Create (and follow) your own route

As the year starts to wind down, I’ve taken part in a few writer Zoom get-togethers where the participants all discuss how their 2021 went, and what they’re hoping to accomplish next year.

(I’ll go into a little more detail regarding my own plans for 2022 in the next few weeks)

It was great to hear about the wide variety of projects that saw completion, along with the pride each writer took in talking about their work. Also nice – modesty. No pumped-up egos or “bathe in the splendor that is my wonderfulness!”

There were also those who had started something, but for some reason or other, hadn’t been able to finish it. That yielded a lot of sympathy as well as encouragement to get back on their respective horses.

The biggest underlying theme of all the conversations was “This is something I’m passionate about, and I’m going to do what I can to get it done/made.”

Doesn’t matter if it was a script, a short, a film, a webseries, or whatever. Each person had a project (or projects) that they were working on and was excited to be doing so. Results were varied, as were the timelines of progress.

Which is really what a lot of this comes down to. Each writer was working on a project and doing so in the way that worked best for them.

What was also really nice was that nobody was comparing their progress to anybody else’s, which is how it should be. It’s easy to fall into that sort of trap, and doesn’t help with bolstering your own confidence.

Everybody’s path is unique to them, and them alone. What works for you might not work for somebody else, and vice versa. Focus on what you’re doing and don’t worry about the other person.

Seeking an outside opinion? Ask someone you trust for honest and helpful feedback, and don’t feel obligated to take their word as “this is what needs to be done”. This is YOUR project, so trust your gut instincts to lead you in the right direction.

Most of all, do what you can to enjoy the journey. If you’re not enjoying it, the odds are high the material will reflect that, which means the reader/audience won’t enjoy it either. If you’re not passionate about it, why should we be?

We do this because we like/love it, right?

And it’s great seeing people be excited when talking about a project they love, because it makes us want to know more. Maybe we’ll even be invited to offer up our thoughts and comments to help them make it better.

So here’s to you being proud of what you accomplished in 2021, and for more of the same in 2022.

Warming up at the starting line

All those years of running finally took their toll – a minor tear in my Achilles tendon and a bone spur that inflamed the bursa on the back of my heel.

Thus the recuperation is underway. I’m out of commission for a few more weeks when it comes to hitting the road. Got a stabilizing boot and everything. Great news from the podiatrist – I may be able to start up again in January, which thrills me to no end.

While I may be doing a few more upper body workouts at the gym, it’s also given me time to get some more writing in. Current project status – coming along nicely, thank you.

But this has reminded me of how many posts I’ve written that compare/relate running to writing a screenplay. Turns out – more than a few.

So what better time than right now to offer them up for your reading enjoyment?

Some of them have similar content, but all the sentiments, perspectives, and observations still apply. Even if you’re not a runner, you can probably relate to a lot of it.

Enjoy.

The second half is all uphill

Run at your own pace

I speak from experience

My race, my pace

It most definitely NOT a sprint

Comfortable shoes will also help

One last thing – since running burns a lot of calories, my race-day tradition is to enjoy an incredibly delicious apple fritter from a local donut institution. I don’t have any posts about that specifically, but here’s something that could fall into that category:

If only you could eat a bad script

A gift they’ll love – bow optional

The holiday season is “officially” here, and maybe you’re racking your already-rattled screenwriter’s brain trying to think of gifts you’d like to give, or maybe you’d like to receive.

Sure, there are the usual items, like books, contest fees, or consulting services, and those are all great, but how about the easiest gift of all?

It won’t cost you a cent, and is beneficial to both the giver and the givee.

Time.

Got a little extra on your hands? Offer to read another writer’s script and give notes.

Not sure how to go about it? Never fear. It’s super-easy.

Just go onto the social media platform of your choice, and say something along the lines of “Anybody looking for notes on their script?”.

Then stand back and watch the responses flood in – which they will.

Don’t feel obligated to take all of them on. They can add up fast. As many you feel comfortable with. One, two, five. It’s your choice.

Our schedules are already pretty jam-packed as it is, but try to get them done in a timely fashion.

In theory, the writer will be very appreciative and let you know that, along with an offer to return the favor. Again, your choice if you take them up on it.

Giving notes may not be for everybody, but there’s something to be said for setting aside a part of your day to help out another writer (or writers).

One of the things I always try to promote here is how invaluable it is to network and be part of the online screenwriting community. Doing this can play a significant part in helping with that.

And I hope you enjoy the reads as much as the writers had writing them.

An overnight success years in the making

Well, it finally happened.

After countless hours, drafts, contests, emails, queries, coffee chats, and just about everything else I could do to help things work out in my favor, yours truly can now officially be called a professional working writer.

I kid you not.

A trusted colleague referred me to a producer seeking a writer for their microbudget project.

We talked, hit it off, and signed a contract.

(Once again showing the value of networking.)

Work on developing the first draft starts immediately, so the fantasy-comedy rewrite is on hold for the time being, which is fine by me.

And this producer already has a few films already under their belt, so the odds are better than average that this project will end up being a completed film. (As a friend said – always great when you can add a produced title to your resume.)

It’s all a bit overwhelming, but also quite thrilling.

This is what I’ve been working towards all this time. It may not be a huge industry-shattering deal, but it’s still me being hired to write a script for a movie.

Which is what this whole journey has been all about.

Fingers fully crossed that this is the first of what will hopefully be many more finish lines in this ongoing and never-ending race of mine.

I hope you have an excellent and productive weekend. Mine will most likely involve a celebratory piece of pie. Feel free to enjoy one wherever you are with my compliments.

The spark is lit once again

I hadn’t realized it had been quite a while since I’ve written about how my writing has been going, mostly because there hasn’t been as much of it as I was hoping, and what there has has been proving to be a bit of a challenge. Therefore…

The past few months have been me working on rewriting/overhauling the fantasy-comedy I wrote last year. For some reason, it just wasn’t clicking for me, hence the lengthy break.

So when I decided the time was right to dive back in, I really had to figure out what the problem was.

I still loved the concept, and a lot of what I’d already written, but something still seemed off. So I went to my tried-and-true practice of “take a step back for a closer look”.

What was it I liked about the story? Did the way it played out seem like the best way to tell it? What could be done differently, yet still yield the same results (or something even better)?

When I was first putting the story together, I must have gone through at least half a dozen different ways to start it. Each one had it’s own pros and cons. I don’t strictly adhere to “this plot point HAS to happen on THIS PAGE”, but I do what I can to stay in the neighborhood.

As I wrote down scenes I wanted to include, a pattern started to emerge. If I started the story THIS WAY, that would lead to THIS happening, and maybe I could rearrange a few things so as to get the full impact of what I was going for.

Then another realization came to me. The story was working, but my protagonist was the wrong character. Another character initially created as a big supporting role seemed to hold more potential, plus having things revolve around them would really punch up the tone of the story.

More pieces of the puzzle were falling into place.

Because of this drastically new approach, I don’t have the option of just recycling scenes from the previous draft. Each scene has to be rewritten to accommodate this new perspective and really play up the impact this new protagonist has on everything around them.

It’s a challenge, but the new story is slowly coming together. My enthusiasm for putting myself through all of this and my confidence in the story is as strong as ever.

I’ll admit this is also taking longer to than I wanted it to. My initial hope was to have completed the outline a while ago and have a new draft done by the end of the year, but that ain’t gonna happen.

Instead, I’m totally fine with the rest of 2021 being all about hammering out the outline and its subsequent fine-tuning. Kicking off the New Year with pages isn’t a bad way to go.

As we head into the weekend, here’s hoping for a whole lot of productivity for everybody’s current projects.