The only constant is change

Even though a lot of the past week was family-oriented, thoughts about the current spec were omnipresent. There’s still a lot to figure out, but things are progressing, albeit slowly.

One positive result is that as these ideas develop, each causes a ripple effect in terms of how it impacts the rest of the story.

Just as an example, I needed to come up with a very important story detail, so started listing all the possible reasons how it could happen. I came up with one I felt worked best and started implementing it into the still-under-construction outline. That in turn triggered thoughts of “that could be because of ____” or “what if ____ is why?”.

A little more rejiggering of possibilities and how they’d fit into the story and voila! Some really helpful ideas and additional details that strengthen its designated storyline AND how it affects a few others.

When I started this project, I reminded myself that the end result would most likely be very different while the core story remained the same. Staying on top of all those little details is really keeping me on my toes, while also forcing me to constantly ramp up my creativity to make this script as original and entertaining as possible.

It’s a safe bet I’ll come up with more story-changing/impacting ideas over the next few weeks, but I welcome them and will deal with those as they happen.

The main focus remains just putting it all together.

From the archives: Guaranteed to last forever

A key element in this

My father passed away last weekend. One of the fondest memories I have of him is recounted in this post from March 2016, and is still relevant today.

Enjoy.

Something just a little different and of a somewhat personal nature today.

In the summer of 1982, I went to see Star Trek II: The Wrath of Khan.

With my dad.

At a night-time show (probably the 7:30 one).

As a thunderstorm raged outside (typical south Jersey summer weather conditions).

It was a great night.

All of these elements combined to make what was one of the most memorable times I’ve ever had at the movies. What made it that way? I can’t say specifically, but it just was.

It’s still something I will truly never forget. If I ever get to meet Nicholas Meyer, I’ll make a point of telling him that.

Maybe someday a dad and his son or daughter will go to see a movie I wrote, and that child will experience the same sensation I did: the creation of a memory they cherish for the rest of their life.

(Whether or not they tell me about it in their adult years is beside the point, but I wouldn’t object.)

What writer wouldn’t want to have their work be the basis for something like that?

And now I’m a dad who enjoys going to the movies with my child. Could history repeat itself and we see a movie, and we have a great time, and it’s something she’ll remember for the rest of her life?

So far, it hasn’t happened yet (as far as I know).

But it sure is fun to keep trying.

A most influential guideline

Development of the latest story has been moving along smoothly. The jotting-down of ideas and my excitement about putting this together both continue to hold steady.

Part of this is simply because I think it’s a fun story worth telling.

It’s also something I advise writers just starting out:

Write something you would want to watch

Pretty simple, isn’t it?

It’s always worked for me. I like a particular kind of story, so I feel best suited to write that kind of story. And it shows.

I’ve always found that a writer’s enjoyment and appreciation of the material can be seen on the page. In how the story is told. What mental imagery it creates. The overall vibe.

Really embracing the elements and components of the story goes beyond just telling the reader or audience a story. It should get them invested just as much as you are. Make them feel all the emotions you would if you were reading it, and then some.

How do you feel about your current project? Would a reader get the sense that you love this kind of story? That you had a great time writing it?

It can also be a challenge to not overdo it. You don’t want to let how you feel about the story get in the way of solid storytelling and good writing. The last thing you want to do is alienate a reader or belittle them because they don’t share your enthusiasm. Look at your script as an opportunity to showcase the things you like about this kind of story.

You also want to be careful not to fall victim to relying on whatever tropes and clichés this kind of story may involve. What’s a unique and original spin you can put on it to really make it feel “familiar but different”? It’s always great when somebody starts a story with pre-established expectations, and then you surprise them by taking them in a new and different direction that still works within the context of the story.

Although the whole process of putting it all together takes time, I’m excited to be doing it. Figuring it all out and playing around in this particular sandbox adds to the enjoyment. I totally accept there will be some stumbles along the way, but I have a great time putting myself through it, and hope the reader does too.

