Even with help, it’s all on me

Another busy week here at Maximum Z HQ!

-Submissions continue to come in for the 2025 Script Showcase (which posts in exactly two weeks from today, so don’t keep putting off sending in!)

-Got some excellent notes back on both of the scripts that will be overhauled next year

-A few more scenes added to the new spec outline. Still hoping to have that completed by 31 December, but we’ll see

But what may be the biggest development is that I made some minor changes to the pitch deck I’d put together last year for my western, and then sent it to my manager to get his two cents.

He liked it – didn’t love it – and had some recommendations to make it much more effective for both appealing to producers and as a marketing tool.

My initial thought was “That seems like a lot that will also take away from my writing time.” But if this is how to move things forward, then so be it. I can split up how much time gets spent on each and still get results.

And most importantly, it’s not like there’s anybody else who’s going to do it. My script, my effort.

Yes, I know there are people I could hire to do it, but that’s not something I can do at the moment, and it would probably be a good thing to teach myself how to make these kinds of changes.

I was never one of those “I got repped, so now all I have to do is write and they can do all the heavy lifting” types.

My manager’s a busy guy. He’s got other clients. He still works in production. He’s got a family. If anything, I want to make it easier for him to be able to help me. In this case, that’s fine-tuning the pitch deck so he can take it out to potentially interested parties with confidence.

There’s no doubt he’ll have comments about the next version of the pitch deck, and there’ll probably be a lot of back and forth until it’s a solid piece of material. And that’ll be because of the work I put into it.

My career is making some slow and steady progress, and I’ve no intention of easing up on the throttle. I have always and will continue to do what I need to to make things happen. Fortunately, I have a little more help now, but for the most part it all still falls on my shoulders.

A burden I heartily embrace.

Did it before. Can do it again

Made an interesting discovery this week.

My manager and I have been doing what is for the most part a line-by-line edit/polish of my western.

(A quick aside to note that it is quite a thrill to include that part about having a manager.)

We’re about halfway through, so I took it upon myself to go through the second half and then go over it with him. I like how it turned out.

But while I was reading, one thing that really stood out about it: there were a lot more scenes and sequences than I remember. It had more of an impact this time because I’m still working on the story of my new spec, and seeing all those little scenes in the western that enhance the characters and story make me think “this is what I need to do for this one”.

I’m still figuring out the story, so this may just be me getting ahead of myself. I’m not concerned, and know I’ll eventually figure things out. This may just stem from seeing how put-together a previous script is and wanting to a similar outcome for the new one. This happens a lot during this stage in the process.

Not that I’m looking to re-capture what feels like lightning in a bottle, but figuring out the story and all the supporting details is always a challenge. I come up with the major plot points and then start filling in the blanks between them. Sometimes I’ll create a list of all the ideas and possibilities that could be included, and then start picking and choosing. I already had a few set pieces, so I may work on expanding that.

This is all part of how it works – for me, anyway. I’m always amazed to see another writer just crank ’em out with what appears to be little effort. This just reinforces the idea that I’m a plotter, not a pantser.

I don’t mind having to go through all of this. I’m sure I’ll be happy with the end result; it’s working my way there that’s the challenging part.

Did it before. Can do it again

The biggest note I’ve received on the animated fantasy-comedy is that my protagonist needs to be more involved; be the thing that drives things forward, and how what she does affects those around her.

The challenging part is figuring out how to do that while keeping a lot of important story details.

Challenging, but not impossible.

Just as I imagine this task becoming more insurmountable the more I think about it, I’m reminded that I did a major overhaul on my western that involved the same thing. The protagonist needed to be more proactive in driving the story forward.

The end result had A LOT of changes that required a new approach. It took some time, but I was able to accomplish that, and the script ended up being better for it.

No reason to think I can’t repeat it this time around.

Thus the revising is underway. Slow, but steady.

I’ll get there.