A gift they’ll love – bow optional

The holiday season is “officially” here, and maybe you’re racking your already-rattled screenwriter’s brain trying to think of gifts you’d like to give, or maybe you’d like to receive.

Sure, there are the usual items, like books, contest fees, or consulting services, and those are all great, but how about the easiest gift of all?

It won’t cost you a cent, and is beneficial to both the giver and the givee.


Got a little extra on your hands? Offer to read another writer’s script and give notes.

Not sure how to go about it? Never fear. It’s super-easy.

Just go onto the social media platform of your choice, and say something along the lines of “Anybody looking for notes on their script?”.

Then stand back and watch the responses flood in – which they will.

Don’t feel obligated to take all of them on. They can add up fast. As many you feel comfortable with. One, two, five. It’s your choice.

Our schedules are already pretty jam-packed as it is, but try to get them done in a timely fashion.

In theory, the writer will be very appreciative and let you know that, along with an offer to return the favor. Again, your choice if you take them up on it.

Giving notes may not be for everybody, but there’s something to be said for setting aside a part of your day to help out another writer (or writers).

One of the things I always try to promote here is how invaluable it is to network and be part of the online screenwriting community. Doing this can play a significant part in helping with that.

And I hope you enjoy the reads as much as the writers had writing them.

An overnight success years in the making

Well, it finally happened.

After countless hours, drafts, contests, emails, queries, coffee chats, and just about everything else I could do to help things work out in my favor, yours truly can now officially be called a professional working writer.

I kid you not.

A trusted colleague referred me to a producer seeking a writer for their microbudget project.

We talked, hit it off, and signed a contract.

(Once again showing the value of networking.)

Work on developing the first draft starts immediately, so the fantasy-comedy rewrite is on hold for the time being, which is fine by me.

And this producer already has a few films already under their belt, so the odds are better than average that this project will end up being a completed film. (As a friend said – always great when you can add a produced title to your resume.)

It’s all a bit overwhelming, but also quite thrilling.

This is what I’ve been working towards all this time. It may not be a huge industry-shattering deal, but it’s still me being hired to write a script for a movie.

Which is what this whole journey has been all about.

Fingers fully crossed that this is the first of what will hopefully be many more finish lines in this ongoing and never-ending race of mine.

I hope you have an excellent and productive weekend. Mine will most likely involve a celebratory piece of pie. Feel free to enjoy one wherever you are with my compliments.

The spark is lit once again

I hadn’t realized it had been quite a while since I’ve written about how my writing has been going, mostly because there hasn’t been as much of it as I was hoping, and what there has has been proving to be a bit of a challenge. Therefore…

The past few months have been me working on rewriting/overhauling the fantasy-comedy I wrote last year. For some reason, it just wasn’t clicking for me, hence the lengthy break.

So when I decided the time was right to dive back in, I really had to figure out what the problem was.

I still loved the concept, and a lot of what I’d already written, but something still seemed off. So I went to my tried-and-true practice of “take a step back for a closer look”.

What was it I liked about the story? Did the way it played out seem like the best way to tell it? What could be done differently, yet still yield the same results (or something even better)?

When I was first putting the story together, I must have gone through at least half a dozen different ways to start it. Each one had it’s own pros and cons. I don’t strictly adhere to “this plot point HAS to happen on THIS PAGE”, but I do what I can to stay in the neighborhood.

As I wrote down scenes I wanted to include, a pattern started to emerge. If I started the story THIS WAY, that would lead to THIS happening, and maybe I could rearrange a few things so as to get the full impact of what I was going for.

Then another realization came to me. The story was working, but my protagonist was the wrong character. Another character initially created as a big supporting role seemed to hold more potential, plus having things revolve around them would really punch up the tone of the story.

More pieces of the puzzle were falling into place.

Because of this drastically new approach, I don’t have the option of just recycling scenes from the previous draft. Each scene has to be rewritten to accommodate this new perspective and really play up the impact this new protagonist has on everything around them.

It’s a challenge, but the new story is slowly coming together. My enthusiasm for putting myself through all of this and my confidence in the story is as strong as ever.

I’ll admit this is also taking longer to than I wanted it to. My initial hope was to have completed the outline a while ago and have a new draft done by the end of the year, but that ain’t gonna happen.

Instead, I’m totally fine with the rest of 2021 being all about hammering out the outline and its subsequent fine-tuning. Kicking off the New Year with pages isn’t a bad way to go.