Embracing my inner Stan

“I used to be embarrassed because I was just a comic book writer while others were building bridges or going on medical careers. Then I realized that entertainment is one of the most important things in people’s lives. I feel if you’re able to entertain, you’re doing a good thing.”

That’s a quote from Stan Lee that has been ringing true a little more often for me lately.

When another writer asks me “What do you write?” or “What do you like to write?”, my go-to answer is “fun, popcorn adventures.”

Serious dramas, character studies, and examination of the human condition just aren’t my thing. If I can give you 100ish minutes of pure escapism, I’m a happy guy.

“Write something you would want to watch” I always tell newer writers. I go to the movies to have fun and enjoy myself, so that’s what I like to write.

I’m a member of an online writing group, and I always felt very self-conscious when I’d submit pages. Other members were PAGE and Nicholl-winning writers, and I’ve got an animated story about a young witch, her talking cat, and the state of New Jersey. Who wouldn’t feel a bit silly about that when other scripts are about dysfunctional families and dissolving marriages?

Interesting side note to that: some readers had a tough time adjusting to the fact that it was an animated story, while others marveled at how fun and creative it was.

I think it was going to Austin that helped me turn the corner on how I viewed the overall picture.

When you get together with a whole lot of other writers, discussing your script is an automatic part of the equation. I was quite proud of how my script had turned out – both as a script and for the competition, and wanted to convey that pride while talking about it. So I did. When somebody would say “What’s your script about?”, I’d smile and tell them without a moment’s hesitation.

It’s safe to say just about every reaction was a positive one. Each person thought it sounded great, plus a few “I’d like to read that”.

My current project is a rewrite of the sci-fi adventure. Similar kind of situation. Scientists. Monsters. Diabolical plots. Typical me kind of stuff. It’s still very rough, but you can see my enthusiasm for it on the page. Why not take it and run with it, head held high, so to speak?

I submitted the first ten pages to the online writing group, pitching it exactly how I wanted to, including the apt descriptor “This is a fun, silly romp.” I wanted the other members to know what kind of story they should be expecting. Hopefully some of them keep that in mind. It’ll be interesting to see what the reactions are.

Like Stan Lee says in his quote, I used to downplay what my scripts were about because I thought people might look down their noses at that sort of thing. But after seeing how others have reacted to my scripts and what I like to write, I realize that a lot of the time people want to hear that sort of thing. They want to be entertained.

There’s just as much of a demand for fun popcorn escapism as there is for serious drama.

I can appreciate the latter, but am much better suited for writing the former.

And in keeping with the spirit of the post – Excelsior!

Full speed ahead!

Apart from a few tweaks on the animated fantasy-comedy, the past few weeks have been all about cranking out the new draft of the sci-fi adventure.

And “cranking out” seems to be the appropriate term.

My usual process is to write a few pages, go back and do some work on them, then move on to the next set.

Not this time.

I write ’em and move on. No looking back.

No editing. No tweaking. Nothing.

There is absolutely no doubt there’ll be a ton of editing and rewriting when it’s done, but for now it’s “just get the damned thing written”.

Current output is about 2-3 pages a day, so if I can maintain that pace, there’s no reason to believe it couldn’t be wrapped up by the end of June or thereabouts.

Also nice – I’m having a great time telling this story, and I hope that enjoyment comes across to future readers.

I don’t know if I’ll continue to use this method for future scripts, or even for future drafts, but for now it seems to be working. It’s definitely different and takes some getting used to, but I don’t mind.

-last-minute addition! as of this writing, the aforementioned fantasy-comedy was announced as a quarterfinalist in the animation category for StoryPros. Not too shabby, especially since it’s been rewritten/polished a few times since then to what I believe is a more put-together version.

While it would be great for it to continue moving forward, I’m quite happy with this.

-The writers strike continues, with no end in sight. Here’s hoping that that changes soon. #WGAStrong