Busy times around Maximum Z HQ (including some details listed below), so another shorty today, but first:
Big announcement time!
Two weeks from today, the 2018 Maximum Z Screenwriter’s Gift Guide will go up. It’ll feature holiday deals on script consulting services (from many of the consultants profiled on these very pages), books about screenwriting written by screenwriters, along with books written by screenwriters, but aren’t about screenwriting, as well as all kinds of other fun stuff that any screenwriter would enjoy receiving.
If you have a product or service like these that you’d like to be included, or if you’re a filmmaker with a crowdfunding effort for your latest project, and you’d like more people to know about it, don’t hesitate to drop me a line. (Email’s on the About Me page)
Cutoff date is Tuesday 20 November, so don’t wait until the last minute!
Now about those aforementioned busy times…
-Slow but steady progress on the horror-comedy spec. So far, my outline-to-page ratio is a bit off – page count exceeding outline expectations – which means I’ll some major editing (i.e. cutting) to do once it’s complete. But I’m having fun writing it, which is really what it comes down to anyway.
-Also have a little touch-up work to do on the sci-fi spec, with the help of some recently-received great notes.
-Been busy with the occasional reading and giving-of-notes. Have I mentioned how great it is to know so many talented writers? Yes indeed.
-Speaking of crowdfunding, filmmaker Ben Eckstein is looking for more backers for his current project WINNING. They’re a portion of the way there, but every little bit helps. Donate if you can!
With the holiday shopping season now fully underway, you might be stumped as to what get that special screenwriter in your life, or maybe you’re a screenwriter with a desire to treat yourself.
Worry no more! Here’s a list of some holiday deals being offered by some well-known and exceptionally talented script consultants, along with a few books penned by some very savvy and creative scribes.
Keep in mind that a lot of these deals are time-sensitive, with more than a few expiring on November 30th, so act fast!
Need help showing up to write? Feeling blocked? Lost your writing mojo? Join the Called to Write Coaching Circle, Jenna Avery’s signature online program designed to help writers write every day. Save $50 on your first 28-day writing session with coupon code MAXIMUMZ. Find more and register here: http://justdothewriting.com. Next session starts on December 3rd, last day to register is November 30th.
–ScriptArsenal. 20% off Regular coverage, Comments-only coverage and Studio Notes – thru Thursday the 30th. Promo code “THANKS20”
-The fine folks at The Be Epic Experience are offering big discounts on all their services, starting at $100 off, through January 1st.
–Phil Clarke of Philmscribe. Use promo code BLACKNEWS via www.philmscribe.com/contact to get 20% off the Annotation, Analysis or A&A services for a 2018 consult through the end of November. Phil is based in the UK, so exchange rates and fees do apply.
–Steve Cleary. 30% off all screenwriting services. Make sure to mention this blog when contacting him.
–Barri Evans of Big Big Ideas. A special deal on her logline service just for readers of this blog. Using the code Maximum Z Pie in the subject line, send her an email that includes your script’s title, genre, and logline, and she’ll provide you with free feedback.
–Namita Kabilas of the NK Network. For a limited time only, join the Screenwriters Training Hub – your very own flexible online mobile screenwriting resource with access to regular monthly training videos, worksheets, expert tips, e-books, audiobooks, hosted webcasts on good writing AND one-to-one mentoring with Namita all for just $79 a month. Namita is based in the UK, so exchange rates and fees will apply.
–Jim Mercurio of A-List Screenwriting. Half-price on his 6-disc instructional DVD set and his Snapshot Evaluation script read service through November 30th. Plus, every order includes a complimentary copy of Jim’s Killer Endings DVD lecture.
-Phil Parker of Stories by Phil. 20% off script services, which includes a 30-minute Skype session. Phil is based in Australia, so exchange rates and fees will apply.
– Looking for a laugh? Half-Loaded by Don Holley. Don wrote the cult comedy National Lampoon’s Loaded Weapon 1, and this memoir chronicles his “wildly unlikely odyssey from obscurity to success and back again.”
Chances are you came to this blog/post via a link from an online screenwriting group or forum. (If you’re a first-timer – welcome! Feel free to subscribe.)