As we head into the weekend, here’s hoping for a whole lot of productivity for everybody’s current projects.

Q & A with Scott McConnell

Scott McConnell is a writer/story consultant who has worked as a producer in Los Angeles and in fiction development. Scott edits stories from inside them as a writer. He finds solutions to story problems and can especially focus on improving a story’s premise. Scott believes this is where most films/scripts succeed or fail. He also finds that many good writers don’t focus enough on theme. It is through theme that a writer moves an audience emotionally. Scott can edit low budget features as well as big budget blockbusters. He fixes scripts for individual writers and production companies around the world.

Scott started in the business as a story analyst in Los Angeles; analyzing scripts for Roger and Julie Corman, Samuel Goldwyn and the Sundance Institute, among others. He was later the showrunner (writer/producer/director) of the U.S. nationally syndicated LIVE LIFE AND WIN! and he co-wrote the reality series HOLLYWOOD BOOT CAMP. He has found the story by studying footage, reading scripts/books, pre-interviewing talents, and writing or editing the script. Scott is a member of the Producer’s Guild of America and of the Australian Film Institute (AACTA.)

What was the last thing you read or watched you considered to be exceptionally well-written?

Regarding television, I’m a big fan of the English series VICTORIA, about Queen Victoria. The writing is often excellent, especially in season one, which dramatized a young girl developing herself in high stakes circumstances to become queen of an empire and the loving wife of a man she admires but who often has different ideas to her and is at times in romantic conflict with her because she is also his queen and leader.

Regarding film, I think SAVING MR. BANKS is brilliantly written, especially its dramatization of a profound theme and the integration of its two main plot lines from different time periods. The characters were intelligently written and layered, while the arc of the protagonist is beautifully climaxed.

How’d you get your start in the industry?

My first start in the business came after I graduated from UCLA Extension (scriptwriting) and did some interning work at industry places in town and started my own script analysis business. The study and volunteer work allowed me to get experience so I was skilled and employable.

Is recognizing good writing something you think can be taught or learned?

It is something that is learned. But there are great individual differences in how much someone might actually know about what makes a good story. And it’s hard for readers to see a story objectively as it really is and not be prejudiced by their own values and tastes.

What do you consider the components of a good script?

There are two basics to any script. First there is the mechanics of how well it is written: its structure, clarity of its theme, use of dramatic devises, the development of its character and relationship arcs, the nature of its climax, and so forth. That is, the storytelling skill.

And then there is the values side of the story, the actual nature of the specific content. For example, its theme and sensibility, the values and goals of the characters, the nature of the conflicts and the theme resolution. That is, the values the story is dramatizing.

A good script has skilled storytelling and universal, important and personal values that the audience cares about. It is the nature of these values that especially makes a story or film an enduring classic.

What are some of the most common screenwriting mistakes you see?

The biggest mistake I often see is that writers do not give their characters agency (free will). That is, more specifically, the writer does not create a protagonist who has a big main goal that drives the story and underpins its structure. One of the negative consequences of this lack of agency in characters is that it becomes the writer who drives the story by dropping contrived and coincidental problems onto the heads of the characters. Such a story lacks logic, believability and suspense.

Another common writing mistake I see all the time is that the concept of the story was not developed properly. Many scripts, for example, have unoriginal, uninteresting or one-layer premises. Creating a strong premise is the hardest and most important part of writing a story.

A mistake I see in good writers is that they often haven’t mastered theme, so they don’t know how to use it to give depth to their story and to induce deep emotion in their audiences.

What story tropes are you just tired of seeing?

Some writers want to throw in the latest political fad or fashion.

Other writers think that chases, fights and explosions are what make an action script great. They aren’t. Look at two of the great actioners, DIE HARD and GLADIATOR: both of these stories have layered and driven characters enduring terrible personal problems.

What are some key rules/guidelines every writer should know?

The first rule of all writing is to have something interesting to say or show. If your story – its premise, characters, plot, climax – are not interesting then it doesn’t matter how well you structure your story, for example, no one will care.

I think every creator of a script should have a story expert outside of their story bubble vet and edit their script, and the closer to the front end of the story creation this is done the better.

Have a writing process. Many writers who don’t have a writing process never finish their story or don’t know how to. A writing process can be learned and should be. A good writing coach can teach you one.

Have you ever read a script where you thought “This writer really gets it.”? If so, what were the reasons why?

