determination

Spark: re-ignited

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Despite how busy I’ve been the past few weeks, one of my ongoing projects has been the animated fantasy-comedy. It’s been rewritten and polished many times, but I knew it still needed at least one more draft.

A slow but steady influx of exceptionally helpful notes will make a significant contribution to this effort.

More than a few of the notes had the same thing to say, and after some intense analysis and evaluation, incorporating the intent of those notes into this new draft could have a major impact on really elevating the quality of this script.

I don’t say this from a place of ego or hyperbole; just about all the notes said the script was really good, but with a few tweaks and adjustments, it could be really, REALLY good.

How could I refuse?

Although extensive rewrites are sometimes necessary, going into this draft having a much more established idea of what I need to do – along with a few ideas of how to do it – fills me with a renewed sense of excitement and enthusiasm.

Suffice to say I am really looking forward to taking this one on.

This is the part of the writing process I’ve always enjoyed – having fun with putting it all together. It probably also helps that I love the story and the characters, and want to present it all in the best possible way.

I’m also glad I decided to skip this year’s contests because now I have more time until the next round of deadlines to get this thing into shape (along with saving a decent chunk of change).

The initial round of planning and outlining is already underway, with confidence levels running strong. Definitely looking forward to see how this all plays out.

From the archives: A support staff of one

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At least you’re a shoo-in for Employee of the Month

Been busier than expected the past few weeks with a lot of things related to my scripts: learning how to put a pitch deck together, commissioning concept art, and getting the ball rolling on the crowdfunding campaign for the short film.

Although exhausting (and admittedly eating into my time to actually write), it’s all necessary to help move things along. It also reminded me of the sentiment expressed in this post from May 2016.

Enjoy.

When it all comes down to it, you know who’s going to do the most to help you and your career?

That’s right. You. Nobody else.

Sure, there will be others who might be able to give you a helping hand now and then, but the responsibility of getting stuff done falls squarely on your shoulders.

This goes beyond just writing and honing your craft. You need to build up your network. Establish connections. Get to know people. Chances are a majority of these will be online and via social media.

Seeking representation or someone who might be receptive to your script? Do your research. Find out who’s looking for what. (And for crying out loud, DO NOT take the “Does somebody have a list I could use?” route.)

“But I’ve got no time to do all that!” you might protest.

Of course you do.

The key element here is time management. You already set aside time to write, don’t you? Well, you have to do the same for everything else. If you can devote part of your day to work on your script, then there’s no reason you can’t dedicate a few minutes to focus on your career.

A surefire way to give yourself more time – stay away from casual websurfing, or at least ration it. So much online material is nothing but a big time-sucking rabbit hole. “Just five more minutes” can easily turn into “Where’d that hour go?” Funny videos are all well and good, but probably won’t do much to help you get your career going.

On Twitter? Connect with 5 people a day. Interact with them. Ask about their projects. Make it about them, not you. If they ask about you and yours, keep it simple. Don’t overwhelm them with details.

Part of some online community forums? Take part. Ask questions. Start discussions. Get to know the other members. A lot of these folks will probably have more experience than you, so learn as much as you can. Very important – don’t be a troll.

Is there a professional writer out there whose work you admire? Send them a note saying just that. DO NOT ask for any favors right out of the gate. Establish a relationship. You’ll eventually know if they’re open to helping you. Sometimes they might even offer it without you asking. It happens.

All of these are going to take time to not only accomplish, but also to develop. Be patient. It will take time. You wouldn’t rush through getting your script done, so apply that same logic to developing and advancing your career.

It’s all on you, so make the most of it.

As determined as ever

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This is the 1200th post of this blog, so a little reflection is in order.

I started this endeavor in 2009 with the intention of chronicling my journey towards becoming a professional screenwriter. As you can probably tell from the lack of industry announcements that include my name or a script of mine, it hasn’t happened.

Yet.

Has it been frustrating? Most definitely. I’ve come close a few times, including having two managers and some of my scripts being considered at a few production companies. Daydreams of signed contracts and checks clearing were inevitable, but as often the case, things fell apart along the way.

I allowed myself a moment or two of “woe is me”, then got back to working on my scripts.

Like I recently wrote about, they’re significantly better than my earlier ones, and I’ll do what I can to make the next ones even better.

But for as many negative things that have happened, there’ve also been a decent number of positive developments along the way.

-publishing three books collecting a lot of the interviews I did on this blog

-being a guest on a friend’s podcast about writing, which led to co-hosting the next iteration of said podcast, and now being the sole host

-being invited to be a panelist talking about screenwriting at the San Francisco Writers Conference, then a panel moderator, to coordinating the whole Writing For Hollywood track

-writing a short script with the intention of actually filming it, with the wheels now in motion to see that come to fruition. Watch this site for the forthcoming announcement of the crowdfunding campaign.

It really has been a rollercoaster ride navigating my way through trying to make things happen. There’s been a lot of disappointment and frustration along the way, but I’m fully committed to seeing this through. It might not happen as fast or as soon as I want, but I’ve no intention of giving up.

Support from the screenwriting community has made quite a difference in helping sustain that. From giving and receiving notes to words of support and encouragement, they’ve all played a role in helping keep me going.

And while I’ll admit to feeling those tinges of jealousy when somebody else publicizes their writing-related wins and successes, I’m also extremely happy for them because I know they’ve worked hard to get there, and hope they’ll do the same for me when it’s my turn.

And I do plan on my turn happening.

Someday. Hopefully soon.

Fingers + brain + keyboard

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Another shorty this week. I’ve been busy on several fronts, including the latest round of work on the animated fantasy-comedy.

Several sets of extremely helpful notes have been received. I’m quite happy with how it’s coming along. Definitely feels like a stronger script.

When it’s ready, off it goes to another batch of readers, which will most likely result in another draft after that.

I’d initially decided to skip contests this year, but am still on the fence about the Nicholl. One deciding factor is their new limit of total number of entries at 5500 (currently standing at a smidge above 650 as of this writing).

If in a few weeks I’m happy with the end result and they haven’t hit the 5500 mark, I’ll consider it. Early bird deadline is March 1st, with a still-reasonable entry fee of $50 USD, then regular deadline on April 1st for $70, and finally late deadline on May 1st for $120.

And if in the end I still decide to skip it, it’ll definitely be ready for next year.

I’d rather take the time to fine-tune it as much as possible than send in a draft considered “good enough”.

Hope you have a productive writing weekend, and for my fellow Californians – stay dry.

That worked out nicely

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Bit of a shorty today.

It took several days of almost-constant work, including a good deal of editing, tweaking, and overall wordsmithing, including a marathon 6-hour stretch at the very end, but the rewrite of the animated fantasy-comedy is complete.

Total page count now stands at 106, which is still good.

Got a squad of beta readers currently working their way through it, and the initial responses have been very, very positive – which is always encouraging – as well as a handful of suggestions for minor fixes scattered throughout.

I’m quite happy with the end result.

Up next – concept art, character designs, a pitch deck, and researching potential targets for querying.

Writing is just one piece of the puzzle.

Allowing myself a brief respite before jumping back into the rewrite of the sci-fi collaboration, which also seems reinvigorated in terms of ideas and execution. The jotting-down of new material is well underway.

Overall, a mighty fine writing week. Hope it was for you too.

-really, really enjoying BLUE EYE SAMURAI on Netflix. Incredible stuff, and definitely NOT family-friendly.