Month: September 2024

From the archives: Because ‘Journal of the Whills’ just doesn’t cut it*

Maximum Z animation, Back to the Future, Chinatown, comedy, determination, Die Hard, encouragement, fantasy, Harry Potter, ideas, perseverance, persistence, rewriting, screenplay, screenwriting, script, Star Wars, swashbuckler, title, writing , , , , , , , , , , , , , , , , , , ,
How DOES it look on a marquee?

As part of the ongoing rewrite of the animated fantasy-comedy, there have been more than a few suggestions to come up with a title of stronger significance and impact. While I struggle with that latest wrinkle, here’s a post from waaaay back in February of 2013 about the same situation with an earlier script. I eventually did come up with one, and am confident I can do the same this time around.

In the meantime, enjoy this blast from the past.

*the original title George Lucas had for STAR WARS. Not as good, right?

After reading countless spec titles in places such as The Black List and Done Deal Pro, I’ve come to the conclusion that my script really needs to undergo a name change.

DREAMSHIP

It sort of just…sits there, when instead it should be grabbing your attention and making you think, “Cool! I’ve gotta see this!”

Examples: BACK TO THE FUTURE. CHINATOWN. DIE HARD. See what I mean? Solid. Succinct. To the point.

I may go back to the original title – THE AMAZING DREAMSHIP ADVENTURE. It feels like it does a better job of conveying what the story’s about and what kind of ride you’re in for, but I wouldn’t put it past me to try and tweak it a little more.

It was also suggested that since this is more of a family-oriented kind of story, I should go the HARRY POTTER route and include the main character’s name. I’m not sure how I feel about that.

Having a good, strong title is key because it and the logline create the first impression. Do an effective job with that and you’ve got their attention. Just make sure the script/story can hold onto it.

Input much appreciated

Maximum Z action, animation, comedy, community, determination, draft, encouragement, fantasy, feedback, networking, notes, perseverance, persistence, rewriting, screenplay, screenwriting, writing , , , , , , , , , , , , , , , ,

In the past week and a half, I’ve had a pair of Zoom calls with writing colleagues – the first to discuss ideas for my action-comedy spec, and the second to review their potential fixes for the animated fantasy-comedy. Additionally, one friend did some pro coverage on the animated script, and another friend sent a video of their page-by-page analysis for it.

I can’t begin to describe how beneficial all of these were in making me feel more confident about each project.

I’d been feeling stuck regarding the story of the action-comedy, so talking through it with somebody helped fit a few more puzzle pieces into place. Also great – they love the concept of the story and think it has a lot of potential.

Still quite a ways to go on it, but every little bit helps.

As for the animated script, the general consensus was that a lot of it is solid, but a few areas could use a little adjusting that would all go a long way in improving it. Even better – these are not major changes, so although they’re still challenging, they’re not insurmountable. Just requires a little more effort on my part.

Another bonus was that all three had very positive and encouraging things to say about the script itself, and felt these changes would help take it to the next level. I’ve set a deadline to have a completed draft by the end of the year, but hoping it’s closer to the end of October. Either way, seems doable.

Like I said – feeling really good about both projects. And I definitely would not have gotten to this point if I hadn’t reached out and asked for this kind of feedback.

Your network of writers is one of the most underrated but also most valuable resources you have. Notes, encouragement, connections, just to name a few. I love helping out when I can, and I know that many times the feeling is mutual.

Even though I’ve gone through A LOT of drafts for the animated script, it wouldn’t be what it is today without the feedback from many of the writers I know. Any future success it could potentially yield will be due in no small part to what other writers had to say about it.

For which I am very, very grateful.

Rewrite: Here we go again

Maximum Z animation, comedy, determination, encouragement, fantasy, ideas, notes, perseverance, persistence, rewriting, screenplay, screenwriting, script, spec, story, writing , , , , , , , , , , , , , , ,

Bit of a shorty today.

More notes of exceptional quality have come in on the animated fantasy-comedy, so opting to do a little more work on it.

Going into this one being open to the suggestions, but not saying “yes” to everything.

I really want to make this one as solid as it can be, and it definitely feels like it’s getting there. The end goal is to have it ready for next year’s early bird deadlines.

It’s also a good thing to work on this because I’d been feeling a bit stuck on the story of the new spec, so a little time away may be just what I need.

Wish me luck.

A little re-educating never hurts

Maximum Z accountability, acts, development, draft, education, genre, ideas, outlines, patience, progress, protagonist, rewriting, screenplay, screenwriting, script, story, title, writing , , , , , , , , , , , , , , , , , ,

I’d already been working on the new spec for a bit when a friend offered up the chance to be a beta tester for his new screenwriting course.

It offers a lesson a day to help you get your first draft done. He admits the course is geared more towards newer writers still learning the ropes, but thought I might enjoy it – as well as provide feedback about my experience with it as needed.

I figured “Why not?” and signed up.

Just a few days in and I like how it’s going.

I’m following the lesson plan, which so far has involved the very basics – What’s your idea? Which genre is it? Tell us about your protagonist. Do you have a few ideas for the title? What’s the logline?

It would be really easy to blow all this off and just jump ahead, but I said I’d adhere to the guidelines, so that’s what I’m doing.

In some ways it’s helping take some of the pressure off and avoiding the trap of the whole “just write it!” mindset. Taking it nice and slow, and being slightly more reflective than usual is reaping some benefits. Getting the more manageable tasks out of the way has also resulted in a few more bursts of creativity – which is especially helpful as I continue to work on coming up with story ideas.

It’s almost zen-like in the approach.

I also like the accountability factor. It’s great for me to work on this, but I want to help my friend make the course as effective as I can, which is why I’m being diligent about completing each day’s lesson. I’d call that a win-win.

This is a 60-day course, and I’m still in the single digits and about to get into the outlining phase. Like I said, I’d already been working on this, so I have a lot of the first act in place – it’s the second act that’s proving to be the challenge.

But I’m not stressing about it. One lesson/task a day equals slow but continuously steady progress.

If things work out the way the course intends, then I should have a pretty solid first draft in just under two months, which is fine by me.

Then the rewrites begin, which will probably a totally different course.