That’s pretty rare. Most scripts, produced and unproduced, have issues. But I remember a script I edited about two years ago where I was impressed that these two writers were really in charge of the story and the writing. That is, that with some fixes this script would make a good movie. These writers had a layered, intriguing concept, an escalating plot line and characters who I cared about and I was anxious to see who among the leads won. (The three leads in conflict were all good guys but in a big conflict.)

How do you feel about screenwriting contests? Worth it or not?

That’s a good but difficult question. At best I’m mixed on contests. Yes, there are some good ones that can help a writer get doors opened or be noticed, but for other contests you have to worry about who is reading these piles of scripts. My concern is that too many contest readers seem to be straight out of college where they haven’t studied the great classic plays/novels nor analysed the
truly well written films. They tend, I also worry, to be naturalistic and PC in their reaction to story content. I hope I’m wrong but….

My suggestion to those considering entering contests is to vet carefully. For example, look to see if the contest has some clout, that being a winner or a placing near the top will truly open doors, etc. Also try to see the loglines of previous winners. If they’re rubbish, be wary, as you should be if any samples of coverage by the contest’s graders indicates a focus not on story essentials. Also try to determine if that contest prefers a certain genre over others. Good luck. Caveat emptor.

How can people find out more about you and the services you provide?

I edit scripts of many genres and forms, have a mentorship program to teach writers a writing process while they actually write a script, and other writing and development services. People can learn more about me on LinkedIn at this page: https://www.linkedin.com/in/scottamcconnell/

Or write to me via email: scottm100@gmail.com

People can also find my articles on screenwriting on Script, Creative Screenwriting and MovieMaker.

Readers of this blog are more than familiar with my love/appreciation of pie. What’s your favorite kind?

American Pie! (the song, not the movie)

Maximum Z Autumn ’21 Script Showcase

I’ve always been a big believer in supporting the writing community, and wanted to offer up the opportunity for as many writers as possible to put their material on full display for all to see. While there may be other sites that do this – most for a small fee, I thought it would be nice to do something similar – and for free.

Think of this as another tool in your personal kit of marketing materials. This is your chance to shine a spotlight on your script. Spread the word. Post the link. Toot that horn, and do it proudly.

What you will find below is a virtual treasure trove of material of 34 screenplays and 18 TV scripts. A vast spectrum of genres, many with accompanying awards and accolades.

But the most important part is that each and every one is available for you to read.

Something grabs your attention or piques your interest? The writer’s email is right there for you to click on and tell them “I’d like to read your script.” Maybe they’ll ask to read something of yours.

This is what networking and establishing professional relationships is all about.

So settle in and take a look around. Bet you find a script or three you like.

(And as long as I’ve got your attention, feel free to hit the ‘like’ button way down at the bottom of this post. Maybe even take it one step further and start following this blog. Management is dangling some enticing incentives for an uptick in numbers.)



David Schwartz

Animated Family Fantasy-Comedy

A royal princess has two weeks to rescue her prince from a powerful warlock, or else her sister will take over as Queen.



Brian Tuttle


When a risk-averse accountant hits her head at work, she suddenly finds that every time she opens a new door, she steps into one of a dozen alternate versions of her life. She realizes the only way to get home is to keep opening doors, even if it means confronting every fear she’s ever had.

8 on The Black List



Philip C. Sedgwick

Action-Adventure/Border Drama

A journalist for an US-based Arabian TV network heads to the Arizona border to sleuth out a rumor regarding a terrorist attack formulating in Mexico. When the rumor proves true, the reporter enlists a most unlikely team to intercept the attack and take on the even more unlikely forces behind the operation.

Best Original Screenplay, Burbank Film Festival, 2016

Best Feature Screenplay, San Antonio Film Festival, 2019

Official Selection, San Pedro Film Festival, 2019

Finalist, Official Selection, Beverly Hills Film Festival, 2016

Finalist, Hollywood Screenplay Contest, 2016



Mark Wesley


A charismatic hustler devises a high-risk scheme to con the Bank of England into moving gold bullion to a location that’s easier to rob – if the New York mob don’t kill him first.

Quarterfinalist – 2020 Los Angeles International Screenplay Awards



Victer A. Levell


A corrupt Marine Corps Officer / Investment Banker with an old school Black and Italian upbringing reflecting on the origin and consequences of his actions after Federal conviction. Hiding in plain sight his entire career with Black Panther Party, and Gambino Crime Family affiliations. Living with a dark family secret, child abuse, and teenage PTSD results growing up into an adult broken with a Machiavellianism dark side.



