Struck out in contests, but…

A lot of the major screenwriting contests have wrapped up, or are in the process of, and once again, yours truly did not achieve the desired results.

A big fat goose egg on all fronts.

Disappointing? Very much so.

Frustrating? You betcha.

Making me wonder if my writing must be ridiculously bad? Without a doubt.

I wasn’t just in a hole of depression. I’d felt like I’d fallen into the deepest hole ever dug on Earth.

Fortunately, I wouldn’t be there long.

Encouragement from K and more than a few members of the screenwriting community reminded me of several very important things:

First – CONTESTS ARE ENTIRELY SUBJECTIVE. Sometimes your script clicks with readers, sometimes it doesn’t.

Second – CONTEST SUCCESS IS NOT A GUARANTEE FOR INDUSTRY SUCCESS. You can claim the top prize, but that doesn’t mean you should quit your day job. The road to an ongoing career is long, twisty, and loaded with uncertainty.

Third – THEY ACTUALLY MAKE FILMS FROM SCRIPTS THAT HAVEN’T DONE WELL IN CONTESTS. If a producer likes your script and wants to get it made, they’re not going to be as worried about how it placed in a contest.

Fourth (and this one really hit home for me) – SCREENWRITERS SHOULD NOT LIVE BY CONTESTS ALONE. Doing well in a contest is a potential boost to help you establish a career, but that’s it – potential. It’s only one of numerous paths.

As was pointed out to me, I may not have done well in contests, but I should also consider:

-I’m currently writing the script for a microbudget feature. The producer really likes how it’s all coming along, and has been completely ego-free since we began.

-I self-published 3 books about screenwriting this year (a great gift for screenwriters, yourself, or both. I got a kid in college, so anything helps).

-I continue to be the co-host of a podcast that’s all about writing. Fortunately, both my co-host and I know A LOT of writers, so there’s always somebody interesting to interview.

-I got to be on the other end of the microphone by being interviewed on a few screenwriting podcasts.

-I took part in a few panels about screenwriting at a writing conference, which led to being invited to give a lecture about screenwriting next month. (more on that another time)

-I still get the occasional email asking me to give script notes. It might take me a little longer to get to it than expected, but I enjoy doing it, and the writers seem to really appreciate what I have to say.

-there’s been progress, albeit the really slow kind, in making my short film. I was hoping to film it before the year was over, but looks like early next year might be more realistic. It’ll happen yet.

So my losing streak in contests may continue, I’ve got a decent number of other irons in the proverbial fire. And a few other fires, for that matter.

I may get knocked down, but I get up again (and again, and again), and they’re never gonna keep me down.

Consider me in this for the long haul.

The journey continues…

Hope you have an excellent pre-Halloween weekend. I will happily lay claim to any leftover plain M&Ms and Reese’s Peanut Butter Cups that manage to stay out of the grubby little hands of trick-or-treaters.

Enjoying it – while it lasts

Slight shorty today.

The latest draft of the animated fantasy-comedy spec is in the hands of some beta readers.

One has already gotten back to me with some suggestions of minor fixes, but overall very positive comments.

Which is really, really nice.

And they also liked a lot of the jokes, which is definitely nice to hear.

I can’t really explain it, but there’s something about this script that’s giving me a real positive vibe.

It’s been a while since I’ve felt this way about a script this early in the process, so like the title of the post says, I’m riding this wave of positivity as long and as far as it’ll take me.

I’m sure it’ll require at least another pass, maybe two, until it gets to the quality I want it to be, but for now, I really like how it turned out.

Like with each of my scripts, I had fun writing it, and hope the reader has an equally great time reading it. This is something every writer should experience. It really does make a difference.

As the wait for the remaining notes continues, the focus shifts to cranking out pages for the microbudget feature, which is coming along nicely, thanks for asking.

Hope you have an exceptionally productive weekend.

Seeing some shine on that diamond in the rough

Even as I was getting the latest book ready over the past few weeks, I still made an effort to split time among a few other ongoing projects.

On that list: a severe edit of the animated fantasy-comedy spec.

The previous draft had clocked in at 120 pages, which admittedly is kind of long, especially for an animated story.

So it had to not only be tightened up in regards to what’s on the page, but also the actual number of pages. Fifteen to twenty, while seemingly excessive, felt appropriate.

Armed with some exceptional notes and a strong idea of all the issues that needed addressing, I set to it.

The phrase “kill your darlings” played a significant role during this process. Several scenes I loved were, as pointed out by an extremely savvy reader, more of a distraction from the main storyline and were actually slowing down the read.

Highlight, delete, mourn their demise, move on.

A good number of scenes underwent a major overhaul, including severe tightening up, rephrasing of dialogue, and a whole lot of moving stuff around. Sometimes a change would be made that I didn’t realize needed to be made. That’s always a surprise.

All of this combined ended up cutting 14 pages, bringing the grand total down to 106. Not too bad.

From my perspective, what ended up being the biggest accomplishment was that the whole thing seemed stronger than before; more put-together. It’s been a while since I’ve felt this positive about a draft.

It’s been sent to the latest batch of readers, and I’ve no doubt they’ll do a bang-up job in finding faults and spotlighting what needs work. As they should, and that’s fine with me.

It’ll help the next draft be even better.

A book (or three) for you

Some exciting news today out of the literary department at Maximum Z HQ:

My new book GO AHEAD AND ASK! INTERVIEWS ABOUT SCREENWRITING (AND PIE) VOLUME 3 is officially released – in both paperback and e-book.

Putting all three volumes together has been quite an effort, and definitely a long time in coming, but they’re all set and ready for purchase here or here.

It was always my intent to have these books be about more than just writing a script; it’s about providing the writer with the tools to help them improve. This is why each volume is chock-full of helpful information, tips, and guidance from a wide variety of writing professionals to not only guide you in developing your craft, but how to potentially make your script better. Definitely a win-win scenario.

Not only that, but if you like what somebody has to say and are interested in asking them about helping you with your material, their contact information (email and/or website, and the occasional social media handle) is right there on the page for you.

Plus, numerous types of pie, along with a few other assorted desserts, being mentioned, which is always a good thing.

For those who’ve already purchased volumes 1 and 2, I offer a heartfelt thank you, while also hoping you feel the need to complete the set and get volume 3. Or if there’s a special screenwriter in your life who you think might benefit from, or at least enjoy these books, I’ll just casually mention that the holidays will be here before you know it, and that books always make for an excellent gift.

Thanks for reading, and hope you enjoy them.