Savoring the victory

Super-shorty post today, due to a small turn of events:

My fantasy-comedy placed 3rd in the Family/Teen/Animation category for StoryPros.

Not too shabby.

Previous scripts have made it to various levels in this contest, but this is the first time I got this far.

Feeling quite accomplished about it.

And this was an earlier draft. Several rewrites/polishes have taken place since, and I like to think it’s a stronger script now.

No idea how it’ll do in upcoming contests, but hope and confidence levels continue to hold strong.

Taking a little time to celebrate, then it’s back to the grind for the sci-fi adventure (which is almost at the halfway point)

I also want to acknowledge and thank all the amazing and talented writers who provided me with an abundance of notes and feedback that helped me get the script to what it is today.

Hope everybody enjoys a piece of pie with my compliments.

The possibility of successfully navigating an asteroid field is approximately 3,720 to 1

During a recent break from the writing, I saw a few posts on social media celebrating the 43rd(!) anniversary of the release of THE EMPIRE STRIKES BACK.

I was around for that. Proudly so.

I decided to give it another watch, mostly for nostalgia’s sake.

Even though I’ve seen it numerous times, this time felt a little different. I found myself watching it from a writer’s point of view.*

It made for a very different experience, involving continuously making mental notes and asking questions.

“How did this look on the page?”

“Wow, that dialogue gets right to the point without being on-the-nose”

“What an incredibly tight scene”

“Pay attention to how the characters are shown changing over the course of the story”

Just seeing how smooth the story flows, how tight the whole thing is, and how all the subplots are laid out really struck a chord for me.

THIS is how I want my scripts to come across.

I’ve already said that this current draft of my sci-fi adventure is all about getting pages written and holding off on editing/revising until it’s complete. That still applies.

But when I do get to that point, I’m already anticipating looking at each scene and trying to figure out what changes could be made to achieve that same level of tightness, structure, and efficiency.

And it’s just a coincidence about my script being a similar genre; this approach would help no matter what I was working on.

This is all just further proof that a writer’s education never truly stops, watching well-written films can benefit your own writing process, and that there’s always an opportunity to learn how to improve your writing.

*Full acknowledgment to credited writers Leigh Brackett, Lawrence Kasdan and George Lucas*

Step away from the keyboard and grab a fork

Today was originally supposed to be the grand unveiling of the multitude of scripts submitted to be part of the Maximum Z Summer ’23 Script Showcase, but because of all the writers concerned about their potential status in someday being part of the WGA, and the ongoing writers strike, that ain’t the case.

Without any changes regarding the strike in the foreseeable future, it’s probably a safe bet to say that the next Showcase will be the Autumn/Winter edition later this year – still looking at December 1st, with an “open for submissions” date of November 10th. That gives you plenty of time to decide which script you’d like to submit.

In the meantime…

It’s been a minute since another popular topic of this blog was discussed, so I humbly offer an assortment of mouth-watering photos of pies because as much as we love writing our scripts, it’s perfectly okay – encouraged even – to take a break from writing and allow yourself a small indulgence, calories be damned.

And just slipping in a little self-promotion… (Vols 1-3 available now!)

Full speed ahead!

Apart from a few tweaks on the animated fantasy-comedy, the past few weeks have been all about cranking out the new draft of the sci-fi adventure.

And “cranking out” seems to be the appropriate term.

My usual process is to write a few pages, go back and do some work on them, then move on to the next set.

Not this time.

I write ’em and move on. No looking back.

No editing. No tweaking. Nothing.

There is absolutely no doubt there’ll be a ton of editing and rewriting when it’s done, but for now it’s “just get the damned thing written”.

Current output is about 2-3 pages a day, so if I can maintain that pace, there’s no reason to believe it couldn’t be wrapped up by the end of June or thereabouts.

Also nice – I’m having a great time telling this story, and I hope that enjoyment comes across to future readers.

I don’t know if I’ll continue to use this method for future scripts, or even for future drafts, but for now it seems to be working. It’s definitely different and takes some getting used to, but I don’t mind.

-last-minute addition! as of this writing, the aforementioned fantasy-comedy was announced as a quarterfinalist in the animation category for StoryPros. Not too shabby, especially since it’s been rewritten/polished a few times since then to what I believe is a more put-together version.

While it would be great for it to continue moving forward, I’m quite happy with this.

-The writers strike continues, with no end in sight. Here’s hoping that that changes soon. #WGAStrong

A small ramification of the writers strike

I was afraid of this.

The intent was to post the Maximum Z Summer ’23 Script Showcase in 2 weeks, with an abundance of film and TV scripts for the enjoyment of all.

More than a few scripts have been sent in, but there has also been a significant number of writers contacting me saying “Normally, I’d do this in a second, but because of the writers’ strike…”

And you can probably fill in the rest.

Much as I would love to proceed with the Showcase, the last thing I want to do is make anybody feel uncomfortable about it or feel like they’re putting their potential future involvement with the WGA at risk. Myself included.

So even though it breaks my heart to do so, the Summer Showcase is on hold until further notice.

I won’t cancel it outright since there’s no idea when the strike could end.

If it does end in the near future, then I’ll weigh the options of opening it up again. If it runs longer than anticipated, the Showcase will most likely return later this year with the Autumn/Winter edition; looking at December 1st.

If you’ve already sent in your script, let me know if you want it kept on file for next time, or plan to resubmit it (or another script) at the appropriate time.

Like many other pre-WGA writers, I’m hoping to eventually be part of the organization, so I stand in solidarity with what they’re trying to accomplish. If that means not being able to do the Showcase, it’s a small price to pay.

(Illustration by James Yang)