Fiona Faith Ross

Supernatural Thriller

When Granddad dies, a bereaved young American woman travels to the ‘old country’ to find her last living relative, an aunt who insists she is the immortal sea-goddess, Calypso.

Best Feature Screenplay – May/June 2021 round, Pinnacle Film Awards, LA



Kelly Parks


Six poker pros tricked into a game of Texas Hold’em with The Devil must win or die.

2nd Rounder – Austin Film Festival

Top 25% – Coverfly

Quarterfinalist – 2021 Emerging Screenwriters Genre Competition



Jeffrey Stackhouse and Wendy Lashbrook


A Confederate officer rides an urgent trail when the shocking brutality of a Black family found slaughtered forces him to choose a path of blood-soaked retribution, with only an adolescent Black girl as an ally.

PAGE Awards – Bronze Award – Action-Adventure




Clint Williams

Historical Action-Adventure

Following the War of 1812,  withdrawing British forces turn over a fort and its armory to former slaves and Native Americans. But calls for an assault by the U.S. Army threaten the thriving community.

Winner – Final Draft Big Break – Historical/Period

Grand Prize Winner – Write/LA



Mark LeClair

Action Drama

A Special Forces veteran realizes his revenge slaying of the gang that killed his family won’t bring them back, nor his emotions, which makes him a valuable tool for the Feds. With help from his veteran-brothers, he agrees to take care of a pest problem for the FBI & DEA, but realizes too late that he is being set up and not expected to survive. The most dangerous person alive is one with nothing left to lose.

Semifinalist – 2021 Filmmatic Drama Screenplay Awards



Ken Henderson


A hard-boiled ex-cop stays on a missing person case even after he’s murdered.

Winner – 2019 PAGE International – Thriller/Horror

Semifinalist (top 50) – 2014 Nicholl Fellowship

Quarterfinalist – 2019 Final Draft Big Break

2nd Round – 2019 Austin Film Festival

Quarterinalist – 2014 Scriptapalooza


LUCKY DIP (short film)

Brian Weston


Everyone dreams of winning life changing money on the lottery. A big win changes lives. But sometimes not for the best.



Martin Keady

Historical Drama

MAN OF COLOUR is a biopic of Walter Tull, one of Britain’s first black professional footballers, who was driven out of the game by racism (even from within his own club) but rallied to become one of Britain’s greatest heroes of World War One. 

Best Screenplay (Feature) – 2021 Page Turner Awards



Jane May

Adventure Comedy

MAX AND LUPE: TREASURE HUNTERS! is a movie about a heartbroken and hapless American dude who just wants to enjoy his all inclusive Mexican vacation but gets tangled up with a couple of slick international treasure hunters who are racing against a seriously bad hombre in order to score their biggest prize yet!



Alvina Charles


A teenage boy is involved in an underground case to take down his father’s enemy but switches sides when secrets unfold.



G. Leo Maselli

Dark Comedy

After six long years in a French convent, a teenage girl, with a pathological narcissist disorder in full bloom, returns home in California determined on having sex with her hero who just so happens to be her father’s best friend.



Nerris Nevarez-Nassiri

Coming of Age

When a brilliant Iranian teenager finds out she must give up her dream of going to college for an arranged marriage, she secretly fabricates an identity as a school teacher to obtain an American visa and escape the morning of her wedding.

Finalist – Austin Film Festival

Semifinalist – Vail Film Festival



Dave Goossen


After bungling a multi-million dollar deal, the two women responsible are sent to the Australian outback to save the project but end up battling their ruthless boss to save a quirky town instead.



David Dinning McDermott

Fantasy, Romance

A story that integrates magic and mythology into the fabric of the modern world, as we follow two lovers across the boundaries of death and time.

Finalist – Bright International Film Festival

Finalist – Beyond The Curve International

Finalist – Hollywood Screenplay Festival

Finalist – European Cinematography Awards



Das Bleu


A struggling musician is at a crossroads with life until he meets an alluring ballroom dancer while staying at the Chateau Marmont.

Semifinalist – Big Apple Agents and Managers Networking Lab

Semifinalist – Big Apple Film Festival and Screenplay Competition



J.C. Young

Father and daughter hunters pursue a fugitive vampire to the New World; whose blood-thirst unleashed when pirates plunder the ship ferrying her coffin.

