Logline and synopsis update!
Just some minor tweaking of the logline, and the synopsis is “good, but too long.” Could I maybe tighten it up, and how about ending with a cliffhanger?
You mean after spending so much time delicately crafting everything so it all flowed smoothly, I’m supposed to just go in and hack it all up?
Exactly. Streamline what I already have, cut the non-essentials, and focus solely on the main storyline.
This was challenging, but it had to be done (and could potentially help me get over my dislike of writing a synopsis in the first place)
I worked my way through it and ended up with a tighter, better version, including a double cliffhanger.
One of the best pieces of writing advice I’ve ever heard was during a workshop with UCLA’s Richard Walter:
Write as if ink costs a thousand dollars an ounce.
Which are you more likely to want to read? A script with lots of white space on the page, or one with big, black blocks of dialogue and action lines?
It’s not enough to have a well-crafted story. You want the words and pages to really move, and a minimal amount of text can help make that happen.
Go through that scene you just finished. Figure out how to shorten it, keeping only what’s necessary.
Don’t think anything can be cut? Look again. Adverbs and prepositional phrases are good places to start.
You want the reading experience to be a breeze, not a slog. Too many words can do that.
-Finally attempted the Great Baklava Experiment. Apart from somewhat time-consuming and working with phyllo dough, not as difficult as I thought. Maybe a little too much sauce, which is probably better than not enough.
Overall, consider it a success.
Now to figure out what to make next.