When time permits, I’ll browse through some of the groups to check out what kinds of subjects and topics are being discussed. There are also questions. A LOT of questions. Those can range from “How do I get an agent?” to “What’s the proper format for this?” to “How do these pages look?”, all of which will yield a wide variety of answers.
I don’t usually comment because most of the time I come into it late and somebody with just as much if not more experience than me has already said what I was going to say.
There was a recent post where somebody asked what the best screenwriting book was. Answers ranged from several well-known titles to “read scripts instead”.
To a certain extent, I think those are both good answers. The books that helped me the most were Dave Trottier’s The Screenwriting Bible, primarily in terms of getting a good handle on formatting and the basics of structure, and Paul Lucey’s Story Sense, which expanded on both (and appears to be out of print, but still worth tracking down a copy.)
While some books might help you get a grasp of the basics, the real learning comes from immersing yourself in reading scripts and working on your own. Another helpful practice is to watch a film with the script in hand, following along with the action onscreen while seeing how it’s written on the page.
Reading a script can really help show you what should and shouldn’t be there, which you can then apply to yours.
This doesn’t just apply if you’re just starting out. I still get a kick out of reading scripts, whether it’s from the Black List, or one somebody recommended, or even when someone asks me for notes. Bonus points if it’s somebody within my network of writing colleagues; I know they can deliver the goods, and that’ll be reflected in their script.
I’ve also seen my fair share of terrible scripts, usually identified as such by the content of the first page. If that’s not good, there’s little hope of improvement for the rest of it. The silver lining here is you will quickly see how NOT to do it, thereby ensuring you won’t duplicate it.
So while you should definitely devote time to writing your script, make sure you set some time aside to read scripts. You’ll be entertained AND learn at the same time.
-Filmmaker/script consultant/friend of the blogJimmy George is offering a special limited-time discount for first-time clients – 50% off all script services. No matter what you’re working on, whether it’s a feature, a short, or TV, Jimmy’s ready to help you out. But better hurry – the offer’s only good until October 11th.
After a gap of several years, I recently had the opportunity to reconnect in person with a respected colleague who has had more than their fair share of experience dealing with writers of all shapes, sizes, and levels of talent.
This person used to deal a lot with screenwriters, but now deals primarily with writers of manuscripts. Over the course of our conversation, I was asked about my scripts and my writing (What do I like to write? What genres are the scripts I have now? What kind of stories am I working on?)
As has been documented here before, my genre of choice is definitely adventure, along with hyphens connecting them to other genres (i.e. western-adventure, pulp sci-fi adventure, etc).
I gave a quick thumbnail sketch/five-second elevator pitch for the two completed and the one currently in revision mode.
You’d be harder pressed to find a stronger advocate for using your already-existing material as a springboard to jump into other mediums – primarily books and/or graphic novels.
It was their opinion that all three sounded like very original and fun ideas, which would make each a prime candidate for attracting attention. And this person has also been following the blog for quite a while, so their opinion is also that my writing is pretty solid. They cited examples of writers they knew who’d foregone the traditional route of trying to get in with one of the high-profile publishing houses and done it all themselves, each achieving respectable levels of success. Nothing to break the bank, but still some impressive numbers.
“A script is more or less an outline for a novel. And even though you’re not limited by page numbers, it still takes talent to create a novel,” I was told. “Your stories are original and unique, which makes them prime candidates for this. At least think about it.”
Believe me, I am.
My success in trying to get these scripts through to reps and production companies has been practically non-existent at best, yet I persist. I’m sure I’ll continue along that avenue, but this new alternative is definitely food for thought.
I’ve been told by more than a few people that my writing is very visual (which you would think would make it ideal for film), and that it really moves. In the past, I’ve entertained and even at times partially investigated the notion of applying my scripts to a graphic novel format (a great match), but am also not averse to trying my hand at converting it to pure prose.
I’ve no intention of stopping writing scripts. I like it too much. But I also like the pure act of writing by itself, so for the time being, all this talk about working in other formats is nothing more than speculation and conjecture.