A little re-educating never hurts

I’d already been working on the new spec for a bit when a friend offered up the chance to be a beta tester for his new screenwriting course.

It offers a lesson a day to help you get your first draft done. He admits the course is geared more towards newer writers still learning the ropes, but thought I might enjoy it – as well as provide feedback about my experience with it as needed.

I figured “Why not?” and signed up.

Just a few days in and I like how it’s going.

I’m following the lesson plan, which so far has involved the very basics – What’s your idea? Which genre is it? Tell us about your protagonist. Do you have a few ideas for the title? What’s the logline?

It would be really easy to blow all this off and just jump ahead, but I said I’d adhere to the guidelines, so that’s what I’m doing.

In some ways it’s helping take some of the pressure off and avoiding the trap of the whole “just write it!” mindset. Taking it nice and slow, and being slightly more reflective than usual is reaping some benefits. Getting the more manageable tasks out of the way has also resulted in a few more bursts of creativity – which is especially helpful as I continue to work on coming up with story ideas.

It’s almost zen-like in the approach.

I also like the accountability factor. It’s great for me to work on this, but I want to help my friend make the course as effective as I can, which is why I’m being diligent about completing each day’s lesson. I’d call that a win-win.

This is a 60-day course, and I’m still in the single digits and about to get into the outlining phase. Like I said, I’d already been working on this, so I have a lot of the first act in place – it’s the second act that’s proving to be the challenge.

But I’m not stressing about it. One lesson/task a day equals slow but continuously steady progress.

If things work out the way the course intends, then I should have a pretty solid first draft in just under two months, which is fine by me.

Then the rewrites begin, which will probably a totally different course.

There it is!

The past few days have been all about doing some major rewriting on the animated fantasy-comedy.

A lot of it has remained the same, but I can also say that a lot has changed about it, and coming up with new stuff – or at least new approaches to what was already there – seemed more effective this time around.

I started with the mindset of “do what needs to be done, no matter what”. Apart from the core of the story, nothing was safe; not even material that had been there since the very first draft. I knew what was needed and would do what I had to to get there.

It wasn’t as tumultuous as I expected. In fact, it was a bit surprising how much ended up being changed, and even more surprising was how easy it was to come up with new stuff; almost as if some kind of door had been kicked open and the ideas wouldn’t stop coming in. If only it could be like that all the time, right?

This is the part of the writing process I truly enjoy. Just being creative and putting it on the page. It felt like I’d lost touch with that, and got a real kick out of experiencing it again.

Next up – sending the script to some beta readers. Fingers, as always, firmly crossed.

The timing of this burst of creativity was also fortuitous because I’ve been feeling very non-productive lately, so this was a nice remedy for that. Being able to recharge one’s batteries is an underrated skill.

With this rewrite now in the past, I can now focus on a few projects that got put on hold because of it.

Looking forward to taking on all of them.

RIP, darlings

One of my biggest challenges when it comes to rewrites has always been letting go of what’s on the page now and making whatever changes are needed.

It’s taken time to learn to get better at this.

Such was the case with the current rewrite.

I was going through the previous draft, marking up what needed to be done.

I got to a scene that I loved, but ultimately realized that it simply didn’t need to be there. Broke my heart to take it out, but I had to do what was best for the script, not me.

There were a few scenes that had to be adjusted a bit as a result of that, which in retrospect was a pretty good thing. Those scenes are now tighter and help keep things moving along.

And it’s not like I can’t use the content of the cut scenes again. They’ll just be stored away for potential use in the future – for this script or possibly another.

Cutting that one scene has also resulted in being more open to doing more with other scenes. I’ve enjoyed working with the mindset of “Is there a different way to do this?” and then exploring the possibilities. It’s not uncommon to go through several versions before finding the one that works.

Don’t know how long it’ll take to get through the rest of the script, but I’m quite happy with how it’s going. This in turn makes me want to work on it more, so there’s a chance it could even be done sooner than expected.

I honestly think the end result will be a much better script. All because I was willing to get rid of/change material I thought was already good.

Did it before. Can do it again

The biggest note I’ve received on the animated fantasy-comedy is that my protagonist needs to be more involved; be the thing that drives things forward, and how what she does affects those around her.

The challenging part is figuring out how to do that while keeping a lot of important story details.

Challenging, but not impossible.

Just as I imagine this task becoming more insurmountable the more I think about it, I’m reminded that I did a major overhaul on my western that involved the same thing. The protagonist needed to be more proactive in driving the story forward.

The end result had A LOT of changes that required a new approach. It took some time, but I was able to accomplish that, and the script ended up being better for it.

No reason to think I can’t repeat it this time around.

Thus the revising is underway. Slow, but steady.

I’ll get there.

Spark: re-ignited

Despite how busy I’ve been the past few weeks, one of my ongoing projects has been the animated fantasy-comedy. It’s been rewritten and polished many times, but I knew it still needed at least one more draft.

A slow but steady influx of exceptionally helpful notes will make a significant contribution to this effort.

More than a few of the notes had the same thing to say, and after some intense analysis and evaluation, incorporating the intent of those notes into this new draft could have a major impact on really elevating the quality of this script.

I don’t say this from a place of ego or hyperbole; just about all the notes said the script was really good, but with a few tweaks and adjustments, it could be really, REALLY good.

How could I refuse?

Although extensive rewrites are sometimes necessary, going into this draft having a much more established idea of what I need to do – along with a few ideas of how to do it – fills me with a renewed sense of excitement and enthusiasm.

Suffice to say I am really looking forward to taking this one on.

This is the part of the writing process I’ve always enjoyed – having fun with putting it all together. It probably also helps that I love the story and the characters, and want to present it all in the best possible way.

I’m also glad I decided to skip this year’s contests because now I have more time until the next round of deadlines to get this thing into shape (along with saving a decent chunk of change).

The initial round of planning and outlining is already underway, with confidence levels running strong. Definitely looking forward to see how this all plays out.