Red List selection – Coverfly, Feb 2021, July 2021

Top 20% – Coverfly – Top 20 Action-Adventure Feature Screenplays

Semifinalist – 2020 Filmmatic Screenpay Pitch Competition

Semifinalist – Creative Screenwriting Unique Voices Competition

Quarterfinalist – 2021 Screencraft Sci-Fi & Fantasy



Lucy Linger

Romantic Dramedy

An interior designer relives her teenage years, and puts her marriage at risk, when she lands a job working with her first love.



Vincent Paterno

Romantic Comedy

A Vegas waitress tripled in size becomes a beloved showroom headliner, falls in love with the scientist who accidentally enlarged her, and vows to rescue him when he’s kidnapped by three mutual rivals.

Most Original Concept – Feature Screenplay – LA Under The Stars Film Festival

Best Character – Colleen Cossitt – Die Laughing Film Festival

Finalist – Los Angeles Cinefest

Finalist – Beyond The Curve International Film Festival

Semifinalist – Stage 32 New Voices in Animation Screenwriting Contest



Brent Rouleau


While investigating a series of bizarre deaths, a veteran detective who quit big-city crime for small-town policing finds his life in danger when he uncovers a long-hidden black-ops program with ties to the highest level of the American government.

Semifinalist – Screencraft Drama

2nd Round – Austin Film Festival

2nd Round – Launch Pad Feature Competition



Persephone Vandegrift

Supernatural Horror

After agreeing to take part in a dangerous séance, a grief-stricken young woman discovers the truth behind an entity’s vengeance against the town and must stop it before it kills again.



Mark Gunnion


When President Rosa Cortez’s secret Camp David peace summit is taken hostage by brutal commandos, her scandalous ex-jock husband Will slips through the cracks. As war hero Rosa fights back from within, they must find a way to save each other – and the Chinese President.

Grand Prize – 23rd Annual Fade-In Screenplay Awards

3rd Place – Action-Adventure – Fresh Voices Screenplay Competition

Semifinalist – StoryPros Screenwriting Competition

Official Selection – 15th Annual “Action On Film” MegaFest in Las Vegas

Official Selection – Vancouver Badass Film Festival



Robert Ward


A wisecracking demon slaughters the parents of a farm girl hiding in a cellar… but when the demon extricates her, they battle to a ghastly ending.

Award Winner – 2019 Filmmatic Horror Screenplay

2nd Place – 2019 Best Feature Script – Hollywood Horrorfest

Finalist – 2017 Shriekfest

Nominee – Best Horror Screenplay – iHorror Awards

Grand Prize – Horror – 2016 Hollywood Screenplay Contest



Sara Carpenter & Josh Greiveldinger


Loosely based on Don Quixote, Alonso, becomes convinced he is a comic book superhero and, with the help of his reluctant best friend, attempts to take down a small town biker gang.



Tad Israel


As a typhoon turns his relationship upside down, the man turns from hater to lover.



Ethan Chen

Horror/Supernatural Thriller

A young tormented girl Lily befriends a monster that is willing to kill those who wronged her. With each kill the monster changes with Lily changing as well.

Best Unproduced Script – Niagara Falls International Short Festival

Best Unproduced Script – Hong Kong Indie Film Festival



Carol Frome


When Sophie and her girlfriend Isabella uncover murder evidence, they don’t know that it will lead Sophie to an unthinkable choice: kill her all-powerful father or be killed.



J.R. Blomberg

Neo-Western Crime Drama

In 1972, a sheriff being investigated for murder must confront his rodeo past when he suspects bull riders in a slew of bank robberies.



Seth Nelson


When a popular podcaster moves back to his rural hometown and discovers his job-hopping childhood friend is living a double life, he must decide whether to go along with the prank, or expose the truth in an effort to boost his career.

Semifinalist – Filmmatic Comedy Screenplay Awards (Season 6)



Glenn Toussaint

Science Fiction

In 2065, a hacker and a group of telepaths lead three rogue nations in a desperate last stand, against the plutocratic world government’s drone forces. 




Christopher O’Bryant

A lawyer is sent to a small southern town to handle a troubled estate, but upon arrival something feeds off the fear and guilt from his past.




Shauney Taylor


A small town has had two young girls go missing in one month. Can this eight year old girl’s imaginary friend protect her from being the next one caught?

