around here, and not just in terms of writing.
I’ve had some great in-person meet-ups with three other local writers over the past couple of days. Two were first-timers, the third was someone I’ve known for a couple of years. Each one was great in its own way. This really is one of my favorite parts of networking – actually meeting somebody else and getting to know them.
Because of my work schedule, lunch or early afternoon coffee are ideal. I prefer a nice little cafe because it always makes for a better one-on-one environment: quiet, sociable, pleasant. Larger networking events, usually at bars, tend to be pretty crowded and noisy, which makes it tough to establish a solid rapport. I’m not too keen on having to continuously shout and not be entirely sure either of us can hear the other.
The first meeting usually involves the exchanging of “here’s my story” mini-bios, and then moves on to what’s going on for both parties. Over the course of about an hour, we’ll share and discuss our individual journeys as writers. Everybody’s journey is different, and I always find each one quite fascinating.
We often share many similarities: our constantly working in the hopes of eventually succeeding as a writer (or filmmaker), the noticeable excitement while discussing our latest project(s), wondering how it’ll go and how it’ll be received.
We are also allowed free rein to vent our frustration about whatever’s currently sticking in our respective craws. Bad experiences, lack of funds for a project, feeling stuck with developing a story, dealing with lousy notes, and so on. One of my new connections even stated, “It’s nice to know I’m not the only one this has happened to!”
That may be what’s at the heart of all of this: knowing you’re not the only one trying to do this, and that somebody else totally understands what it is you’re going through. Simply being able to chat about it in a casual social setting can do wonders; one might even call it therapeutic.
I also make a point of offering to help out in any capacity I can, which tends to usually be either giving script notes or suggesting potential contacts and strategies, and just about everybody is more than happy to reciprocate. Who can’t use a little help?
If you haven’t done so already, I heartily recommend reaching out and connecting with somebody in your area, especially if both of you are within close proximity to each other. Chances are they’re seeking to do the exact same thing.
You know the saying, “It’s not what you know, it’s who you know”? Well, this not only applies to breaking in, but also to helping you work your way towards that. Building up your personal network of fellow creatives is easy, won’t cost you that much (just what you’d spend on a cup of coffee or a meal), and is a definite plus for all involved.
At least you’re a shoo-in for Employee of the Month
Been busier than expected the past few weeks with a lot of things related to my scripts: learning how to put a pitch deck together, commissioning concept art, and getting the ball rolling on the crowdfunding campaign for the short film.
Although exhausting (and admittedly eating into my time to actually write), it’s all necessary to help move things along. It also reminded me of the sentiment expressed in this post from May 2016.
Enjoy.
When it all comes down to it, you know who’s going to do the most to help you and your career?
That’s right. You. Nobody else.
Sure, there will be others who might be able to give you a helping hand now and then, but the responsibility of getting stuff done falls squarely on your shoulders.
This goes beyond just writing and honing your craft. You need to build up your network. Establish connections. Get to know people. Chances are a majority of these will be online and via social media.
Seeking representation or someone who might be receptive to your script? Do your research. Find out who’s looking for what. (And for crying out loud, DO NOT take the “Does somebody have a list I could use?” route.)
“But I’ve got no time to do all that!” you might protest.
Of course you do.
The key element here is time management. You already set aside time to write, don’t you? Well, you have to do the same for everything else. If you can devote part of your day to work on your script, then there’s no reason you can’t dedicate a few minutes to focus on your career.
A surefire way to give yourself more time – stay away from casual websurfing, or at least ration it. So much online material is nothing but a big time-sucking rabbit hole. “Just five more minutes” can easily turn into “Where’d that hour go?” Funny videos are all well and good, but probably won’t do much to help you get your career going.
On Twitter? Connect with 5 people a day. Interact with them. Ask about their projects. Make it about them, not you. If they ask about you and yours, keep it simple. Don’t overwhelm them with details.
Part of some online community forums? Take part. Ask questions. Start discussions. Get to know the other members. A lot of these folks will probably have more experience than you, so learn as much as you can. Very important – don’t be a troll.
Is there a professional writer out there whose work you admire? Send them a note saying just that. DO NOT ask for any favors right out of the gate. Establish a relationship. You’ll eventually know if they’re open to helping you. Sometimes they might even offer it without you asking. It happens.
All of these are going to take time to not only accomplish, but also to develop. Be patient. It will take time. You wouldn’t rush through getting your script done, so apply that same logic to developing and advancing your career.
Maximum Z 