As I’ve mentioned before, when I do the midday traffic shift, it usually results in some good output. Something like that happened today.
I’m working my way through the first part of DREAMSHIP’s second act, and was trying to figure out how to approach a sequence from a different perspective. I think I may have reached a solution, so that’s good.
Not so good is a problem just like the one I was having while working on the LUCY outline: what does my antagonist want? My ScriptQuack comments ask the same thing. I thought I had an answer to that in previous drafts, but now I’m not so sure. Once I can figure that out, putting more of this together should be easier – I hope.
I’m doing the midday again tomorrow, and the noon-to-6 shift on Saturday, so here’s hoping those are productive shifts as well.
Movie of the Moment: We started watching THE WALKING DEAD. Wow. Great stuff. I especially like the ever-present feeling of ominous dread. I’m dating myself, but I like how this is the same station that years ago played nothing but black and white films and their first original series was set in Pittsburgh during the Golden Age of Radio. My, how times have changed.
There was a trailer for some set-in-space video game or something before it got to the menu page. It got me thinking: somewhere out there has to be a spec script about zombies in space. Think about it. They don’t need air, but that whole vacuum-of-space thing might need a little planning. The hard part would be to avoid having it come across as too cheesy.
But then again, that could be part of the fun.