2nd Place – Open Topic Short Film Contest

2nd Place – Raindance Film Festival



Richard Leone

Crime Drama

Set in Portland, Maine, Detective Sarah Leighton, a Combat Veteran and recovering opioid addict, investigates a drudge related homicide and must choose her career or her family when she finds herself crossing the line between cop and criminal in order to bring down a local drug ring.



Peter J. Herron

Black Comedy Sketch Show

A half hour black comedy sketch show exploring the world of broadcast television by joining a viewer each week as they jump from channel to channel, catching dark/absurd/social commentary comedic vignettes of the news, TV shows, sports, movies, documentaries, adverts and everything else vomited out the media we consume today. 



Gary Barnard


When two best friends learn of a real life crime that mimics one of their favorite comic books, they do everything they can to solve it.



Karen E. Simmons

Light-comedy murder-mystery BBC series

Two of Father Brown’s friends go undercover at a high-class hotel to find the culprit behind a series of grisly murders, using themselves as bait to draw the killer out of the shadows.

Another of my Father Brown specs – THE WRONG SCONE – won 2nd Place for One-Hour Dramas in the 2021 Scriptapalooza competition



Phillip E. Hardy


Beset by enemies conspiring against King Louis XIV, a collection of courageous fighting women come together to train and fight for the greatest swordsman in France, the uncrowned queen.

Winner – Best Action Television Script – Mount Fuji International Film Festival

Official Selection – Las Vegas International Film and Screenwriting Festival

Official Selection – Best Script Award – London



Nathan Waire aka Nathan Zen-Sapien


When a psychic begins to have visions of grizzly murders she enlists the help of one serial killing team to hunt down an even bigger threat!

Outstanding Achievement – Madras International Film Festival

Finalist – Toronto CIFT

Official Selection – Medusa Film Festival

Finalist – Best Script – ViZ Awards



Alex Rodriguez

Animated Comedy

Prince, a half-demon slacker, falls into another dimension and looks for a way back home in time for ramen night, but is chased by inter-dimensional guards who want to kill her for disrupting the balance.



Maura Campbell


Lonely neuroscientist Susan transfers her cat’s consciousness into a homeless coma patient. But when the cat gets his tongue it sends everyone into a flap, not least the Ethics Committee overseeing her experimental project.



Benjamin Jimenez


After the mysterious disappearance of flight MH777 in the Gulf of Malacca, and the reappearance of Dr. Milton James and his six fellow passengers three months later, Dr. James is confronted with a mysterious, life-threatening conspiracy that he and his companions must uncover before it kills them and, what could be worse, these secrets serve to destroy the world as we know it.



Rachel Amy Ritchie & Kate Burcham


When a vindictive murderer rudely interrupts their graduation gala, the university’s supposedly brightest must bare their secrets to unmask the killer and make it to graduation.



Collin Lieberg

Historical Drama

Based on a true story. Two newly recruited female Resistance members risk their lives to rescue downed soldiers and translate Nazi secrets as part of a civilian spy ring, only to face betrayal and capture.

2nd Rounder – Austin Film Festival

Top 50 – ISA Fast Track Fellowship

Quarterfinalist – Page Turner Genre Screenplay Competition

Quarterfinalist – Screencraft TV Pilot Competition



S. E. McKendrick


6 impossible things before breakfast?

  1. travel to a small English village on a whim
  2. find out that fairy tales are the historical documents of a parallel reality
  3. find out you’re cursed
  4. meet a mermaid
  5. meet a troll (who lives under a bridge)
  6. pet a dragon

Okay, that took until lunchtime, but wait ’til you see tomorrow’s schedule!



Pilot – “Tiro”

Rowan Wood


A group of college friends return from winter break to find that things are changing more rapidly than they expected.



Pilot episode – “Scott”

Jonathan Tedman


Robert Scott leads the Terra Nova expedition to Antarctica in his attempt to become the first human to reach the South Pole.



Zachary Thomas Starnes

Crime Drama/True Story

In the late 1970’s, a father and son set to build a legacy by taking a hidden bar in their small town, from a stash house for the mob, to the regions most popular joint and the centerpiece for the true stories of wildly good times and various crimes that circulate it… Everyone has a Thunderbolt story.





A local street pharmacist is forcefully recruited by a secret  government agency that wants him to distribute a new strain of narcotic to his customers but unbeknownst to him the new drug does more than gets you high but also makes you crave human flesh.